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"Self-perception in women"
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Low-fat love stories
\"'Low-Fat Love Stories' is a collection of short stories and visual portraits based on interview research with women about a dissatisfying relationship with a romantic partner or relative, or their body image. The stories focus on settling in relationships, the gap between fantasies and realities, relationship patters, divorce, abuse, childhood pain, sprituality, feeling like a fraud, growing older, and daily struggles looking in the mirror. Once upon a time and happily ever after take on new meaning as the women's stories reveal the underside of fairytales and toxic popular culture. Written in the first-person with language taken directly from each woman's interviews, the stories are raw, visceral, and inspirational. As a collection, the stories and art set you on an emotional rollercoaster and illustrate the different forms \"low-fat love\" may take, and the quest for self-worth in the context of popular culture that tells women they are never enough. The authors developed an original method of \"textual visual snapshots\" for this book.\"--Back cover.
Book
Neon wasteland
This path-breaking book examines the lives of five topless dancers in the economically devastated “rust belt” of upstate New York. With insight and empathy, Susan Dewey shows how these women negotiate their lives as parents, employees, and family members while working in a profession widely regarded as incompatible with motherhood and fidelity. Neither disparaging nor romanticizing her subjects, Dewey investigates the complicated dynamic of performance, resilience, economic need, and emotional vulnerability that comprises the life of a stripper. An accessibly written text that uses academic theories and methods to make sense of feminized labor, Neon Wasteland shows that sex work is part of the learned process by which some women come to believe that their self-esteem, material worth, and possibilities for life improvement are invested in their bodies.
eBook
Black Beauty: Aesthetics, Stylization, Politics
Previous work discussing Black beauty has tended to concentrate on Black women's search for white beauty as a consequence of racialization. Without denying either the continuation of such aesthetics or their enduring power, this book uncovers the cracks in this hegemonic Black beauty. Drawing on detailed ethnographic research amongst British women of Caribbean heritage, this volume pursues a broad discussion of beauty within the Black diaspora contexts of the Caribbean, the UK, the United States and Latin America through different historical periods to the present day. With a unique exploration of beauty, race and identity politics, the author reveals how Black women themselves speak about, negotiate, inhabit, work on and perform Black beauty. As such, it will appeal not only to sociologists, but anyone working in the fields of race, ethnicity and post-colonial thought, feminism and the sociology of the body.
eBook
Seeing ourselves : women's self-portraits
This richly diverse exploration of female artists and self-portraits is a brilliant and poignant demonstration of originality in works of haunting variety. The two earliest self-portraits come from 12th-century illuminated manuscripts in which nuns gaze at us across eight centuries. In 16th-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, spanning adolescence to old age. In 17th-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the 18th century, artists from Elisabeth Vigee-Lebrun to Angelica Kauffman express both passion for their craft and the idea of femininity; and in the 19th the salons and art schools at last open their doors to a host of talented women artists, including Berthe Morisot, ushering in a new and resonant self-confidence. The modern period demolishes taboos: Alice Neel painting herself nude at eighty, Frida Kahlo rendering physical pain, Cindy Sherman exploring identity, Marlene Dumas dispensing with all boundaries. The full verve of Frances Borzello's enthralling text, and the hypnotic intensity of the accompanying self-portraits, is revealed to the full in a completely revised edition of this inspiring book.
Book
Women's Lifeworlds
Women's Lifeworlds explores the diversity and complexity of women's perceptions and reactions to their own 'lifeworlds' in their own words. Examining the changing meaning of 'place' in women's lives over time and across space, this book questions how women face, negotiate and shape the social space of their environment. Engaging personal narratives are presented by fifteen women of various age groups, from different cultural, religious, social and geographical backgrounds, from Mexican politician, Muslim psychiatrist, Finnish housewife to Indian guru and African rural woman. Writing about the lives of their grandmothers, mothers, themselves, their daughters or other close female relatives, the authors of these life narratives cross generational and cultural divides and share perceptions with each other. This unique inter-generational approach provides an engaging challenge to the generalised assumptions of how women in various historical and cultural contexts feel about womanhood, life, society, culture and religion.
eBook
Daughters of the moon, sisters of the sun : young women & mentors on the transition to womanhood
This book is for teenage girls to read. Refreshingly frank and engaging first person stories, highly notable mentors, and stunning photography.
eBook
Branding Black Womanhood
CaShawn Thompson crafted Black Girls Are Magic as a proclamation of
Black women's resilience in 2013. Less than five years later, it
had been repurposed as a gateway to an attractive niche market.
Branding Black Womanhood: Media Citizenship from Black Power to
Black Girl Magic examines the commercial infrastructure that
absorbed Thompson's mantra. While the terminology may have changed
over the years, mainstream brands and mass media companies have
consistently sought to acknowledge Black women's possession of a
distinct magic or power when it suits their profit agendas.
Beginning with the inception of the Essence brand in the
late 1960s, Timeka N. Tounsel examines the individuals and
institutions that have reconfigured Black women's empowerment as a
business enterprise. Ultimately, these commercial gatekeepers have
constructed an image economy that operates as both a sacred space
for Black women and an easy hunting ground for their dollars.
eBook