Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Content Type
    • Item Type
    • Is Full-Text Available
    • Subject
    • Country Of Publication
    • Publisher
    • Source
    • Target Audience
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
47 result(s) for "Sewing Fiction."
Sort by:
Mr. Frank
\"On his last day before retirement, Mr. Frank is sewing the most wonderful outfit of his long career. In all his years working as a tailor, Mr. Frank has made all kinds of clothes. From the practical uniforms of the 1940s to the wild and weird designs of the 1960s and 1970s, he has seen (and sewn) just about everything. But todays project is especially close to Mr. Frank's heart. With its use of textiles and sensitive period detail, Irene Luxbacher's artwork that is the perfect complement to her understated text. The result is a story that children and grandparents can share with equal delight\" -- Provided from publisher.
Poppy's Pants
A colorful story about using creativity to find solutions to life's everyday challenges.
Freddy's teddy
Little Teddy has a rip, but Freddy's mother has needle, thread, and more than enough stuffing to fix him.
Dress Culture in Late Victorian Women's Fiction
In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms &dquotedress culture.&dquote Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.
The Oysterville sewing circle : a novel
At the break of dawn, Caroline Shelby rolls into Oysterville, Washington, a tiny hamlet at the edge of the raging Pacific. She's come home. Home to a place she thought she'd left forever, home of her heart and memories, but not her future. Ten years ago, Caroline launched a career in the glamorous fashion world of Manhattan. But her success in New York imploded on a wave of scandal and tragedy, forcing her to flee to the only safe place she knows. And in the backseat of Caroline's car are two children who were orphaned in a single chilling moment - five-year-old Addie and six-year-old Flick. She's now their legal guardian - a role she's not sure she's ready for. But the Oysterville she left behind has changed. Her siblings have their own complicated lives and her aging parents are hoping to pass on their thriving seafood restaurant to the next generation. And there's Will Jensen, a decorated Navy SEAL who's also returned home after being wounded overseas. Will and Caroline were forever friends as children, with the promise of something more...until he fell in love with Sierra, Caroline's best friend and the most beautiful girl in town. With her modeling jobs drying up, Sierra, too, is on the cusp of reinventing herself. Caroline returns to her favorite place: the sewing shop owned by Mrs. Lindy Bloom, the woman who inspired her and taught her to sew. There she discovers that even in an idyllic beach town, there are women living with the deepest of secrets. Thus begins the Oysterville Sewing Circle - where women can join forces to support each other through the troubles they keep hidden. Yet just as Caroline regains her creativity and fighting spirit, and the children begin to heal from their loss, an unexpected challenge tests her courage and her heart. This time, though, Caroline is not going to run away. She's going to stand and fight for everything - and everyone - she loves.
Poppy's pants
Penelope's Poppy always wears khaki pants. When he finds a hole in one pair, he asks Penelope to patch it. Penelope likes to sew, but she soon realizes that mending the hole is more complicated than she first thought. Penelope struggles with the challenges and frustrations, but, with a little help from her mama, she finally-and creatively-repairs Poppy's pants. Poppy's Pants is about perseverance and problem-solving. Through Penelope's example youngsters discover the satisfaction of finding solutions on their own, even if the solution is not the way other people might solve it. Sometimes the best solutions come from being creative-using your head and your hands. A postscript written by the author's father, Pat Conroy, best-selling author of The Great Santini and The Prince of Tides, gives a personal, behind-the-scenes description of the book's characters and the author.
Clothes minded
Zoey worries that she is closed-minded when she fouls things up trying to help someone who has a crush on her friend and when she tries to bar someone from joining the school's fashion club.
‘Only connect’: the case for public health humanities
Humanities in health has until now been primarily understood to mean humanities in medicine and has generally failed to include public health. I will argue in this paper that the common justifications for the former—including increased empathy among practitioners—are at least as applicable, if not more, to the latter. Growing emphasis on the social determinants of health and cultural competency in public health require public health students and professionals to develop a nuanced understanding of the influence of social context on health behaviour and to empathise with people in difficult circumstances. Literary fiction has been demonstrated to have an impact on skills related to empathy and social intelligence. Further, translating epidemiological evidence into public policy is a core task of public health and there is a growing body of research to indicate that statistical evidence is more persuasive when combined with narrative evidence. In this article I explore similarities and differences between proposed humanities in public health and programmes in humanities in medicine and highlight research gaps and possible implications of a more expansive view of humanities in health.
A house of tailors
When thirteen-year-old Dina emigrates from Germany to America in 1871, her only wish is to return home as soon as she can, but as the months pass and she survives a multitude of hardships living with her uncle and his young wife and baby, she finds herself thinking of Brooklyn as her home.
Women writing cloth
Women Writing Cloth: Migratory Fictions in the American Imaginary argues that cloth-work serves as a textual signifier of mobility and preservation, constituting a revolt against a devaluation of cultural heritage and a distrust of the self. Bona develops a new framework for examining analogies between weaving and storytelling, the flow of needlework across place and time, women's labor and status, and the power of cloth-work as both means and metaphor for cultural reintegration across borders.