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835 result(s) for "Shame in literature."
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Silence
Shame unjustified unwarranted lasts a long time...
Embodied shame : uncovering female shame in contemporary women's writings
\"How does physical, emotional, and sexual abuse shape women's perceptions of their bodies and identities? How are women's psyches affected by the sexual, racial, and cultural denigration that occurs when women's bodies are represented as defective, spoiled, damaged, or dirtied? Embodied Shame skillfully explores these questions in the context of recent writings by North American women, contributing to work in shame theory and to feminist analyses of the intersections of theories of the body, affect, emotions, narrative, and trauma. By examining popular contemporary fictional - and nonfictional - texts, including Alice Munro's Lives of Girls and Women, Dorothy Allison's Bastard Out of Carolina, Toni Morrison's The Bluest Eye, Edwidge Danticat's Breath, Eyes, Memory, and Lucy Grealy's Autobiography of a Face, J. Brooks Bouson illuminates how deeply entrenched bodily shame continues to operate in contemporary culture, even as we celebrate the supposed freeing of the female body from the social and cultural constraints that have long bound it.\"--BOOK JACKET.
Silence
Shame unjustified unwarranted lasts a long time...
Silence
Shame unjustified unwarranted lasts a long time...
Tragedy in the age of Oprah
In an era of Twitter and televised therapy, it may seem that classic theatre has little place in contemporary society. Accustomed to the indulgences of a celebrity-driven culture, how can modern audiences understand and interpret classic works of drama? In Tragedy in the Age of Oprah: Essays on Five Great Plays, Louis Fantasia provides a provocative examination of the relationship between popular culture and classical tragedy. Making a persuasive argument for the lessons tragedy has to offer today’s audiences, Fantasia examines five enduring works of theatre: Euripides’ Medea, William Shakespeare’s King Lear, Jean Racine’s Phèdre, Friedrich Schiller’s Mary Stuart, and Eugene O’Neill’s Long Day’s Journey into Night. Fantasia discusses in detail each of these plays, framing them in a contemporary context that explores the suffering, responsibility, and identity that tragedy advocates. Each play is presented as an engaging, powerful encounter for the reader, recreating as closely as possible the impact of a great performance. A unique look at the role classical theatre can and should play in contemporary society, these essays reveal the lessons great plays have to teach us about ourselves. Directed toward theatre professionals and students, Tragedy in the Age of Oprah will also resonate with anyone interested in theatre, literature, and cultural studies.
Shame and the Anti-Feminist Backlash
i Shame and the Anti-Feminist Backlash examines how women opposed to the feminist campaign for the vote in early twentieth-century Britain, Ireland, and Australia used shame as a political tool. It demonstrates just how proficient women were in employing a diverse vocabulary of emotions—drawing on concepts such as embarrassment, humiliation, honour, courage, and chivalry—in the attempt to achieve their political goals. It looks at how far nationalist contexts informed each gendered emotional community at a time when British imperial networks were under extreme duress. The book presents a unique history of gender and shame, which demonstrates just how versatile and ever-present this social emotion was in the feminist politics of the British Empire in the early decades of the twentieth century. It employs a fascinating new thematic lens to histories of anti-feminist/feminist entanglements by tracing national and transnational uses of emotions by women to police their own political communities. It also challenges the common notion that shame had little place in a modernising world by revealing how far groups of patriotic womanhood, globally, deployed shame to combat the effects of feminist activism.ii iii
GETTING AWAY WITH IT
I POSSESS A PHOTOGRAPH of myself that was taken near midnight on New Year's Eve two decades ago. I'm on the dance floor at a nightclub and my then-girlfriend has an arm around my shoulder. She is speaking directly into my ear in a stern and purposeful way, trying to impress good sense into a self-certain young man with bulging muscles, blond tips in his hair and an obscene amount of alcohol in his system.