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84 result(s) for "Shopping malls Fiction."
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Shelter in place
Sometimes, there is nowhere safe to hide. It was a typical evening at a mall outside Portland, Maine. Three teenage friends waited for the movie to start. A boy flirted with the girl selling sunglasses. Mothers and children shopped together, and the manager at the video-game store tending to customers. Then the shooters arrived. The chaos and carnage lasted only eight minutes before the killers were taken down. But for those who lived through it, the effects would last forever. In the years that followed, one would dedicate himself to a law enforcement career. Another would close herself off, trying to bury the memory of huddling in a ladies' room, hopelessly clutching her cell phone-- until she finally found a way to pour her emotions into her art. But one person wasn't satisfied with the shockingly high death toll at the DownEast Mall. And as the survivors slowly heal, find shelter, and rebuild, they will discover that another conspirator is lying in wait-- and this time, there might be nowhere safe to hide.
The Final Days of Great American Shopping
An affectionate satire of the culture of self-indulgence, The Final Days of Great American Shopping exposes the American obsessions with money, mass marketing, and material objects. In Belladonna, a gated subdivision in upstate South Carolina, readers meet acolorful cast of characters doing their best to buy happiness in a series of sixteen closely linked stories from the past, present, and future. Whether speed dating, test driving cars, upsizing to dream houses, flying helicopters, or lusting after designer shoes, these small-town spenders have good intentions that often go hilariously awry as they search for emotional and spiritual comfort. Gilbert Allen is a master at character development and the individuals in this collection are no exception. Among them are the childless, emotionally distant couple Butler and Marjory Breedlove; the harried appliance salesman John Beegle and his precocious, pole-dancing daughter Alison; and the one-handed soccer wunderkind Amy Knobloch. Also featured are Ted Dickey the mastermind of the Mental Defectives self-help book series and the undefeated Speed Dating Champion of the World; Jimmy Scheetz, the pragmatic philanthropist behind Ecumenical Bedding; Ruthella Anderson, a retired first-grade teacher addicted to Star Trek and to extreme couponing; and the mysterious Gabriella, an aging Italian beauty who presides over Doumi Shoes. Arranged chronologically, the stories span nearly a century. While most are set in the recent past or in the immediate future, the book’s title story is set in 2084. It depicts a dystopian shopping mall worthy of George Orwell, John Cheever, or Flannery O’Connor, and raises the question, “Can America survive international terrorism, ecological apocalypse, and demographic disaster to morph triumphantly into the USAARP?\"
No easy way out
Teens Marco, Shay, Ryan, and Lexi form new allies in the quarantined mall--as the bodies pile up, the disease mutates, the Senator's authority is questioned, and it becomes clear there's no one to trust.
The Center Cannot Hold: Consuming the Utopian Marketplace
This article draws upon the utopian studies literature to integrate two strands of contemporary consumer research, the study of place and space and the analysis of consumer/marketer relations. Based on a longitudinal study of a festival shopping mall, we provide an emergent theory of how the utopian marketplace is experienced, a theory that hinges around three interlinked conceptual categories: sensing displace, creating playspace, and performing artscape, which are subverted by the center management’s maladroit refreshment of the retail offer. The relevance of this theorization for place‐based scholarship, together with its implications for researchers of consumer/marketer relations, is also discussed.
Gorilla on the run !
Biff, Chip and Kipper Stories: Decode and Develop More A are exciting new titles in the Oxford Reading Tree series. The stories continue to provide storylines full of humour and drama, with familiar settings and all your favourite characters with some new friends for Biff, Chip and Kipper. They also support children's transition from fully decodable readers, such as Floppy's Phonics, to a richer, wider reading experience with high-interest vocabulary. The inside cover notes provide advice to help adults read and explore the story with the child, supporting their decoding and language comprehension development.
Schema Theory, Hypertext Fiction and Links
This article provides a method of analyzing hyperlinks in hypertext fiction. It begins by showing that hyperlinks in hypertext work associatively. It then argues that schema theory can be used to analyze the ways in which readers approach hypertext reading as well as how links function in hypertext fiction. The approach is profiled via an analysis of external links in a Web-based fiction,10:01by Lance Olsen and Tim Guthrie. It shows that links are used to provide an ideological context to the narrative as well as forging a relationship between the fictional and actual world. The article ends by suggesting that schema theory could be used to analyze links in other hypertext fictions as well as informational hypertexts.
No dawn without darkness
With the power cut and the quarantined mall thrown into darkness, teens Shay, Marco, Lexi, Ryan, and Ginger must change in order to survive, and, when the doors finally open, they may not like what they've become.
Bones and the big yellow mystery
Young Detective Jeffrey Bones begins gathering clues when Mr. Green asks for his help finding the school bus he lost while shopping at the mall.
Geas
On the day I am trying to reckon with the loss of Gygax, the news is made public that I am leaving this, my current job, a good job with good people, for another job, which will also presumably have good people. The body is already quavering, contemplating giving up my house, this city, this skyline, this weather, and this, my native state, for something else with scorpions and desert. As I work on generating this bit of prose, faculty stop by my office to mock-accuse me for leaving, and to congratulate me. It is a mix. Their emotions, mine. I have loved this office, with its ravine view, and humming fan amid the silence, and green technology. This borders on an elegy for this job, this former iteration of Monson, which will be left behind and vacated like this space, like my parents' former houses, one after another, as we moved from place to place (to Saudi Arabia and away)-and an elegy for my students, whom I have loved also in my way. But elegy is grandiose. I am becoming maudlin. It is too much. I move close and I push away.