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"Smith, Patti Authorship."
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Devotion
\"In lyric essays, a story, poems, and photographs, Smith illuminates the whirl of chance and choice that stokes a writer's imagination, recounting her fascination on the eve of a trip to Paris with Simone Weil and an evocative, accidentally discovered film about Stalin's mass deportation of Estonians. In France, a gravestone, a televised figure-skating competition, a meal, and a garden all converge in what becomes Devotion, [a] ... fairy tale about a young, displaced Estonian skater and a solitary dealer in rare objects and arms. This ... fable about creativity and obsession, possession and freedom is followed by a meditation on how a work of art is, for other artists, a call to action\"--Booklist, 08/01/2017.
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DEVENIR ROBERTO BOLAÑO
En este ensayo se estudia un fenómeno marginal y a la vez prominente en la exégesis de la obra de Roberto Bolaño: la performance que hizo la veterana del rock, Patti Smith, como lectora del autor chileno, en una entrevista realizada en 2010 en Madrid. Smith se metaposiciona respecto al sistema literario pero igualmente hace uso de un concepto heredado del romanticismo, la congenialidad poética, y así se sitúa en una dimensión interautorial con Bolaño. A continuación, Smith realiza varios ejercicios: la (re) escenificación de su propia autoría poética, y la proyección de su presencia autorial como cantante sobre la ausencia de Bolaño. Estas intervenciones de Smith son analizadas a la luz de un estudio de Sonja Longolius dedicado al performing authorship, que a su vez retoma la teoría de Deleuze y Guattari sobre el devenir autor/a y la transmisión de los grandes textos (de culto).
In this essay, a marginal and –at the same time– prominent phenomenon in the exegesis of Roberto Bolaño’s work is studied: the performance offered by the rock-veteran Patti Smith as reader of the Chilean author, in an interview that took place in Madrid, in 2010. Smith metapositions herself with respect to the “literary system”, but she also uses a concept inherited from romanticism, poetic congeniality, locating herself in an inter-authorial dimension with Bolaño. Then, she performs several exercises: the (re)staging of her own poetic authorship, and the projection of her authorial presence as a singer on/from Bolaño’s absence. These interventions by Smith are analyzed in relation to a study by Sonja Longolius dedicated to the “performing authorship”, which at the same time takes up the Deleuze and Guattari’s theory of becoming author, and the transmission of the great texts (of cult).
Journal Article
