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result(s) for
"Snow Songs and music."
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Walking in a winter wonderland : based on the song by Felix Bernard and Richard B. Smith
by
Smith, Richard B., 1901-1935, lyricist
,
Hopgood, Tim, illustrator
,
Bernard, Felix, 1897-1944. Winter wonderland
in
Children's songs, English United States Texts.
,
Winter Songs and music.
,
Snow Songs and music.
2016
Based on the lyrics of the classic song, celebrates winter by following a family through frosty fields and snow-covered woods as they walk and play together.
La RepÚBlica Independiente De Magallanes: Music and Politics in Chilean Patagonia During the Cold War
2012
This essay analyzes the role that musical representations have played in the development and expression of regionalist sentiment in Magallanes, Chile, and asserts that residents of Magallanes participated in Cold War-era politics through a distinctively local lens. By examining Magallanes' unique socio-economic development in conjunction with oral histories collected from Magallanes residents, the essay reveals that local music became a medium by which musicians and music listeners expressed regionalist sentiments that became important components of their support for socialist president Salvador Allende and their rejection of the military regime that overthrew Allende in 1973.
Journal Article
From Songs to Tears: PW Talks with Barbara J. Taylor
2014
A family legend inspired Barbara J. Taylor to highlight her hometown of Scranton PA in her debut novel, Sing in the Morning, Cry at Night. In an interview, she discusses her inspiration for the novel, where she got her idea for the title and why she included commentary by a chorus of church women.
Trade Publication Article
Postscript
2015
on a cool and breezy but sunny May day in the year 2000 (Clarence’s ninety-fifth year on this earth), my wife, Kathy, my friend Joe, and I drive down Coreys Road and pull into the short, steep driveway of the Petty home.
Clarence is expecting us and is already out the door as we stop. I never quite knew what Clarence might be doing on my many visits over the past few years. One time, he had an electrician rewiring the entire house. The man’s assistant had failed to show up, so Clarence was spending the day helping him run
Book Chapter
Chicago Tribune Howard Reich column
2015
Maybe it was hearing Chicago gospel queen Mahalia Jackson thundering on the radio or listening to rousing hymns every Sunday morning at Holy Angels Catholic Church, on East Oakwood Boulevard, or just reveling in the joyous jazz, blues and R&B that cried out from open windows in his Bronzeville neighborhood on sweltering summer nights.
Newsletter
Piece from Beargrease-inspired song cycle to debut Sunday
2015
The full \"Crazy Cold Beautiful\" song cycle is set to premiere with performances including the Borealis Chorale and Orchestra, Take Jack and Grand Portage drummers on Feb. 5 at Bethlehem Lutheran Church in Grand Marais, and Feb. 6 at Sacred Heart Music Center in Duluth.
Newsletter
Cutumay Camones: Popular Music in El Salvador's National Liberation Movement
1999
Between 1975 and 1992 El Salvador witnessed one of the largest Latin American revolutionary mobilizations in recent memory. Almeida and Urbizagastegui argue that the use of indigenous cultural resources in the form of popular music enhanced the process of revolutionary mobilization.
Journal Article
In Which a Coffin Is a Bed But an Ox Is Not a Coffin
2013
The winter of 1881 found Frances Bingham reluctantly arranging for her move from the spacious comfort of her father-in-law’s bonanza farm on the Dakota prairie to her almost-completed new home six miles away in Fargo. The arrangement that had suited both Percy and Frances since she had joined him in Dakota three years earlier—in which Percy insisted that he would soon leave his job as a newspaperman for the FargoArgusto make a new start back east, and Frances, in turn, reasoned that it made no sense for her and their son, Houghton, to move to Percy’s two
Book Chapter
Second Set
2017
Between first and second sets, Cornell student Rick Koh found himself at the front of the crowd at Barton Hall. Although it was an excellent vantage from which to watch the musicians, Koh found it harrowing being pressed between the mass of bodies behind him and the metal barrier in front of him. He recalls, “I was on the rail right in front of Jerry. It was really packed in there.” The precarious situation for those on the rail was never lost on the Dead. They knew that many fans wanted to be as close as possible to the stage,
Book Chapter