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463 result(s) for "Sonnet -- History and criticism"
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The Cambridge companion to the sonnet
\"Beginning with the early masters of the sonnet form, Dante and Petrarch, the Companion examines the reinvention of the sonnet across times and cultures, from Europe to America. In doing so, it considers sonnets as diverse as those by William Shakespeare, William Wordsworth, George Herbert and e. e. cummings. The chapters explore how we think of the sonnet as a 'lyric' and what is involved in actually trying to write one. The book includes a lively discussion between three distinguished contemporary poets - Paul Muldoon, Jeff Hilson and Meg Tyler - on the experience of writing a sonnet, and a chapter which traces the sonnet's diffusion across manuscript, print, screen and the internet. A fresh and authoritative overview of this major poetic form, the Companion expertly guides the reader through the sonnet's history and development into the global multimedia phenomenon it is today\"-- Provided by publisher.
The Cambridge Companion to the Sonnet
Beginning with the early masters of the sonnet form, Dante and Petrarch, the Companion examines the reinvention of the sonnet across times and cultures, from Europe to America. In doing so, it considers sonnets as diverse as those by William Shakespeare, William Wordsworth, George Herbert and e. e. cummings. The chapters explore how we think of the sonnet as a 'lyric' and what is involved in actually trying to write one. The book includes a lively discussion between three distinguished contemporary poets - Paul Muldoon, Jeff Hilson and Meg Tyler - on the experience of writing a sonnet, and a chapter which traces the sonnet's diffusion across manuscript, print, screen and the internet. A fresh and authoritative overview of this major poetic form, the Companion expertly guides the reader through the sonnet's history and development into the global multimedia phenomenon it is today.
Two Loves I Have
Perhaps the most astonishing set of personal poems ever written, Shakespeare's Sonnets have both delighted and puzzled readers down the ages. Two Loves I Have is a reading of the sequence that brings the four characters involved to life. The 'fair, kind and true' young man to whom the majority of poems are addressed, the woman 'as black as hell, as dark as night' who dominates a part of the narrator's inner landscape against his will, the narrator himself, who at times is unexpectedly wholly at ease with his mistress, but at other times is sunk in a form of self-loathing, and whom nothing on earth will deter in his devotion to the young man ... these three play out a drama as fierce as that in any of the author's plays. And the author himself, at some remove behind the narrator, is the shadowy fourth character. Did he invent the young man and the Dark Lady? Did he adapt an existing situation in his life or indeed record it simply as it was? Whatever the historical fact, which can never be known, the poetic situation is enthralling. Without insisting on any particular view, Two Loves I Have (from sonnet 144) allows the reader a vista of the whole sonnet sequence, and a sense of its shifting currents. J. D. Winter carefully elucidates each individual poem, thus enabling the reader not only to come to terms with their outward meaning but to appreciate the rhetorical flow and the poet's idiosyncratic use of the sonnet-form itself. The sonnet sequence has been a comparatively neglected part of the Shakespearean canon. The 400th anniversary of Shakespeare's death in 2016 is an appropriate time to shed a new light upon the poems.
Why lyrics last : evolution, cognition, and Shakespeare's sonnets
Why Lyrics Last turns an evolutionary lens on lyric verse, placing the writing of verse within the human disposition to play with pattern. Boyd takes as an extended example the many patterns to be found within Shakespeare's Sonnets. There, the Bard avoids all narrative and demonstrates the power that verse can have when liberated of story.
A Companion to Shakespeare's Sonnets
This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare's sonnets. An authoritative reference guide and extended introduction to Shakespeare's sonnets. Contains more than 20 newly-commissioned essays by both established and younger scholars. Considers the form, sequence, content, literary context, editing and printing of the sonnets. Shows how the sonnets provide a mirror in which cultures can read their own critical biases. Informed by the latest theoretical, cultural and archival work.
The drama in Shakespeare's sonnets
The Drama in Shakespeare's Sonnets: \"A Satire to Decay\" is a work of detective scholarship. Unable to believe that England's great dramatist would publish a sequence of sonnets without a plot, Mark Jay Mirsky, novelist, playwright, and professor of English, proposes a solution to a riddle that has frustrated scholars and poets alike. Arguing that the Sonnets are not just a \"higgledy piggledy\" collection of poems but were put in order by Shakespeare himself, and drawing on the insights of several of the Sonnets' foremost contemporary scholars, Mirsky examines the Sonnets poem by poem to ask what is the story of the whole. Mirsky takes Shakespeare at his own word in Sonnet 100, where the poet, tongue in cheek, advises his lover to regard \"time's spoils\"–in this case, \"any wrinkle graven\" in his cheek–as but \"a satire to decay.\" The comfort is obviously double-edged, but it can also be read as a mirror of Shakespeare's \"satire\" on himself, as if to praise his own wrinkles, and reflects the poet's intention in assembling the Sonnets to satirize the playwright's own \"decay\" as a man and a lover. In a parody of sonnet sequences written by his fellow poets Spenser and Daniel, Shakespeare's mordant wit conceals a bitter laugh at his own romantic life. The Drama in Shakespeare's Sonnets demonstrates the playwright's wish to capture the drama of the sexual betrayal as he experienced it in a triangle of friendship and eroticism with a man and a woman. It is a plot, however, that the playwright does not want to advertise too widely and conceals in the 1609 Quarto from all but a very few. Despite Shakespeare's moments of despair at his male friend's betrayal and the poet's cursing at the sexual promiscuity of the so-called Dark Lady, The Drama in Shakespeare's Sonnets sees the whole as a \"satire\" by Shakespeare and, particularly when read with the poem that accompanied it in the 1609 printing, \"A Lover's Complaint,\" as a laughing meditation on the irrepressible joy of sexual life
The Cambridge Introduction to Shakespeare's Poetry
Shakespeare's poems, aside from the enduring appeal of the Sonnets, are much less familiar today than his plays, despite being enormously popular in his lifetime. This Introduction celebrates the achievement of Shakespeare as a poet, providing students with ways of understanding and enjoying his remarkable poems. It honours the aesthetic and intellectual complexity of the poems without making them seem unapproachably complicated, outlining their exquisite pleasures and absorbing enigmas. Schoenfeldt suggests that today's readers are better able to analyze aspects of the poems that were formerly ignored or the source of scandal - the articulation of a fervent same-sex love, for example, or the incipient racism inherent in a hierarchy of light and dark. By engaging closely with Shakespeare's major poems - 'Venus and Adonis', 'Lucrece', 'The Phoenix and the Turtle', the Sonnets and 'A Lover's Complaint' - the Introduction demonstrates how much these extraordinary poems still have to say to us.
The Birth of the Modern Mind
This revolutionary study presents new facts and an original theory about the origin of the thought and literature that may be considered \"modern.\" Using fifty-one new translations of sonnets from four languages spanning seven centuries, Oppenheimer argues that \"modern\" thought and literature were born with the invention of the sonnet in.
A Mirror for Lovers
A Mirror for Lovers: Shake-speare’s Sonnets as Curious Perspective, by William F. Zak, seeks to identify in Shake-speare’e sonnet sequence the structural and thematic features of the satirical tradition born in Plato’s Symposium. Through this study, Zak traces the power of an idea to endure, re-animate, and enrich itself through time: Plato’s discrimination of the true nature of love in The Symposium. Born anew in its medieval reincarnations (The Romance of the Rose, The Vita Nuova, and The Canzoniere of Petrarch), the tradition begun in Plato’s Symposium was then resuscitated in the Elizabethan sonnet sequence revival, most notably in Shake-speare’s Sonnets. With extended examination of all the texts in the Q manuscript, A Mirror for Lovers makes a case for the mutually illuminating relationship among the sonnets to the fair young man and the dark lady, “A Lover’s Complaint,” and the mysterious dedication that until now have never received attention as an integral symbolic matrix of meaning.
The Cambridge Companion to Shakespeare's Poetry
This Companion provides a full introduction to the poetry of William Shakespeare through discussion of his freestanding narrative poems, the Sonnets, and his plays. Fourteen leading international scholars provide accessible and authoritative chapters on all relevant topics: from Shakespeare's seminal role in the development of English poetry, the wide-ranging practice of his poetic form, and his enigmatic place in print and manuscript culture, to his immersion in English Renaissance politics, religion, classicism, and gender dynamics. With individual chapters on Venus and Adonis, The Rape of Lucrece, The Passionate Pilgrim, 'The Phoenix and the Turtle', the Sonnets, and A Lover's Complaint, the Companion also includes chapters on the presence of poetry in the dramatic works, on the relation between poetry and performance, and on the reception and influence of the poems. The volume includes a chronology of Shakespeare's life, a note on reference works, and a reading list for each chapter.