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"Sounds, Words for"
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Squeak!
A mouse wakes up with a squeak, and his noise sets off a chain reaction of animals waking each other up.
Book
The Sound of Writing
An interdisciplinary exploration of how writers have conveyed sound through text.Edited by Christopher Cannon and Steven Justice, The Sound of Writing explores the devices and techniques that writers have used to represent sound and how they have changed over time. Contributors consider how writing has channeled sounds as varied as the human voice and the buzzing of bees using not only alphabets but also the resources of the visual and musical arts. Cannon and Justice have assembled a constellation of classicists, medievalists, modernists, literary historians, and musicologists to trace the sound of writing from the beginning of the Western record to poetry written in the last century. This rich series of essays considers the writings of Sappho, Simonides, Aldhem, Marcabru, Dante Alighieri, William Langland, Charles Butler, Tennyson, Gertrude Stein, and T. S. Eliot as well as poems and songs in Ancient Greek, Old and Middle English, Italian, Old French, Occitan, and modern English. The book will interest anyone curious about the way sound has been preserved in the past and the kinds of ingenuity that can recover the process of that preservation.Essays focus on questions of language and expression, and each contributor sets out a distinct method for understanding the relationship between sound and writing. Cannon and Justice open the volume with a survey of the various ways sound has been understood as the object of our senses. Each ensuing chapter presents a case study for a sonic phenomenology at a specific time in history. With approaches from a wide variety of disciplines, The Sound of Writing analyzes writing systems and the aural dimensions of literary cultures to reconstruct historical soundscapes in vivid ways.
eBook
Perceptions of a culturally responsive school-based oral language and early literacy programme
‘Sounds, Words, Aboriginal Language and Yarning’ (SWAY) is a school-based oral language and early literacy programme based on Australian Aboriginal stories, knowledge and culture. It was developed by a multidisciplinary team in collaboration with Australian Aboriginal community members. SWAY aims to strengthen and support the communication skills of educators to facilitate language and literacy development of children in the early school years, particularly Australian Aboriginal children, within rural communities in New South Wales. Key features of SWAY include capacity building of educators and small group speech-language pathology intervention sessions, delivered remotely via telehealth. This study explored educator perceptions of SWAY training, mentoring and implementation, using a mixed methods approach. Findings revealed: use of culturally responsive strategies; positive educator perceptions of the SWAY programme, training and mentoring and positive changes to the confidence and behaviours of educators both supporting language and early literacy development, and embedding Australian Aboriginal perspectives in the classroom. Positive findings support and encourage the ongoing provision of SWAY. Findings also have implications for the future collaborative development and implementation of culturally responsive language and literacy programmes.
Journal Article
Nutcracker night
\"The ballet The Nutcracker and New York City's David H. Koch Theater come to life in this onomatopoeic representation of a little girl's experience at the ballet.\"--From jacket flap.
Book
Crunch and crack, oink and whack! : an onomatopoeia story
Illustrations and simple, rhyming text follow Mrs. Garcia's class on a hunt in and around school for examples onomatopoeia--words that imitate the sound of what they name.
Book
Japanese sound-symbolic words in global contexts: from translation to hybridization version 2; peer review: 2 approved
This paper explores the global reception and development of the artistic expression of onomatopoeia and mimetic words in modern and contemporary Japanese literary texts adopting the method of comparative literature. By analyzing sound-symbolic words and their translations in modern Japanese poetry and contemporary comics, the intercultural dialogues of these texts are examined and the emergence of hybrid onomatopoeia in global comic works is illuminated. The Japanese language is often noted for its richness of sound-symbolic words. In the literary world, modern poetry adopted and elaborated the use of these words from the late 19th century in its quest for a new style of poetry. In the early 20th century, poets developed the artistic expression of sound-symbolic words and succeeded in giving musicality to the \"new-style poem\". However, the translation of Japanese sound-symbolic words has always been problematic. Experimental uses of these words in modern poems were often untranslatable, making the translations incomprehensible or dull. Nevertheless, graphic narratives and their worldwide distribution changed that situation. Japanese comics (manga) has particularly developed the artistic expression of sound-symbolic words. Usually placed outside speech balloons, these words are elaborately depicted and are important elements of the panel/page layout. Notably, the global popularity of the genre developed a new phase of intercultural dialogue. As not every word has an equivalent or is translatable in the target language, translators have left sound-symbolic words untouched in the translated versions, putting translation aside. Thus, the combination of Japanese and the target language seems to influence the visual comprehension of sound effects among the readers. Through the examinations of some cases, this paper brings to light the emergence of some hybrid onomatopoeia and reveals that the \"Third Space\" formed by the translation and hybridization of manga is a dynamic field that creates a new culture.
Journal Article
Watersong
\"A fox's journey to take shelter from a rainstorm, told entirely in onomatopoeia\"-- Provided by publisher.
Book
Materiality of architecture expressed through onomatopoeic words in text description of buildings
Text descriptions of buildings using onomatopoeic words are a form of communication frequently used by Japanese architects to express their design intent. The onomatopoeic word describes a building vividly and sensually as if it has life and expresses connotative architectural meanings imbued through building posture and gestures, as depicted by the architect. This paper investigates the materiality of architecture through a text analysis of onomatopoeic expressions used to describe architectural works in the Japanese architecture magazine Shinkenchiku (新建築), identifies 24 aspects of architectural materiality reflected in the onomatopoeia used by architects, and typifies their views of architecture as a physical object.
Journal Article