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"Southern States Intellectual life."
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The Oxford handbook of the literature of the U.S. South
\"The Oxford Handbook to the Literature of the U.S. South brings together contemporary views of the literature of the U.S. South in a series of essays employing critical tools not traditionally used in approaching southern literature. It assumes ideas of the South-global, multicultural, plural: more Souths than South-that would not have been embraced two or three decades ago, and it similarly expands the idea of literature itself\" -- Provided by publisher.
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Intellectual Life and the American South, 1810-1860
Michael O'Brien has masterfully abridged his award-winning two-volume intellectual history of the Old South,Conjectures of Order, depicting a culture that was simultaneously national, postcolonial, and imperial, influenced by European intellectual traditions, yet also deeply implicated in the making of the American mind.Here O'Brien succinctly and fluidly surveys the lives and works of many significant Southern intellectuals, including John C. Calhoun, Louisa McCord, James Henley Thornwell, and George Fitzhugh. Looking over the period, O'Brien identifies a movement from Enlightenment ideas of order to a Romanticism concerned with the ambivalences of personal and social identity, and finally, by the 1850s, to an early realist sensibility. He offers a new understanding of the South by describing a place neither monolithic nor out of touch, but conflicted, mobile, and ambitious to integrate modern intellectual developments into its tense and idiosyncratic social experience.
eBook
South toward home : travels in Southern literature
\"From Mississippi (William Faulkner, Eudora Welty, Richard Wright, Barry Hannah) to Alabama (Harper Lee, Truman Capote) to Georgia (Flannery O'Connor, Harry Crews) and beyond, Eby--herself a Southerner--travels through the Deep South to the places that famous Southern authors lived in and wrote about. [Her book] reveals how they took these places and the lives of their inhabitants and transmuted them into lasting literature. Whether meeting the man in charge of feeding Flannery O'Connor's peacocks in Milledgeville, peering into Faulkner's liquor cabinet, or seeking out John Kennedy Toole's iconic hot dog vendors in New Orleans, Eby combines biographical detail with ... criticism to deliver a ... tribute to the literary South\"-- Provided by publisher.
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The Cambridge Companion to the Literature of the American South
This Companion maps the dynamic literary landscape of the American South. From pre- and post-Civil War literature to modernist and civil rights fictions and writing by immigrants in the 'global' South of the late-twentieth and twenty-first centuries, these newly commissioned essays from leading scholars explore the region's established and emergent literary traditions. Touching on poetry and song, drama and screenwriting, key figures such as William Faulkner and Eudora Welty, and iconic texts such as Gone with the Wind, chapters investigate how issues of class, poverty, sexuality and regional identity have textured Southern writing across generations. The volume's rich contextual approach highlights patterns and connections between writers while offering insight into the development of Southern literary criticism, making this Companion a valuable guide for students and teachers of American literature, American studies and the history of storytelling in America.
eBook
The Cambridge companion to the literature of the American South
\"Featuring essays written by an international team of experts, this Companion maps the dynamic literary landscape of the American South\"-- Provided by publisher.
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Southern Bound
Southern Bound represents a running conversation on books, writers, and literary travel written for the Mobile Press-Register Books page from 1995 to 2011 by John S. Sledge. The collection includes more than one hundred of the best pieces culled from Sledge’s total output of approximately seven hundred columns. Numerous classic authors are celebrated in these pages, including Homer, Plato, Gibbon, Melville, Proust, Conrad, Cather, and Steinbeck as well as modern writers such as Walter Edgar, Tom Franklin, and Eugene Walter. While some of the essays are relatively straightforward book reviews, others present meditative and deeply personal perspectives on the author’s literary experiences such as serving on the jury in the play version To Kill a Mockingbird; spending the night alone in a Jesuit college library’s venerable stacks; rambling through funky New Orleans bookshops; talking to Square Books owner Richard Howorth while overlooking the Oxford, Mississippi courthouse; rereading Treasure Island on the shores of Mobile Bay; and remembering a beloved father’s favorite books. Engaging and spirited, Southern Bound represents the critical art at its most accessible and will prove entertaining fare for anyone who loves the written word.
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The History of Southern Drama
Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for \"Stella!\" or laments for \"gentleman callers.\" Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias.
Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South -- from sensitive analysis to outraged indictment -- in response to the Civil Rights Movement.
Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces.With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.
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The Debate Over Slavery
Frederick Douglass and George Fitzhugh disagreed on virtually every major issue of the day. On slavery, women's rights, and the preservation of the Union their opinions were diametrically opposed. Where Douglass thundered against the evils of slavery, Fitzhugh counted its many alleged blessings in ways that would make modern readers cringe. What then could the leading abolitionist of the day and the most prominent southern proslavery intellectual possibly have in common? According to David F. Ericson, the answer is as surprising as it is simple; liberalism. In The Debate Over Slavery David F. Ericson makes the controversial argument that despite their many ostensible differences, most Northern abolitionists and Southern defenders of slavery shared many common commitments: to liberal principles; to the nation; to the nation's special mission in history; and to secular progress. He analyzes, side-by-side, pro and antislavery thinkers such as Lydia Marie Child, Frederick Douglass, Wendell Phillips, Thomas R. Dew, and James Fitzhugh to demonstrate the links between their very different ideas and to show how, operating from liberal principles, they came to such radically different conclusions. His raises disturbing questions about liberalism that historians, philosophers, and political scientists cannot afford to ignore.
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