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"Southern States-In literature"
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Shadow and Shelter
To early European colonists the swamp was a place linked with sin and impurity; to the plantation elite, it was a practical obstacle to agricultural development. For the many excluded from the white southern aristocracy--African Americans, Native Americans, Acadians, and poor, rural whites--the swamp meant something very different, providing shelter and sustenance and offering separation and protection from the dominant plantation culture.
Shadow and Shelter: The Swamp in Southern Cultureexplores the interplay of contradictory but equally pre-vailing metaphors: first, the swamp as the underside of the myth of pastoral Eden that defined the antebellum South; and second, the swamp as the last pure vestige of undominated southern eco-culture. As the South gives in to strip malls and suburban sprawl, its wooded wetlands have come to embody the last part of the region that will always be beyond cultural domination.
Examining the southern swamp from a perspective informed by ecocriticism, literary studies, and ecological history,Shadow and Shelterconsiders the many repre-sentations of the swamp and its evolving role in an increasingly multicultural South.
Anthony Wilson is assistant professor of English at LaGrange College. His work has been published in theSouthern Literary Journaland the Chronicle of Higher Education's online edition.
eBook
Sacral Grooves, Limbo Gateways
\"We're seeing people that we didn't know exist,\" the director of FEMA acknowledged in the wake of Hurricane Katrina. Sacral Grooves, Limbo Gateways offers a corrective to some of America's institutionalized invisibilities by delving into the submerged networks of ritual performance, writing, intercultural history, and migration that have linked the coastal U.S. South with the Caribbean and the wider Atlantic world. This interdisciplinary study slips beneath the bar of rigid national and literary periods, embarking upon deeper-more rhythmic and embodied-signatures of time. It swings low through ecologies and symbolic orders of creolized space. And it reappraises pluralistic modes of knowledge, kinship, and authority that have sustained vital forms of agency (such as jazz) amid abysses of racialized trauma. Drawing from Haitian Vodou and New Orleanian Voudou and from Cuban and South Floridian Santería, as well as from Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness, this book reemplaces deep-southern texts within the counterclockwise ring-stepping of a long Afro-Atlantic modernity. Turning to an orphan girl's West African initiation tale to follow a remarkably traveled body of feminine rites and writing (in works by Paule Marshall, Zora Neale Hurston, Lydia Cabrera, William Faulkner, James Weldon Johnson, and LeAnne Howe, among others), Cartwright argues that only in holistic form, emergent from gulfs of cross-cultural witness, can literary and humanistic authority find legitimacy. Without such grounding, he contends, our educational institutions blind and even poison students, bringing them to \"swallow lye,\" like the grandson of Phoenix Jackson in Eudora Welty's \"A Worn Path.\" Here, literary study may open pathways to alternative medicines-fetched by tenacious avatars like Phoenix (or an orphan Kumba or a shell-shaking Turtle)-to remedy the lies our partial histories have made us swallow.
eBook
The Oxford handbook of the literature of the U.S. South
\"The Oxford Handbook to the Literature of the U.S. South brings together contemporary views of the literature of the U.S. South in a series of essays employing critical tools not traditionally used in approaching southern literature. It assumes ideas of the South-global, multicultural, plural: more Souths than South-that would not have been embraced two or three decades ago, and it similarly expands the idea of literature itself\" -- Provided by publisher.
Book
The Cambridge Companion to the Literature of the American South
This Companion maps the dynamic literary landscape of the American South. From pre- and post-Civil War literature to modernist and civil rights fictions and writing by immigrants in the 'global' South of the late-twentieth and twenty-first centuries, these newly commissioned essays from leading scholars explore the region's established and emergent literary traditions. Touching on poetry and song, drama and screenwriting, key figures such as William Faulkner and Eudora Welty, and iconic texts such as Gone with the Wind, chapters investigate how issues of class, poverty, sexuality and regional identity have textured Southern writing across generations. The volume's rich contextual approach highlights patterns and connections between writers while offering insight into the development of Southern literary criticism, making this Companion a valuable guide for students and teachers of American literature, American studies and the history of storytelling in America.
eBook
Writing Reconstruction
Sharon D. Kennedy-Nolle blends literary history with archival research to assess the significance of Reconstruction literature as a genre. Founded on witness and dream, the pathbreaking work of its writers made an enduring, if at times contradictory, contribution to American literature and history.
eBook
The Cambridge companion to the literature of the American South
\"Featuring essays written by an international team of experts, this Companion maps the dynamic literary landscape of the American South\"-- Provided by publisher.
BOOK
Southscapes
In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies.Basing her analysis on texts by Ernest Gaines, Richard Wright, Alice Walker, Natasha Trethewey, Olympia Vernon, Brenda Marie Osbey, Sybil Kein, and others, Davis reveals how these writers reconstitute racial exclusion as creative black space, rather than a site of trauma and resistance. Utilizing the social and political separation epitomized by segregation to forge a spatial and racial vantage point, Davis argues, allows these writers to imagine and represent their own subject matter and aesthetic concerns.Focusing particularly on Louisiana and Mississippi, Davis deploys new geographical discourses of space to expand analyses of black writers' relationship to the South and to consider the informing aspects of spatial narratives on their literary production. She argues that African American writers not only are central to the production of southern literature and new southern studies, but also are crucial to understanding the shift from modernism to postmodernism in southern letters. A paradigm-shifting work,Southscapesrestores African American writers to their rightful place in the regional imagination, while calling for a more inclusive conception of region.
eBook