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27 result(s) for "Southwestern States Fiction."
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All the wind in the world
Working in the maguey fields of the Southwest, Sarah Jac and James are in love but forced to start over on a ranch that is possibly cursed where the delicate balance in their relationship begins to give way.
Exploding the Western : myths of empire on the postmodern frontier
The frontier and Western expansionism are so quintessentially a part of American history that the literature of the West and Southwest is in some senses the least regional and the most national literature of all. The frontier—the place where cultures meet and rewrite themselves upon each other’s texts—continues to energize writers whose fiction evokes, destroys, and rebuilds the myth in ways that attract popular audiences and critics alike. Sara L. Spurgeon focuses on three writers whose works not only exemplify the kind of engagement with the theme of the frontier that modern authors make, but also show the range of cultural voices that are present in Southwestern literature: Cormac McCarthy, Leslie Marmon Silko, and Ana Castillo. Her central purposes are to consider how the differing versions of the Western “mythic” tales are being recast in a globalized world and to examine the ways in which they challenge and accommodate increasingly fluid and even dangerous racial, cultural, and international borders. In Spurgeon’s analysis, the spaces in which the works of these three writers collide offer some sharply differentiated visions but also create new and unsuspected forms, providing the most startling insights. Sometimes beautiful, sometimes tragic, the new myths are the expressions of the larger culture from which they spring, both a projection onto a troubled and troubling past and an insistent, prophetic vision of a shared future.
On the Turtle's Back
The Lenape tribe, also known as the Delaware Nation, lived for centuries on the land that English colonists later called New Jersey. But once America gained its independence, they were forced to move further west: to Indiana, then Missouri, and finally to the territory that became Oklahoma. These reluctant migrants were not able to carry much from their ancestral homeland, but they managed to preserve the stories that had been passed down for generations.  On the Turtle's Back is the first collection of Lenape folklore, originally compiled by anthropologist M. R. Harrington over a century ago but never published until now. In it, the Delaware share their cherished tales about the world's creation, epic heroes, and ordinary human foibles. It features stories told to Harrington by two Lenape couples, Julius and Minnie Fouts and Charles and Susan Elkhair, who sought to officially record their legends before their language and cultural traditions died out. More recent interviews with Lenape elders are also included, as their reflections on hearing these stories as children speak to the status of the tribe and its culture today. Together, they welcome you into their rich and wondrous imaginative world.  
Properties of Violence
Through a compelling story about the conflict over a notorious Mexican-period land grant in northern New Mexico, David Correia examines how law and property are constituted through violence and social struggle. Spain and Mexico populated what is today New Mexico through large common property land grants to sheepherders and agriculturalists. After the U.S.-Mexican War the area saw rampant land speculation and dubious property adjudication. Nearly all of the huge land grants scattered throughout New Mexico were rejected by U.S. courts or acquired by land speculators. Of all the land grant conflicts in New Mexico's history, the struggle for the Tierra Amarilla land grant, the focus of Correia's story, is one of the most sensational, with numerous nineteenth-century speculators ranking among the state's political and economic elite and a remarkable pattern of resistance to land loss by heirs in the twentieth century. Correia narrates a long and largely unknown history of property conflict in Tierra Amarilla characterized by nearly constant violence-night riding and fence cutting, pitched gun battles, and tanks rumbling along the rutted dirt roads of northern New Mexico. The legal geography he constructs is one that includes a surprising and remarkable cast of characters: millionaire sheep barons, Spanish anarchists, hooded Klansmen, Puerto Rican terrorists, and undercover FBI agents. By placing property and law at the center of his study, Properties of Violence provocatively suggests that violence is not the opposite of property but rather is essential to its operation.
Death on the high lonesome
Virgil knows that his sleepy hometown is starting to reflect the times, in good ways and bad. It still comes as a shock when his deputy is almost killed by the body of a woman falling from the highway overpass onto his car. A woman who had been fleeing for her life.
One-Legged Dancer
Focusing on the United States' Desert Southwest, this compilation of poetry celebrates its flora, fauna, customs, and people. An insightful collection, it includes an interesting trope that runs throughout the book, implying a comparison between native dance and traditional notions of poetic meter.