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A fresh analytical overview of the complex social formation ruled over by Stalin and his henchmen from the late 1920s to the early 1950s, drawing on declassified archival materials, interviews with former Soviet citizens, old and new memoirs, and personal diaries, as well as the best of sixty years of scholarship.

Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to \"immortalize the memory\" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us—the \"posterity\" for whom they were built.

Anne Applebaum wields her considerable knowledge of a dark chapter in human history and presents a collection of the writings of survivors of the Gulag, the Soviet concentration camps. Although the opening of the Soviet archives to scholars has made it possible to write the history of this notorious concentration camp system, documents tell only one side of the story.Gulag Voicesnow fills in the other half. The backgrounds of the writers reflect the extraordinary diversity of the Gulag itself. Here are the personal stories of such figures as Dmitri Likhachev, a renowned literary scholar; Anatoly Marchenko, the son of illiterate laborers; and Alexander Dolgun, an American citizen. These remembrances-many of them appearing in English for the first time, each chosen for both literary and historical value-collectively spotlight the strange moral universe of the camps, as well as the relationships that prisoners had with one another, with their guards, and with professional criminals who lived beside them. A vital addition to the literature of this era,annotated for a generation that no longer remembers the Soviet Union,Gulag Voiceswill inform, interest, and inspire, offering a source for reflection on human nature itself.

Based on declassified materials from eight Ukrainian and Russian archives,Stalin's Empire of Memory, offers a complex and vivid analysis of the politics of memory under Stalinism. Using the Ukrainian republic as a case study, Serhy Yekelchyk elucidates the intricate interaction between the Kremlin, non-Russian intellectuals, and their audiences. Yekelchyk posits that contemporary representations of the past reflected the USSR's evolution into an empire with a complex hierarchy among its nations. In reality, he argues, the authorities never quite managed to control popular historical imagination or fully reconcile Russia's 'glorious past' with national mythologies of the non-Russian nationalities. Combining archival research with an innovative methodology that links scholarly and political texts with the literary works and artistic images,Stalin's Empire of Memorypresents a lucid, readable text that will become a must-have for students, academics, and anyone interested in Russian history.

Russia today is haunted by deeds that have not been examined and words that have been left unsaid. A serious attempt to understand the meaning of the Communist experience has not been undertaken, and millions of victims of Soviet Communism are all but forgotten. In this book David Satter, a former Moscow correspondent and longtime writer on Russia and the Soviet Union, presents a striking new interpretation of Russia's great historical tragedy, locating its source in Russia's failure fully to appreciate the value of the individual in comparison with the objectives of the state.Satter explores the moral and spiritual crisis of Russian society. He shows how it is possible for a government to deny the inherent value of its citizens and for the population to agree, and why so many Russians actually mourn the passing of the Soviet regime that denied them fundamental rights. Through a wide-ranging consideration of attitudes toward the living and the dead, the past and the present, the state and the individual, Satter arrives at a distinctive and important new way of understanding the Russian experience.

German scholar Jörg Baberowski is one of the world's leading experts on the Stalin era, but his work has seldom been translated into English. This book, an unremitting indictment of the mad violence with which Stalin ruled the Soviet Union, depicts Stalinism as a cruel and deliberate attack on Russian society, driven by \"totalitarian ambitions\" and the goal of modernizing and rationalizing a backward people. Baberowski takes a twofold approach, emphasizing Stalin's personal role and responsibility as well as the continuity he sees in Communist aims and ideology since 1917. Unlike recent apologist accounts that focus on the challenges of modernization or on the operational complexities of managing the Soviet state, this hard-hitting analysis unequivocally locates the origins of the terror in the culture of violence and the techniques of power. Detailed, well-documented, and including many new details on the workings of the Stalinist state, this powerful work encompasses the dictator's brutal reign from his achievement of total power in 1929 to his death in 1953.

This book offers a fresh analysis of the Russian Revolution from a global perspective. It stresses the historical role of Soviet Communism in the modernization of the country, the defeat of Nazism, and the rise of American power and world leadership. For students and scholars of the Russian Revolution, there are pivotal questions that merit careful, comprehensive consideration: why did the Tsarist regime unravel in revolution? Why did the Bolsheviks come to power rather than some other party? How did Stalin—rather than a more popular and respected leader—win the mantle of Lenin and gain leadership of the ruling party? How should Stalin's regime be judged by subsequent generations of Russians, and in the context of world history? In Russian Revolution, 1917-1945, author Anthony D'Agostino discusses all these questions. His suggestions for further reading range over decades of writing on Soviet subjects and cite classics, revisionist works, curiosities, and studies done during and since the Gorbachev years. The book explores topics including the modernization of the Tsarist Russian state, World War I, the revolutionary project of Soviet Communism, the nationalist transformation of Soviet Communism under international pressures, the \"Big Drive\" to modernize Russia by force, and the external threat of fascism.

In the early sixteenth century, the monk Filofei proclaimed Moscow the \"Third Rome.\" By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today—transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin. Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin.

For this book a distinguished team of economists and historians-R. W. Davies, Paul R. Gregory, Andrei Markevich, Mikhail Mukhin, Andrei Sokolov, and Mark Harrison-scoured formerly closed Soviet archives to discover how Stalin used rubles to make guns. Focusing on various aspects of the defense industry, a top-secret branch of the Soviet economy, the volume's contributors uncover new information on the inner workings of Stalin's dictatorship, military and economic planning, and the industrial organization of the Soviet economy. Previously unknown details about Stalin's command system come to light, as do fascinating insights into the relations between Soviet public and private interests. The authors show that defense was at the core of Stalin's system of rule; single-minded management of the defense sector helped him keep his grip on power.

\"Maybe some people are shy about writing, but I will write the real truth. . . . Is it really possible that people at the newspaper haven't heard this. . . that we don't want to be on the kolkhoz [collective farm], we work and work, and there's nothing to eat. Really, how can we live?\"-a farmer's letter, 1936, fromStalinism as a Way of LifeWhat was life like for ordinary Russian citizens in the 1930s? How did they feel about socialism and the acts committed in its name? This unique book provides English-speaking readers with the responses of those who experienced firsthand the events of the middle-Stalinist period. The book contains 157 documents-mostly letters to authorities from Soviet citizens, but also reports compiled by the secret police and Communist Party functionaries, internal government and party memoranda, and correspondence among party officials. Selected from recently opened Soviet archives, these previously unknown documents illuminate in new ways both the complex social roots of Stalinism and the texture of daily life during a highly traumatic decade of Soviet history.Accompanied by introductory and linking commentary, the documents are organized around such themes as the impact of terror on the citizenry, the childhood experience, the countryside after collectivization, and the role of cadres that were directed to \"decide everything.\" In their own words, peasants and workers, intellectuals and the uneducated, adults and children, men and women, Russians and people from other national groups tell their stories. Their writings reveal how individual lives influenced-and were affected by-the larger events of Soviet history.