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Common views of religion typically focus on the beliefs and meanings derived from revealed scriptures, ideas, and doctrines. David Morgan has led the way in radically broadening that framework to encompass the understanding that religions are fundamentally embodied, material forms of practice. This concise primer shows readers how to study what has come to be termed material religion -the ways religious meaning is enacted in the material world. Material religion includes the things people wear, eat, sing, touch, look at, create, and avoid. It also encompasses the places where religion and the social realities of everyday life, including gender, class, and race, intersect in physical ways. This interdisciplinary approach brings religious studies into conversation with art history, anthropology, and other fields. In the book, Morgan lays out a range of theories, terms, and concepts and shows how they work together to center materiality in the study of religion. Integrating carefully curated visual evidence, Morgan then applies these ideas and methods to case studies across a variety of religious traditions, modeling step-by-step analysis and emphasizing the importance of historical context. The Thing about Religion will be an essential tool for experts and students alike. Two free, downloadable course syllabi created by the author are available online.

This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.

The contributors to this volume cross disciplinary and theoretical boundaries to read the words, metaphors, images, signs, poetic illusions, and identities with which medieval men and women used space and place to add meaning to the world. Contributors: Kathleen Biddick, Charles Burroughs, Michael Camille, Tom Conley, Donnalee Dox, Jody Enders, Valerie K. J. Flint, Andrzej Piotrowski, and Daniel Lord Smail.

Numerous scholars have argued that in Luke-Acts the location of sacred space or divine presence passes from the Jerusalem temple to Jesus, Christian believers, or both; in Acts, this transfer is understood as integral to the universal mission. The present article argues that such studies overlook the important motif of heaven as temple, which plays a role in Jesus’ trial and crucifixion and the Stephen and Cornelius episodes. Using Edward Soja's spatial theory, previous studies’ binary categorisation of temple space is critiqued. The heavenly temple disrupts and reconstitutes understandings of sacred space, and thus undergirds the universal spread of the Way.

Space and time are basic features of the world-view, even the theology, of many religions, ancient and modern. How did the world begin, and how will it end? What is the importance of religious architecture in symbolizing sacred space? Where and how do we locate the self? The divine world? Wyatt's textbook treats ancient Near Eastern religions from a perspective that allows us to access how religion shapes and orders the world of human thought and experience. The book is designed especially for classroom use, each chapter provided with suggested reading, copious quotations from ancient texts and summaries. The subject matter is treated by topic, not according to individal religions, so that the reader understands the essential points of similarity and difference between religious systems and how they model their universe.

According to Robert John Russell, one of the foremost scholars on relating Christian theology and science, the topic of \"time and eternity\" is central to the relation between God and the world in two ways. First, it involves the notion of the divine eternity as the supratemporal source of creaturely time. Second, it involves the eternity of the eschatological New Creation beginning with the bodily Resurrection of Jesus in relation to creaturely time. The key to Russell's engagement with these issues, and the purpose of this book, is to explore Wolfhart Pannenberg's treatment of time and eternity in relation to mathematics, physics, and cosmology. Time in Eternity is the first book-length exposition of Russell's unique method for relating Christian theology and the natural sciences, which he calls \"creative mutual interaction\" (CMI). This method first calls for a reformulation of theology in light of science and then for the delineation of possible topics for research in science drawing on this reformulated theology. Accordingly, Russell first reformulates Pannenberg's discussion of the divine attributes—eternity and omnipresence—in light of the way time and space are treated in mathematics, physics, and cosmology. This leads him to construct a correlation of eternity and omnipresence in light of the spacetime framework of Einstein's special relativity. In the process he proposes a new flowing time interpretation of relativity to counter the usual block universe interpretation supported by most physicists and philosophers of science. Russell also replaces Pannenberg's use of Hegel's concept of infinity in relation to the divine attributes with the concept of infinity drawn from the mathematics of Georg Cantor. Russell then addresses the enormous challenge raised by Big Bang cosmology to Christian eschatology. In response, he draws on Pannenberg's interpretation both of the Resurrection as a proleptic manifestation of the eschatological New Creation within history and the present as the arrival of the future. Russell shows how such a reformulated understanding of theology can shed light on possible directions for fundamental research in physics and cosmology. These lead him to explore preconditions in contemporary physics research for the possibility of duration, copresence, retroactive causality, and prolepsis in nature.

Drawing primarily on oral history interviews, alongside documentary films and memoirs of return, this article examines a series of sites—crematoria, barracks and gateway—in contemporary Auschwitz where Holocaust survivors adopt multiple roles. Rather than viewing contemporary Auschwitz as simply a passive canvas on which survivors enact rituals, the article argues for a more dynamic relationship between landscape and memory. Not only is Auschwitz revisited by survivors as a series of interconnected micro-sites rather than a homogenous memorial landscape, but also as a simultaneously symbolic and material multisensory landscape that enters into the “muscular consciousness.”

The identification and positioning of sacred space within contemporary contexts has, to date, received scant attention. In reflecting upon a broad spectrum of conceptions of what constitutes sacred space, this collection of interdisciplinary essays presents a new perspective on an area that is developing into an important theological and philosophical concept.