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"Spanish American literature -- 20th century -- History and criticism"
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Ghost-Watching American Modernity:Haunting, Landscape, and the Hemispheric Imagination
In Ghost-Watching American Modernity, Maria del Pilar Blanco revisits nineteenth- and twentieth-century texts from Spanish America and the United States to ask how different landscapes are represented as haunted sites. Moving from foundational fictions to Westerns, Blanco explores the diverse ways in which ghosts and haunting emerge across the American hemisphere for authors who are preoccupied with evoking the experience of geographical transformations during a period of unprecedented development. The book offers an innovative approach that seeks to understand ghosts in their local specificity, rather than as products of generic conventions or as allegories of hidden desires. Its chapters pursue formally attentive readings of texts by Domingo Sarmiento, Henry James, Jose Marti, W. E. B. Du Bois, Juan Rulfo, Felisberto Hernandez, and Clint Eastwood. In an intervention that will reconfigure the critical uses of spectrality for scholars in U.S./Latin American Studies, narrative theory, and comparative literature, Blanco advances ghost-watching as a method for rediscovering haunting on its own terms.
eBook
The Theater of Truth
The Theater of Truth argues that seventeenth-century baroque and twentieth-century neobaroque aesthetics have to be understood as part of the same complex. The Neobaroque, rather than being a return to the stylistic practices of a particular time and place, should be described as the continuation of a cultural strategy produced as a response to a specific problem of thought that has beset Europe and the colonial world since early modernity. This problem, in its simplest philosophical form, concerns the paradoxical relation between appearances and what they represent. Egginton explores expressions of this problem in the art and literature of the Hispanic Baroques, new and old. He shows how the strategies of these two Baroques emerged in the political and social world of the Spanish Empire, and how they continue to be deployed in the cultural politics of the present. Further, he offers a unified theory for the relation between the two Baroques and a new vocabulary for distinguishing between their ideological values.
eBook
Humoring Resistance
Contextualizing theoretical debates about the political uses of gendered humor and female excess, this book explores bold new ways in which a number of contemporary Latin American women authors approach questions of identity and community. The author examines the connections among strategic uses of humor, women’s bodies, and resistance in works of fiction by Laura Esquivel, Ana Lydia Vega, Luisa Valenzuela, Armonía Somers, and Alicia Borinsky. She shows how the interarticulation of the comic and comic-grotesque vision with different types of excessive female bodies can result in new configurations of female subjectivity.
eBook
Latin America Writes Back
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Emil Volek is Professor of Spanish at Arizona State University and is a widely recognized authority on Latin American literature.
eBook
Encyclopedia of Twentieth-Century Latin American and Caribbean Literature, 1900-2003
The Encyclopedia of Twentieth-Century Latin American and Caribbean Literature, 1900–2003 draws together entries on all aspects of literature including authors, critics, major works, magazines, genres, schools and movements in these regions from the beginning of the twentieth century to the present day. With more than 200 entries written by a team of international contributors, this Encyclopedia successfully covers the popular to the esoteric. The Encyclopedia is an invaluable reference resource for those studying Latin American and/or Caribbean literature as well as being of huge interest to those folowing Spanish or Portuguese language courses.
Sample Contents: Delmira Agustini. Best-Sellers. Norge Espinosa. Historical Novel. Modernism. Leonardo Padura. Poetry. Juan Rulfo. Juan Pablo Sutherland. Translation
Daniel Balderston is Chair of the Department of Spanish and Portuguese at the University of Iowa, USA. He earned his PhD from Princeton in 1981 with a dissertation on Borges and Stevenson. His works include three critical books and two reference works on Borges, a book and several edited books on sexuality studies, and studies of the Latin American short story. He has also translated books of fiction by Ricardo Piglia, Juan Carlos Onetti, Jose Bianco, Sylvia Molloy and Silvina Ocampo. Mike Gonzalez is Senior Lecturer in the Department of Hispanic Studies at the University of Glasgow, UK. He has written widely on issues in Latin American culture and politics, particularly on Cuba, Nicaragua and Chile, on which he has several books and artricles. A regular contributor to radio and television, he has more recently written articles and co-authored one volume on issues in teaching and learning. He has translated fiction, theatre and poetry for publication and performance.
eBook