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77
result(s) for
"Spanish literature 16th century History and criticism."
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Women, writing, and language in early modern Ireland
2010
This book examines writing in English, Irish, and Spanish by women living in Ireland and by Irish women living on the continent between the years 1574 and 1676. This was a tumultuous period of political, religious, and linguistic contestation that encompassed the key power‐struggles of early modern Ireland. This study brings to light the ways in which women contributed; they strove to be heard and to make sense of their situations, forging space for their voices in complex ways and engaging with native and new language‐traditions. The book investigates the genres in which women wrote: poetry, nuns' writing, petition‐letters, depositions, biography, and autobiography. It argues for a complex understanding of authorial agency that centres on the act of creating or composing a text, which does not necessarily equate with the physical act of writing. The Irish, English, and European contexts for women's production of texts are identified and assessed. The literary traditions and languages of the different communities living on the island are juxtaposed in order to show how identities were shaped and defined in relation to each other. The book elucidates the social, political, and economic imperatives for women's writing, examines the ways in which women characterized female composition, and describes an extensive range of cross‐cultural, multilingual activity.
Shipwreck in the Early Modern Hispanic World
by
Rodríguez-Rodríguez, Ana M
,
Ruiz, Carrie L
,
Santo, Noemí Martín
in
16th century
,
17th century
,
Classical period, 1500-1700
2022
Seafaring activity for trade and travel was dominant throughout the Spanish Empire, and in the worldview and imagination of its inhabitants, the specter of shipwreck loomed large. Shipwreck in the Early Modern Hispanic World probes this preoccupation by examining portrayals of nautical disasters in sixteenth- and seventeenth-century Spanish literature and culture. The essays collected here showcase shipwreck’s symbolic deployment to question colonial expansion and transoceanic trade; to critique the Christian enterprise overseas; to signal the collapse of dominant social order; and to relay moral messages and represent socio-political debates. The contributors find examples in poetry, theater, narrative fiction, and other print artifacts, and approach the topic variously through the lens of historical, literary, and cultural studies. Ultimately demonstrating how shipwrecks both shaped and destabilized perceptions of the Spanish Empire worldwide, this analytically rich volume is the first in Hispanic studies to investigate the darker side of mercantile and imperial expansion through maritime disaster.
The Tudor Play of Mind
2024,2018
Contrary to the widespread assumption that Elizabethan drama grows
out of an essentially homiletic tradition, The Tudor Play of
Mind proposes that many important plays-including such diverse
works as Gorboduc, Endimion, Tamburlaine, The Spanish Tragedy,
Every Man in His Humour, and Bussy D'Ambois -are
informed by the ancient rhetorical tradition of posing questions
and arguing them in utramque partem emphasized in humanist
education. This accounts for the complex and often ambivalent
responses they demand. In support of this thesis, Joel B. Altman
shows how abstract debate questions were developed into
increasingly subtle mimetic fictions in the sixteenth century. He
discusses the significance of this process for the drama through
detailed analyses of early debate plays, the Terentian commentaries
and English comedy, Lyly's court allegories, Senecan tragedy, and
the experimental plays of Marlowe. Altman's argument that Tudor
playwrights offered their audiences dramatized inquiries will
profoundly affect our interpretation of individual plays and our
assessment of the larger cultural function of drama in the period.
This title is part of UC Press's Voices Revived program, which
commemorates University of California Press's mission to seek out
and cultivate the brightest minds and give them voice, reach, and
impact. Drawing on a backlist dating to 1893, Voices Revived makes
high-quality, peer-reviewed scholarship accessible once again using
print-on-demand technology. This title was originally published in
1978.
The Severed Head and the Grafted Tongue
2013
Severed heads emblemise the vexed relationship between the aesthetic and the atrocious. During the Elizabethan conquest of Ireland, colonisers such as Edmund Spenser, Sir John Harington and Sir George Carew wrote or translated epic romances replete with beheadings even as they countenanced - or conducted - similar deeds on the battlefield. This study juxtaposes the archival record of actual violence with literary depictions of decapitation to explore how violence gets transcribed into art. Patricia Palmer brings the colonial world of Renaissance England face to face with Irish literary culture. She surveys a broad linguistic and geographical range of texts, from translations of Virgil's Aeneid to the Renaissance epics of Ariosto and Ercilla and makes Irish-language responses to conquest and colonisation available in readable translations. In doing so, she offers literary and political historians access not only to colonial brutality but also to its ethical reservations, while providing access to the all-too-rarely heard voices of the dispossessed.
God Made Word
2022
The Golden Age of Spanish mysticism has traditionally been read in terms of individual authors or theological traditions. God Made Word , however, considers early modern Spanish mysticism as a question of language and as a discourse that circulated in concrete social, institutional, and geographic spaces.
Proposing a new reading of early modern Spanish mysticism, God Made Word traces the struggles over the representation of interiorized spiritual union – the tension between making it known and conveying its unknowability – far beyond the usual canon of mystic literature. Dale Shuger combines a study of genres that have traditionally been the object of literary study, including poetry, theatre, and autobiography, with a language-based analysis of other areas that have largely been studied by historians and theologians. Arguing that these generic separations grew out of an increasing preoccupation with the cultivation and control of interiorized spirituality, God Made Word shows that by tracing certain mystic representations we come to understand the emergence of different discursive rules and expectations for a wide range of representations of the ineffable.