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"Springsteen, Bruce Discography."
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Bruce Springsteen : the stories behind the songs
\"The legend of Bruce Springsteen may well outlast rock 'n' roll itself. And for all the muscle and magic of his life-shaking concerts with the E Street Band, his legendary status comes down to the songs. He is an acknowledged master of music and lyrics, with decades of hits. This book digs into the writing and recording of all the songs on Springsteens's studio albums, from 1973 to 2014 (plus all the released outtakes), and offers a unique look at the legendary rocker's methods, along with historical context, scores of colorful anecdotes, and more than 180 photographs. Hiatt has interviewed Springsteen five times in the past and has conducted numerous new interviews with his collaborators, from longtime producers to the E Street Band, to create an authoritative and lushly illustrated journey through Springsteen's entire songbook and career\"--from Backcover.
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Clive Davis Stars On \The Legacy Of\ App On Spotify
\"All by Myself\" by Eric Carmen + commentary 8. \"Because the Night\" by Patti Smith + commentary 9. The Best of 1970s playlist (14 tracks) is divided evenly between CBS artists and Arista artists from that decade, beginning with seven CBS artists (Santana, Janis Joplin, Harold Melvin & the Blue Notes, the O'Jays, Bruce Springsteen, Billy Joel, Aerosmith), then seven Arista artists (Eric Carmen, Barry Manilow, Melissa Manchester, the Outlaws, Patti Smith Group, Raydio featuring Ray Parker, Jr., Dionne Warwick).
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Reviews: Defining the Discographic Self: Desert Island Discs in Context
The author and screenwriter Nick Hornby explains that he ‘wanted to choose things that represented different stages of my life’, and that, in selecting a Bruce Springsteen track, he didn't want ‘Born to Run’, but rather something that rarely got played on the radio (‘Kitty's Back’) (p. 210). What Frith discerns is how the classical choices are informed ‘by their status in the classical music world’, whereas the popular selections are not canonised in the same way ‘and seem more randomly chosen’ (p. 143). DID is often seen as ‘British’, but Sarah Hill reveals, in her comparison of it with a Welsh language version (Beti a'i Phobol), how the state apparatus – of the royal family, Parliament, etc. – is present in DID, but absent in its Welsh equivalent.
Book Review