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Higher-dimensional rewriting systems are tools to analyse the structure of formally reducing terms to normal forms, as well as comparing the different reduction paths that lead to those normal forms. This higher structure can be captured by finding a homotopy basis for the rewriting system. We show that the basic notions of confluence and wellfoundedness are sufficient to recursively build such a homotopy basis, with a construction reminiscent of an argument by Craig C. Squier. We then go on to translate this construction to the setting of homotopy type theory, where managing equalities between paths is important in order to construct functions which are coherent with respect to higher dimensions. Eventually, we apply the result to approximate a series of open questions in homotopy type theory, such as the characterisation of the homotopy groups of the free group on a set and the pushout of 1-types. This paper expands on our previous conference contribution Coherence via Wellfoundedness by laying out the construction in the language of higher-dimensional rewriting.

Ephraim George Squier was a scientist, novelist, travel writer and railroad entrepreneur who used his stature to promote his own fame, the expansion of transportation and trade, and a beligerent US foreign policy. He played an important part in shaping popular views of Central America and used his travel narratives to influence US diplomacy.

The Noatum Logistics (formerly MIQ Logistics) is a leading supply chain management company with global coverage specializing in freight management, international supply chain management, contract logistics, project logistics, eSolutions, and customs and clearance. It offers specific, integrated, complex, and value-added solutions for its clients' supply chains, while maintaining long-term relationships built on trust and confidence to guarantee success. The company has a global presence in almost 25 countries, around 80 locations, and roughly 25 warehouses.

A poem is presented.

This inaugural volume in the Graphic Medicine series establishes the principles of graphic medicine and begins to map the field. The volume combines scholarly essays by members of the editorial team with previously unpublished visual narratives by Ian Williams and MK Czerwiec, and it includes arresting visual work from a wide range of graphic medicine practitioners. The book’s first section, featuring essays by Scott Smith and Susan Squier, argues that as a new area of scholarship, research on graphic medicine has the potential to challenge the conventional boundaries of academic disciplines, raise questions about their foundations, and reinvigorate literary scholarship—and the notion of the literary text—for a broader audience. The second section, incorporating essays by Michael Green and Kimberly Myers, demonstrates that graphic medicine narratives can engage members of the health professions with literary and visual representations and symbolic practices that offer patients, family members, physicians, and other caregivers new ways to experience and work with the complex challenges of the medical experience. The final section, by Ian Williams and MK Czerwiec, focuses on the practice of creating graphic narratives, iconography, drawing as a social practice, and the nature of comics as visual rhetoric. A conclusion (in comics form) testifies to the diverse and growing graphic medicine community. Two valuable bibliographies guide readers to comics and scholarly works relevant to the field.

\"My son was being filmed and in the background we've got full footage of the shark coming in on the southern side,\" he said. \"So you can definitely tell it's a shark, you can't tell what sort of shark it was.\" \"I was a little bit surprised because I've seen the shark plane turn first, I had my guard up so I was looking everywhere to see anything around and to have the thing pop up next to me I was like 'wow'.\"