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"Stage adaptations"
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Adapting performance between stage and screen
by
Lowe, Victoria
in
Adaptations cinématographiques -- Histoire et critique
,
Adaptations cinématographiques -- Études de cas
,
Adaptations scéniques -- Histoire et critique
2020
An introduction to adaptations between theatre and film, considering these as distinct from literary adaptation. Places emphasis on performance and event, including the recent growth of digital theatre with phenomena such as NT Live. Case studies show how adaptations can't be divorced from the historical and cultural moment in which they are produced.
Contemporary Adaptations of Greek Tragedy
Auteurship and Directorial Visions provides a wide-ranging analysis of the role of the director in shaping adaptations for the stage today. Through its focus on a wide range of international productions by Katie Mitchell, Theodoros Terzopoulos, Peter Sellars, Jan Fabre, Ariane Mnouchkine, Tadashi Suzuki, Yukio Ninagawa, Andrei Serban, Nikos Charalambous, Bryan Doerries and Richard Schechner, among others, it offers readers a detailed study of the ways directors have responded to the original texts, refashioning them for different audiences, contexts and purposes. As such the volume will appeal to readers of theatre and performance studies, classics and adaptation studies, directors and theatre practitioners, and anyone who has ever wondered 'why they did it like that' when watching a stage production of an ancient Greek play. The volume Contemporary Adaptations of Greek Tragedy is divided in three sections: the first section - Global Perspectives - considers the work of a range of major directors from around the world who have provided new readings of Greek Tragedy: Peter Sellars and Athol Fugard in the US, Katie Mitchell in the UK, Theodoros Terzopoulos in Greece and Tadashi Suzuki and Yukio Ninagawa in Japan. Their work on a wide range of plays is analysed, including Electra, Oedipus the King, The Persians, Iphigenia at Aulis, and Ajax. Parts Two and Three – Directing as Dialogue with the Community and Directorial Re-Visions - focus on a range of productions of key plays from the repertoire, including Prometheus Landscape II, Les Atrides, The Trojan Women, The Bacchae, Antigone and The Suppliants, among others. In each, the varying approaches of different directors are analysed, together with a detailed investigation of the mise-en-scene. In considering each stage production, the authors raise issues of authenticity, contemporary resonances, translation, directorial control/auteurship and adaptation.
Adapting Gaskell
2013
\"This book offers a range of perspectives on Elizabeth Gaskell and adaptation. The contributors Alan Shelston, Raffaella Aninucci, Thomas Recchio, Brenda McKay, Katherine Byrne, Patricia Marchesi, Marcia Marchesi and Loredana Salis discuss the afterlives of Gaskells fiction, from the author as adaptor of her own work to the role of the BBC in re-inventing Gaskells narratives.
Basil Macdonald Hastings's Stage Adaptation of Joseph Conrad's Victory
2020
This article supplements the work done in Richard Hand's 2009 book on Basil Macdonald Hastings's adaptation for the stage of Joseph Conrad's novel Victory. This article collects contemporary notices and reviews of the performances (those not included in Hand's book), along with information about the various performances.
Journal Article
Page to Stage
2013
At last, for those who adapt literature into scripts, a how-to book that illuminates the process of creating a stageworthy play.Page to Stagedescribes the essential steps for constructing adaptations for any theatrical venue, from the college classroom to a professionally produced production. Acclaimed director Vincent Murphy offers students in theater, literary studies, and creative writing a clear and easy-to-use guidebook on adaptation. Its step-by-step process will be valuable to professional theater artists as well, and for script writers in any medium. Murphy defines six essential building blocks and strategies for a successful adaptation, including theme, dialogue, character, imagery, storyline, and action. Exercises at the end of each chapter lead readers through the transformation process, from choosing their material to creating their own adaptations. The book provides case studies of successful adaptations, includingThe Grapes of Wrath(adaptation by Frank Galati) and the author's own adaptations of stories by Samuel Beckett and John Barth. Also included is practical information on building collaborative relationships, acquiring rights, and getting your adaptation produced.