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"Stage adaptations History."
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Page to Stage
2013
At last, for those who adapt literature into scripts, a how-to book that illuminates the process of creating a stageworthy play.Page to Stagedescribes the essential steps for constructing adaptations for any theatrical venue, from the college classroom to a professionally produced production. Acclaimed director Vincent Murphy offers students in theater, literary studies, and creative writing a clear and easy-to-use guidebook on adaptation. Its step-by-step process will be valuable to professional theater artists as well, and for script writers in any medium. Murphy defines six essential building blocks and strategies for a successful adaptation, including theme, dialogue, character, imagery, storyline, and action. Exercises at the end of each chapter lead readers through the transformation process, from choosing their material to creating their own adaptations. The book provides case studies of successful adaptations, includingThe Grapes of Wrath(adaptation by Frank Galati) and the author's own adaptations of stories by Samuel Beckett and John Barth. Also included is practical information on building collaborative relationships, acquiring rights, and getting your adaptation produced.
Adaptation in contemporary theatre : performing literature
\"Why are so many theatre productions adaptations of one kind of another? Why do contemporary practitioners turn so frequently to non-dramatic texts for inspiration? This study explores the fascination of novels, short stories, children's books and autobiographies for theatre makers and examines what 'becomes' of literary texts when these are filtered into contemporary practice that includes physical theatre, multimedia performance, puppetry, immersive and site-specific performance and live art. In Adaptation in Contemporary Theatre, Frances Babbage sets out a series of fresh critical perspectives on the theory of adaptation in theatre-making, focusing on meditations of prose literature within contemporary performance. Individual chapters explore the significance and impact of books as physical objects within productions; the relationship between the dramatic adaptation and literary edition; storytelling on the page and in performance; literary space and theatrical space; and prose fiction reframed as 'found text' in contemporary theatre and live art. Case studies are drawn from internationally acclaimed companies including Complicite, Elevator Repair Service, Kneehigh, Forced Entertainment, Gob Squad, Teatro Kismet and Stan's Cafe. Adaptation in Contemporary Theatre is a compelling and provocative resource for anyone interested in the potential and the challenges of using prose literature ad material for new theatrical performance. \"-- Provided by publisher.
Adapting Gaskell
2013
\"This book offers a range of perspectives on Elizabeth Gaskell and adaptation. The contributors Alan Shelston, Raffaella Aninucci, Thomas Recchio, Brenda McKay, Katherine Byrne, Patricia Marchesi, Marcia Marchesi and Loredana Salis discuss the afterlives of Gaskells fiction, from the author as adaptor of her own work to the role of the BBC in re-inventing Gaskells narratives.
Replay : classic modern drama reimagined
\"A study of the many reworkings and adaptations of classic plays on the modern stage which illuminates how each is shaped by or reacts against the prevailing mores of the day\"-- Provided by publisher.
Adapting performance between stage and screen
by
Lowe, Victoria
in
Adaptations cinématographiques -- Histoire et critique
,
Adaptations cinématographiques -- Études de cas
,
Adaptations scéniques -- Histoire et critique
2020
An introduction to adaptations between theatre and film, considering these as distinct from literary adaptation. Places emphasis on performance and event, including the recent growth of digital theatre with phenomena such as NT Live. Case studies show how adaptations can't be divorced from the historical and cultural moment in which they are produced.
Choreographing Shakespeare : dance adaptations of the plays and poems
\"Choreographing Shakespeare presents a hitherto unexplored history of the choreographers and performers who have created dance adaptations of Shakespeare. Elizabeth Klett investigates forty of these works produced between 1940 and 2016 by choreographers in Britain, America, and Europe. Through examination of these productions, in genres such as ballet, modern dance, and hip-hop, this book argues that while many of these dance adaptations strive to design legible and intelligible stories and characters, they all nonetheless achieve the feat of moving beyond the Shakespearean texts to engage with musical and choreographic influences, and to celebrate the beauty of pure movement. Five chapters examine adaptations of the comedies, tragedies, late romances, and sonnets, augmented by six new interviews with contemporary choreographers, offering a rehearsal room perspective on the practical challenges that these artists tackle. Choreographing Shakespeare offers both breadth of coverage and in-depth analysis of how Shakespeare's poetic language is translated into the usually wordless medium of dance, and is essential reading for undergraduates or researchers with an interest in the connection between Shakespeare and movement\"-- Provided by publisher.
American literature on stage and screen : 525 works and their adaptations
2012
The 525 notable works of 19th and 20th century American fiction in this reference book have many stage, movie, television, and video adaptations.Each literary work is described and then every adaptation is examined with a discussion of how accurate the version is and how well it succeeds in conveying the spirit of the original in a different.
Performing adaptations : essays and conversations on the theory and practice of adaptation
by
MacArthur, Michelle
,
Zaiontz, Keren
,
Wilkinson, Lydia
in
Drama
,
Drama -- Technique
,
History and criticism
2009
Performing Adaptations: Conversations and Essays on the Theory and Practice of Adaptation brings together scholars and artists from across North America and the United Kingdom to contribute to the growing discourse on adaptation in the arts. An ideal text for students of theatre, drama, and performance studies, this volume offers a ground-breaking set of essays, interviews, and artistic reflections that assess adaptation from the perspective of live performance, an aspect of the field that ha.