Explore the vast range of titles available.

Unprecedented in its comprehensiveness, The Moscow Art Theatre fills a large gap in our knowledge of Stanislavsky and his theatre. Worrall focuses in particular detail on four of The Moscow Art Theatre's best-known productions: * Tolstoy's Tsar Fedor Ioannovich * Gorky's The Lower Depths * Chekov's The Cherry Orchard * Turgenev's A Month in the Country

Stanislavsky in America explores the extraordinary legacy that Constantin Stanislavski’s system of actor-training has left on acting in the US. Mel Gordon outlines the journey of Stanislavski’s theories through twentieth century American history, from the early US tours of the Moscow Art Theatre to the ongoing impact of 'The System' on modern American acting. This fascinating study by a leading theatre critic and practitioner provides hundreds of original acting exercises, used by the pivotal US figures who developed his teachings, such as Lee Strasberg, Stella Adler and Bobby Lewis. By going back to these primary sources, Gordon cuts through the myths and misapprehensions which have built up over time. Part memoir and part practical guide, Stanislavsky in America is an essential resource for anyone wanting to understand Stanislavski’s work and his relationship with American theatre. Mel Gordon is professor of Dramatic Art at UC Berkeley. He is author of a dozen books and ninety articles and entries on American, French, Russian, German, Italian, and Yiddish theatre and cinema. He has also directed productions in Frankfurt, Houston, New York City, Paris, and Zurich and has taught at Lee Strasberg Institute and Michael Chekhov Studio.

Who were the giants of the twentieth-century stage, and exactly how did they influence modern theatre? Robert Leach's Makers of Modern Theatre is the first detailed introduction to the work of the key theatre-makers who shaped the drama of the last century: Konstantin Stanislavsky, Vsevolod Meyerhold, Bertolt Brecht and Antonin Artaud. Leach focuses on the major issues which relate to their dominance of theatre history: What was significant in their life and times? What is their main legacy? What were their dramatic philosophies and practices? How have their ideas been adapted since their deaths? What are the current critical perspectives on their work? Never before has so much essential information on the making of twentieth-century theatre been compiled in one brilliantly concise, beautifully illustrated book. This is a genuinely insightful volume by one of the foremost theatre historians of our age.

Providing new insight into the well-known tradition of acting, Science and the Stanislavsky Tradition of Acting is the first book to contextualise the Stanislavsky tradition with reference to parallel developments in science. Rooted in practice, it presents an alternative perspective based on philosophy, physics, romantic science and theories of industrial management. Working from historical and archive material, as well as practical sources, Jonathan Pitches traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to the contemporary Muscovite director, Anatoly Vasiliev. The book explores two key developments that emerge from Stanislavsky’s system – one linear, rational and empirical, while the other is fluid,organic and intuitive. The otherwise highly contrasting acting theories of Vsevolod Meyerhold (biomechanics) and Lee Strasberg (the Method) are dealt with under the banner of the rational or Newtonian paradigm; Michael Chekov’s acting technique and the little known ideas of Anatoly Vasiliev form the centrepiece of the other Romantic, organic strain of practice. Science and the Stanislavsky Tradition of Acting opens up the theatre laboratories of five major practitioners in the twentieth and twenty-first centuries and scrutinises their acting methodologies from a scientific perspective. Introduction: Science and the Stanislavsky Tradition of Acting Part 1. 1. A System for the World? Newtonianism in Stanislavsky’s Science of Acting Part 2. 2. The Theatricality Reflex: The Place of Pavlov and Taylor in Meyerhold’s Biomechanics 3. The System, Psychology and the US: Richard Boleslavsky and Lee Strasberg Part 3. 4. A Delicate Empiricism: Romantic Science and the Michael Chekhov Technique 5. The Laboratory as Sanctuary: The Theatre of Anatoly Vasiliev Epilogue: Genetic Modification and the Backbone of Tradition Bibliography. Index

\"A manual full of enabling, easing exercises - it will enable you to analyse any scene. The cry of the actor at sea `I don't know what I'm doing' should, with this book, become a thing of the past' Sam West\"I'd recommend this book to anyone wanting an introduction to Stanislavksi or Michael Chekhov or acting in general.\" Matt Peover, LAMDA trainer and theatre director.\"Contains all the important things that need to be said about learning to act...in an extremely logical and sensible manner.\" Simon Dunmore, Editor Actor's YearbookAn inspiring and technically thorough practical book for actors that sets down a systematic and coherent process for organic, experienced acting. The author offers a step-by-step and demystifying Stanislavski-based approach to text, role, rehearsal and performance to be used in everyday work, and gathers together in one volume the essential tools for recreating human experience. A nuts-and-bolts practical guide with exercises for the actor to work through sequentially. Contains a Foreword by Sam West. John Gillett builds on his experience of teaching at drama school level as well as many decades of acting. This book, by an actor for actors, is a comprehensive, clear and inspirational guide to creating a truthful, dynamic and audience-captivating performance.

“Jones argues that no theater history can be complete without carefuyl analysis of directorial achievement. Great Directors at Work is a study of four ground-breaking productions as created by four seminal theater figures.”—New York Times Book Review

Stanislavski: The Basicsis an engaging introduction to the life, thought and impact of Konstantin Stanislavski. Regarded by many as a great innovator of twentieth century theatre, this book examines Stanislavski's: life and the context of his writings major works in English translation ideas in practical contexts impact on modern theatre With further reading throughout, a glossary of terms and a comprehensive chronology, this text makes the ideas and theories of Stanislavski available to an undergraduate audience.

The author offers a step-by-step, Stanislavski-based approach to text, role and performance to be used in everyday work and gathers together in one volume, the essential tools that serve to recreate human experience.

The gap between theory and practice in rehearsal is wide. many actors and directors apply theories without fully understanding them, and most accounts of rehearsal techniques fail to put the methods in context. Systems of Rehearsal is the first systematic appraisal of the three principal paradigms in which virtually all theatre work is conducted today - those developed by Stanislavsky, Brecht and Grotowski. The author compares each system ot the work of the contemporary director who, says Mitter, is the Great Imitator of each of them: Peter Brook. The result is the most comprehensive introduction to modern theatre available.