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result(s) for
"Stop-motion animation films."
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Telling a history story using lego stop-motion filmmaking
A high school student describes the process of using apps and everyday items to tell the iconic story of the Great Ocean Road in a prize-winning Lego film.
Journal Article
Puppetry, puppet animation and the digital age
\"We are going to leave the Age of Materialism and enter the Age of Virtuality. There is less and less conventional filmmaking. Nothing seems to be impossible in digital imagery. VFX Academy Award winning cinematographer Dennis Muren was among the first to consequently abandon the field of stop motion animation in favor of CGI in Jurassic Park. Nowadays puppets and dimensional animation occupy only a niche. Most people prefer the fluid animation, the texture and the challenges of digital animation. Others still acknowledge not only the craftsmanship but the uniqueness of stop-frame dimensional animation that is way beyond the standardization of CGI\"-- Provided by publisher.
Book
The Event in Transit Project
Presents her stop-motion project 'The Event in Transit' and her LED light work 'Free Beauties', both of which reference the scientific expedition of the Endeavour (led by Joseph Banks and captained by James Cook) in 1769 to record the transit of Venus. Source: National Library of New Zealand Te Puna Matauranga o Aotearoa, licensed by the Department of Internal Affairs for re-use under the Creative Commons Attribution 3.0 New Zealand Licence.
Journal Article
The Quay Brothers
This work is the first thorough analysis of the creative oeuvre of the Quay Brothers. Known for their animation shorts that rely on puppetry, miniatures, and stop-motion techniques, their fiercely idiosyncratic films are fertile fields for Suzanne Buchan’s engaging descriptions and provocative insights into the Quays’ art—and into the art of independent puppet animation.
eBook
Unseen cinema. 7, Viva la dance. Abstract experiment in kodachrome
Viva La Dance is part of the film retrospective Unseen Cinema that explores long-forgotten American experimental cinema. This dazzling stop-motion animation provided Vorkapich with a forum to demonstrate complex perceptual theories related to the persistence of vision and phi phenomenon. The dance of objects and their movements before the camera lens –somewhat similar to Oskar Fischinger's abstractions – illustrate many visual sensations playfully executed by Vorkapich. --Bruce Posner Serbian-born artist, Slavko Vorkapich settled 1925 in Santa Barbara as a portrait painter and by 1928, inspired by director Rex Ingram, entered Hollywood studios as a \"montage\" specialist. His name eventually became a noun describing the sequences for which he was famous. In later years, he made Pepsi commercials and lectured on principles of film art. --David Shepard. 16mm 1.37:1 color silent with music 2:49 minutes. New music by Robert Israel.
Streaming Video
New tricks
Biographical material. Source: National Library of New Zealand Te Puna Matauranga o Aotearoa, licensed by the Department of Internal Affairs for re-use under the Creative Commons Attribution 3.0 New Zealand Licence.
Newspaper Article