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34 result(s) for "Street art New York (State) New York."
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Duke House and the Making of Modern New York
An important contribution to understanding the development of modern New York, focusing on elite domestic architecture--in particular the James B. Duke House--within the contexts of social history, urban planning, architecture and interiors, and adaptive reuse for new functions.
Signs of hope : messages from subway therapy
\"In the days and weeks after the 2016 presidential election, Matthew Chavez showed up in the subway with stacks of brightly colored sticky notes. \"Express yourself,\" he told passersby. The response was electric. Calling himself \"Levee\"--one who supports the city's emotional tide--Chavez turned an underground maze into a communal art space known as Subway Therapy. News and social media feeds around the world filled with images of this ever-changing, ever-growing wall of remembrances, messages of love, and fierce calls to action. And its spirit was catching. Thousands picked up the mantle to create Subway Therapy walls in cities across the country--San Francisco, Oakland, Seattle, Boston, Washington, D.C.--and internationally as well. Signs of Hope is Chavez's tribute to Subway Therapy, showcasing the most inspired and most inspiring of the thousands of 3 x 3 inch notes. Individually these brave and funny and emotional \"posts\" bring the personal and momentary into the open. Together, they show us a vision of inclusivity and hope.\"--Amazon.com.
Regina Anderson Andrews, Harlem Renaissance Librarian
The first African American to head a branch of the New York Public Library (NYPL), Regina Andrews led an extraordinary life. Allied with W. E. B. Du Bois, Andrews fought for promotion and equal pay against entrenched sexism and racism and battled institutional restrictions confining African American librarians to only a few neighborhoods within New York City. Andrews also played a key role in the Harlem Renaissance, supporting writers and intellectuals with dedicated workspace at her 135th Street Branch Library. After hours she cohosted a legendary salon that drew the likes of Langston Hughes and Zora Neale Hurston. Her work as an actress and playwright helped establish the Harlem Experimental Theater, where she wrote plays about lynching, passing, and the Underground Railroad. Ethelene Whitmire's new biography offers the first full-length study of Andrews' activism and pioneering work with the NYPL. Whitmire's portrait of her sustained efforts to break down barriers reveals Andrews's legacy and places her within the NYPL's larger history.
Love for sale : courting, treating, and prostitution in New York City, 1900-1945
The intense urbanization and industrialization of America's largest city from the turn of the twentieth century to World War II was accompanied by profound shifts in sexual morality, sexual practices, and gender roles. Comparing prostitution and courtship with a new working-class practice of heterosexual barter called \"treating,\" Elizabeth Alice Clement examines changes in sexual morality and sexual and economic practices.Women \"treated\" when they exchanged sexual favors for dinner and an evening's entertainment or, more tangibly, for stockings, shoes, and other material goods. These \"charity girls\" created for themselves a moral space between prostitution and courtship that preserved both sexual barter and respectability. Although treating, as a clearly articulated language and identity, began to disappear after the 1920s and 1930s, Clement argues that it still had significant, lasting effects on modern sexual norms. She demonstrates how treating shaped courtship and dating practices, the prevalence and meaning of premarital sex, and America's developing commercial sex industry. Even further, her study illuminates the ways in which sexuality and morality interact and contribute to our understanding of the broader social categories of race, gender, and class.
How the Other Half Looks : The Lower East Side and the Afterlives of Images
New York City's Lower East Side, long viewed as the space of what Jacob Riis notoriously called the \"other half,\" was also a crucible for experimentation in photography, film, literature, and visual technologies. This book takes an unprecedented look at the practices of observation that emerged from this critical site of encounter, showing how they have informed literary and everyday narratives of America, its citizens, and its possible futures. Taking readers from the mid-nineteenth century to the present, Sara Blair traces the career of the Lower East Side as a place where image-makers, writers, and social reformers tested new techniques for apprehending America--and their subjects looked back, confronting the means used to represent them. This dynamic shaped the birth of American photojournalism, the writings of Stephen Crane and Abraham Cahan, and the forms of early cinema. During the 1930s, the emptying ghetto opened contested views of the modern city, animating the work of such writers and photographers as Henry Roth, Walker Evans, and Ben Shahn. After World War II, the Lower East Side became a key resource for imagining poetic revolution, as in the work of Allen Ginsberg and LeRoi Jones, and exploring dystopian futures, from Cold War atomic strikes to the death of print culture and the threat of climate change. How the Other Half Looks reveals how the Lower East Side has inspired new ways of looking-and looking back-that have shaped literary and popular expression as well as American modernity.
Graffiti, Street Art and Ambivalence
The article considers the practice and praxis of graffiti and street art from the perspectives of law enforcement, local government and placemaking, and between the production and consumption of this ambivalent form of cultural expression. The work is based on primary, site-based research and visualisation undertaken in Europe, North America and Australia.
Martin Scorsese and the American Dream
More than perhaps any other major filmmaker, Martin Scorsese has grappled with the idea of the American Dream. His movies are full of working-class strivers hoping for a better life, from the titular waitress and aspiring singer of Alice Doesn't Live Here Anymore to the scrappy Irish immigrants of Gangs of New York. And in films as varied as Casino, The Aviator, and The Wolf of Wall Street, he vividly displays the glamour and power that can come with the fulfillment of that dream, but he also shows how it can turn into a nightmare of violence, corruption, and greed.   This book is the first study of Scorsese's profound ambivalence toward the American Dream, the ways it drives some men and women to aspire to greatness, but leaves others seduced and abandoned. Showing that Scorsese understands the American dream in terms of a tension between provincialism and cosmopolitanism, Jim Cullen offers a new lens through which to view such seemingly atypical Scorsese films as The Age of Innocence, Hugo, and Kundun. Fast-paced, instructive, and resonant, Martin Scorsese and the American Dream illuminates an important dimension of our national life and how a great artist has brought it into focus.