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result(s) for
"Subculture History."
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Pranksters
2014
From Benjamin Franklin's newspaper hoax that faked the death of his rival to Abbie Hoffman's attempt to levitate the Pentagon, pranksters, hoaxers, and con artists have caused confusion, disorder, and laughter in Western society for centuries. Profiling the most notorious mischief makers from the 1600s to the present day,Prankstersexplores how pranks are part of a long tradition of speaking truth to power and social critique.Invoking such historical and contemporary figures as P.T. Barnum, Jonathan Swift, WITCH, The Yes Men, and Stephen Colbert, Kembrew McLeod shows how staged spectacles that balance the serious and humorous can spark important public conversations. In some instances, tricksters have incited social change (and unfortunate prank blowback) by manipulating various forms of media, from newspapers to YouTube. For example, in the 1960s, self-proclaimed professional hoaxer Alan Abel lampooned America's hypocritical sexual mores by using conservative rhetoric to fool the news media into covering a satirical organization that advocated clothing naked animals. In the 1990s, Sub Pop Records then-receptionist Megan Jasper satirized the commodification of alternative music culture by pranking theNew York Timesinto reporting on her fake lexicon of grunge speak. Throughout this book, McLeod shows how pranks interrupt the daily flow of approved information and news, using humor to underscore larger, pointed truths.Written in an accessible, story-driven style,Prankstersreveals how mischief makers have left their shocking, entertaining, and educational mark on modern political and social life.
Goth : a history
by
Tolhurst, Lol, 1959- author
in
Gothic rock music History and criticism.
,
Goth culture (Subculture)
,
Rock gothique Histoire et critique.
2023
\"GOTH is an entertaining and engaging historical memoir of the genre of Goth music and culture, exploring creative giants like The Cure, Siouxsie and the Banshees, Bauhaus, Joy Division, and many more great bands that offered a place of refuge for the misfits of the 80s and ever since. Written by Lol Tolhurst, co-founder of The Cure, this book offers a fascinating deep dive into the movers and shakers of goth with stories and anecdotes from Tolhurst's personal memories as well as the musicians, magicians, and artists, who made it all happen--the people, places, and events that made goth an inevitable and enduring movement. Starting with the Origins of Goth, Tolhurst explores early art and literature that inspired the genre and looks into the work of T.S Eliot, Edgar Allan Poe, Sylvia Plath, Albert Camus and more. He also outlines the path of Gothic Forebears and shows how many musicians played in punk bands before transitioning into goth endeavors. Next, he introduces readers to the \"Architects of Darkness\"--Bauhaus, Siouxsie and the Banshees, Joy Division and The Cure--the godfathers of goth who established the genre's roots. Following these early bands, Tolhurst discusses a group he calls the \"Spiritual Alchemists\", consisting of bands like Depeche Mode, Cocteau Twins and more, who helped the darkness expand into the culture. He also tracks the expansion of the genre overseas, from England to New York, Los Angeles, and beyond. Gothic fashion was an important part of the movement as well, and Tolhurst discusses the clothing that accompanied and complemented the music. Finally, Tolhurst examines the legacy of goth music, and shows how its influence can still be seen to this day across music, film, TV, visual arts, social media, and so much more finally concluding \"Why Goth matters!\"\"-- Provided by publisher.
Razabilly
2021,2022
Vocals tinged with pain and desperation. The deep thuds of an upright bass. Women with short bangs and men in cuffed jeans. These elements and others are the unmistakable signatures of rockabilly, a musical genre normally associated with white male musicians of the 1950s. But in Los Angeles today, rockabilly's primary producers and consumers are Latinos and Latinas. Why are these Razabillies partaking in a visibly un-Latino subculture that's thought of as a white person's fixation everywhere else?As a Los Angeles Rockabilly insider, Nicholas F. Centino is the right person to answer this question. Pairing a decade of participant observation with interviews and historical research, Centino explores the reasons behind a Rockabilly renaissance in 1990s Los Angeles and demonstrates how, as a form of working-class leisure, this scene provides Razabillies with spaces of respite and conviviality within the alienating landscape of the urban metropolis. A nuanced account revealing how and why Los Angeles Latinas/os have turned to and transformed the music and aesthetic style of 1950s rockabilly, Razabilly offers rare insight into this musical subculture, its place in rock and roll history, and its passionate practitioners.
Gothicka
2012
The Gothic has taken a revolutionary turn in this century. Today’s Gothic has fashioned its monsters and devils into heroes and angels and is actively reviving supernaturalism in popular culture. Nelson argues that this mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.
Underground Petersburg
2016
Although the radical populist movement that arose in Russia during the reign of Tsar Alexander II has been well documented, this important study opens with questions that haven’t yet been addressed: How did Russian radical populists manage to carry out a three-year campaign of revolutionary violence, killing or wounding scores of people, including top government officials, and eventually taking the life of the tsar himself? And how did this all occur under the noses of the tsar’s political police, who deployed vast resources and huge numbers of officials in an exhaustive effort to stop the killing?
In Underground Petersburg , Christopher Ely argues that the most powerful weapon of populist terrorism was the revolutionary underground it created. Attempts to convey populist ideals in the public sphere met with resistance at every turn. When methods such as propaganda campaigns and street demonstrations failed, populists created a sophisticated urban underground. Linked to the newly discovered weapon of terrorist violence, this base of operations allowed them to live undetected in the midst of the city, produce their own weaponry, and attempt to ignite an insurrection through violent attacks—putting terrorism on the map as a technique of political rebellion.
Accessible to non-specialists, this insightful study reinterprets radical populism, clarifying its crucial place in Russian history and elucidating its contribution to the history of terrorism. Underground Petersburg will appeal to scholars and students of Russia, as well as those interested in terrorism and insurrectionary movements, urban studies, and the sociology of subcultures.
Sounds of the underground : a cultural, political, and aesthetic mapping of underground and fringe music
In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy.
The Suppressed Memoirs of Mabel Dodge Luhan
2012
Internationally known as a writer, hostess, and patron of the arts of the twentieth century, Mabel Dodge Luhan (1879-1962) is not known for her experiences with venereal disease, unmentioned in her four-volume published memoir. Making the suppressed portions of Luhan's memoirs available for the first time, well-known biographer and cultural critic Lois Rudnick examines Luhan's life through the lenses of venereal disease, psychoanalysis, and sexology. She shows us a mover and shaker of the modern world whose struggles with identity, sexuality, and manic depression speak to the lives of many women of her era.
Restricted at the behest of her family until the year 2000, Rudnick's edition of these remarkable documents represents the culmination of more than thirty-five years of study of Luhan's life, writings, lovers, friends, and Luhan's social and cultural milieus in Italy, New York, and New Mexico. They open up new pathways to understanding late Victorian and early modern American and European cultures in the person of a complex woman who led a life filled with immense passion and pain.