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result(s) for
"Suburbs in art."
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New suburban stories
by
Dines, Martin, 1976- editor
,
Vermeulen, Timotheus, editor
in
Suburbs Social aspects.
,
Suburbs in mass media.
,
Suburbs in literature.
2015
Exploring fiction, film and art from across the USA, South America, Asia, Europe and Australia, 'New Suburban Stories' brings together new research from leading international scholars to examine cultural representations of the suburbs, home to a rapidly increasing proportion of the world's population. Focusing in particular on works that challenge conventional attitudes to suburbia, the book considers how suburban communities have taken control of their own representation to tell their own stories in contemporary novels, poetry, autobiography, cinema, social media and public art.
Making Sense of Suburbia through Popular Culture
2013
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. We all know what suburbia is, indeed the majority of us live in it. Yet, despite this ubituity, with no formal definition of the contept, the suburbs have developed in our collective imagination through representations in popular culture, from Terry and June to Desparate Housewives. Rupa Huq examines how suburbia has been depicted in novels, cinema, popular music and on television, charting changing trends both in the suburbs and popular media consumption and production. She looks at the differences in defining suburbia in the US and UK and how characteristics associated with it have shifted in meaning and form.
Serotonin, benzine, and a renegade body
2024
When a wave overwhelms you, you forget your voice and surrender to the void. Tempestuous events have penetrated my being, reaching deep within, hitting that infinitesimal point in a relentlessly throbbing nerve whose beats never cease to haunt me, even when I shut my eyes.
Magazine Article
Scenes from the suburbs : the suburb in contemporary US film and television
by
Vermeulen, Timotheus
in
Film, Media & Cultural Studies
,
PERFORMING ARTS / Film & Video / General
,
PERFORMING ARTS / Film & Video / History & Criticism
2014
This book looks again at the filmic and televised spaces we think we know so well. How are these spaces built up? What is it that makes us recognize them as suburbs? How do they function? Vermeulen usesDesperate Housewives, The Simpsons, King of the Hill, Happiness, Pleasantville, Brick and Chumscrubber to explore these questions.
Screening the Paris suburbs
Decades before the emergence of a French self-styled 'hood' film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they found an inexhaustible reservoir of forms, landscapes and social types in which to anchor their fictions, from bourgeois villas and bucolic riverside cafés to post-war housing estates and postmodern new towns. For the first time in English, contributors to this volume address key aspects of this long film history, marked by such towering figures as Jean Renoir, Jacques Tati and Jean-Luc Godard. Idyllic or menacing, expansive or claustrophobic, the suburb served divergent aesthetic and ideological programmes across the better part of a century. Themes central to French cultural modernity – class conflict, leisure, boredom and anti-authoritarianism – cut across the fifteen chapters.
Confronting Suburbanization
by
Stanilov, Kiril
,
Sykora, Ludek
in
ARCHITECTURE
,
ARCHITECTURE / Urban & Land Use Planning. bisacsh
,
Area planning (Civic art)
2014
This fascinating book explains the processes of suburbanization in the context of post-socialist societies transitioning from one system of socio-spatial order to another. Case studies of seven Central and Eastern Europe city regions illuminate growth patterns and key conditions for the emergence of sprawl.
* Breaks new ground, offering a systematic approach to the analysis of the global phenomenon of suburbanization in a post-socialist context
* Tracks the boom of the post-socialist suburbs in seven CEE capital city regions – Budapest, Ljubljana, Moscow, Prague, Sofia, Tallinn, and Warsaw
* Situates the experience of the CEE countries in the broader context of global urban change
* Case studies examine the phenomenon of suburbanization along four main vectors of analysis related to development patterns, driving forces, consequences and impacts, and management of suburbanization
* Highlights the critical importance of public policies and planning on the spread of suburbanization
The violent beauty of a banlieue wasteland garden
2024
Participatory arts can invite stormy and violent forms of participation when they are commissioned for sites where frustration, territorial control and pre-emptive self-defense involve practices of accepted street codes by those living within racialized, febrile territories. Through the case study of Aroma Home, a participatory art gardening project, in Paris’s northern peripheries, I analyze instances of affective, symbolic, performative and territorial violence as non-normative political acts of participation. Examining the underlying contexts and logics that led to these incidents, I argue that the most insidious act of violence in the project was the creation of our invasive, extractive garden on a hitherto unclaimed and unidentified patch of ‘free’ public ground. In creating a new identity for this wasteland and defining its use, we effectively limited, and implicitly prescribed, modes of participation that were culturally alien to those we most wanted to involve.
Journal Article
Suburban Dreams
2015
Starting with the premise that suburban films, residential neighborhoods, chain restaurants, malls, and megachurches are compelling forms ( topos ) that shape and materialize the everyday lives of residents and visitors, Greg Dickinson’s Suburban Dreams offers a rhetorically attuned critical analysis of contemporary American suburbs and the “good life” their residents pursue.
Dickinson’s analysis suggests that the good life is rooted in memory and locality, both of which are foundations for creating a sense of safety central to the success of suburbs. His argument is situated first in a discussion of the intersections among buildings, cities, and the good life and the challenges to these relationships wrought by the twentieth and twenty-first centuries. The argument then turns to rich, fully-embodied analyses of suburban films and a series of archetypal suburban landscapes to explore how memory, locality, and safety interact in constructing the suburban imaginary. Moving from the pastoralism of residential neighborhoods and chain restaurants like Olive Garden and Macaroni Grill, through the megachurch’s veneration of suburban malls to the mixed-use lifestyle center’s nostalgic invocation of urban downtowns, Dickinson complicates traditional understandings of the ways suburbs situate residents and visitors in time and place.
The analysis suggests that the suburban good life is devoted to family. Framed by the discourses of consumer culture, the suburbs often privilege walls and roots to an expansive vision of worldliness. At the same time, developments such as farmers markets suggest a continued striving by suburbanites to form relationships in a richer, more organic fashion.
Dickinson’s work eschews casually dismissive attitudes toward the suburbs and the pursuit of the good life. Rather, he succeeds in showing how by identifying the positive rhetorical resources the suburbs supply, it is in fact possible to engage with the suburbs intentionally, thoughtfully, and rigorously. Beyond an analysis of the suburban imaginary, Suburban Dreams demonstrates how a critical engagement with everyday places can enrich daily life. The book provides much of interest to students and scholars of rhetoric, communication studies, public memory, American studies, architecture, and urban planning.
Screening the Paris suburbs
by
Met, Philippe
,
Schilling, Derek G
in
ARCHITECTURE
,
Architecture & Architectural History
,
Cultural Studies
2018
Decades before the emergence of a French self-styled 'hood' film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they found an inexhaustible reservoir of forms, landscapes and social types in which to anchor their fictions, from bourgeois villas and bucolic riverside cafés to post-war housing estates and postmodern new towns. For the first time in English, contributors to this volume address key aspects of this long film history, marked by such towering figures as Jean Renoir, Jacques Tati and Jean-Luc Godard. Idyllic or menacing, expansive or claustrophobic, the suburb served divergent aesthetic and ideological programmes across the better part of a century. Themes central to French cultural modernity – class conflict, leisure, boredom and anti-authoritarianism – cut across the fifteen chapters.