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"Suffering in literature"
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With the witnesses : poetry, compassion, and claimed experience
\"Trauma theory dominates contemporary ideas about ethical response to suffering. Yet, trauma theory, as it has been adopted by literary and cultural studies, has harmful effects. In With the Witnesses, Dale Tracy argues that poetry's compassionate strategies offer an alternative approach to engaging not only suffering in art but suffering in general. Emphasizing inaccessible histories, unspeakable suffering, and unconscious witnessing, trauma theory leads readers to claim others' suffering through empathic identification. Understood through trauma theory, witness poetry--poetry responding to social suffering--appears to make traumatic traces contagiously available to readers. With the Witnesses interrogates this metaphoric logic in which readers identify with a speaker, placing themselves into the position of witness. Instead, Tracy finds that witness poems follow a metonymic logic: contiguity rather than substitution, nearness rather than likeness, and waiting in relationship rather than claiming understanding. Compassion means feeling with--not as--another. Poems responding to diverse national and transnational contexts of atrocity, conflict, and marginalization guide With the Witnesses outside of existing frameworks into compassionate response to suffering. With the Witnesses follows each poem as a unique theory of compassion and arrives at a place where a witness can stand with those who suffer without standing in for them.\"-- Provided by publisher.
Book
Samuel Beckett and trauma
Samuel Beckett and trauma is the first book that specifically addresses the question of trauma in Beckett, taking into account the recent rise of trauma studies in literature. Beckett is an author whose works are strongly related to the psychological and historical trauma of our age. His works not only explore the multifarious aspects of trauma but also radically challenge our conception of trauma itself by the unique syntax of language, aesthetics of fragmentation, bodily malfunctions and the creation of void. Instead of simply applying current trauma theories to Beckett, this book provides new perspectives that will expand and alter them by employing other theoretical frameworks in literature, theatre, art, philosophy and psychoanalysis. It will inspire anybody interested in literature and trauma, including specialists and students working on twentieth-century world literature, comparative studies, trauma studies and theatre /art.
eBook
Of women borne : a literary ethics of suffering
\"A new approach to the recent turn to ethics in literary studies that emphasizes the gendered and religious syntax of suffering\" -- Provided by publisher.
Book
Translating Pain
In the post-Cold War, post-9/11 era, the immigrant experience has changed dramatically. Despite the recent successes of immigrant and world literatures, there has been little scholarship on how the hardships of immigration are conveyed in immigrant narratives. Translating Pain fills this gap by examining literature from Muslim North Africa, the Caribbean, and Eastern Europe to reveal the representation of immigrant suffering in fiction.
Applying immigrant psychology to literary analysis, Madelaine Hron examines the ways in which different forms of physical and psychological pain are expressed in a wide variety of texts. She juxtaposes post-colonial and post-communist concerns about immigration, and contrasts Muslim world views with those of Caribbean creolité and post-Cold War ethics. Demonstrating how pain is translated into literature, she explores the ways in which it also shapes narrative, culture, history, and politics. A compelling and accessible study, Translating Pain is a groundbreaking work of literary and postcolonial studies.
eBook
Aspects Yellowing Darkly
In this meditative and reflective philosophical, literary and social inquiry, first presented as invited lectures at the Institute for European Studies of the Jagiellonian University, Peter McCormick highlights the still largely overlooked conceptual and linguistic resources of the distinctive European high modernist poetry of suffering for freshly rearticulating some of the most basic moral and ethical values at the historical roots of European civilization.
eBook
The modulated scream : pain in late medieval culture
This book provides an integral, readable account of changing attitudes toward pain in late medieval Europe. Since pain itself cannot be known, the book looks at pain by chronicling what people wrote about it, and what they did with and about that.
Book
Spectacular Suffering
Spectacular Sufferingfocuses on commodification and discipline, two key dimensions of Atlantic slavery through which black bodies were turned into things in the marketplace and persons into property on plantations. Mallipeddi approaches the problem of slavery as a problem of embodiment in this nuanced account of how melancholy sentiment mediated colonial relations between English citizens and Caribbean slaves.
The book's first chapters consider how slave distress emerged as a topic of emotional concern and political intervention in the writings of Aphra Behn, Richard Steele, and Laurence Sterne. As Mallipeddi shows, sentimentalism allowed metropolitan authors to fashion themselves as melancholy witnesses to racial slavery by counterposing the singular body to the abstract commodity and by taking affective property in slaves against the legal proprietorship of slaveholders.
Spectacular Sufferingthen turns to the practices of the enslaved, tracing how they contended with the effects of chattel slavery. The author attends not only to the work of African British writers and archival textual materials but also to economic and social activities, including slaves' petty production, recreational forms, and commemorative rituals. In examining the slaves' embodied agency, the book moves away from spectacular images of suffering to concentrate on slow, incremental acts of regeneration by the enslaved. One of the foremost contributions of this study is its exploration of the ways in which the ostensible objects of sentimental compassion-African slaves-negotiated the forces of capitalist abstraction and produced a melancholic counterdiscourse on slavery.
Throughout, Mallipeddi's keen reading of primary texts alongside historical and critical work produce fresh and persuasive insights.Spectacular Sufferingis an important book that will alter conceptions of slave agency and of sentimentalism across the long eighteenth century.
eBook
A nation of victims?: representations of German wartime suffering from 1945 to the present
The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980s. The (international) attention and debates triggered by, for example, W.G. Sebald's Luftkrieg und Literatur, Günter Grass's Im Krebsgang, Jörg Friedrich's Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the 'perpetrator collective' and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians addressing issues surrounding the representation of German wartime suffering from the immediate post-war period to the present in literature, film and public commemorative discourse. Split into four sections, the volume discusses the representation of Germans as victims in post-war literature and film, the current memory politics of the Bund der Vertriebenen, the public commemoration of the air raids on Hamburg and Dresden and their representation in film, photography, historiography and literature, the impact and reception of W.G. Sebald's Luftkrieg und Literatur, the representation of flight and expulsion in contemporary writing, the problem of empathy in representations of Germans as victims and the representation of suffering and National Socialism in Oliver Hirschbiegel's film Der Untergang.
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