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252 result(s) for "Superhero films"
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DC cinematic universe : a celebration of DC at the movies
From the trailblazing 1940s movie serials that first put Batman and Superman on the silver screen to the Caped Crusader's swinging 1960s escapades and the iconic 1970s Superman, to the state-of-the-art 21st century reinventions of the Dark Knight, the Man of Steel, and Wonder Woman, this book provides an indispensable guided tour of DC cinema history. See how DC's characters, locations, costumes, and weapons have been adapted from page to screen and evolved over the decades. Witness some of the world's finest actors, such as Academy-Award winners Marlon Brando, Jack Nicholson, Christian Bale, Nicole Kidman, Joaquin Phoenix, Viola Davis, and others transform into the Super Heroes, Super-Villains, and supporting cast for their times. Go behind the scenes and discover little known facts while poring over stunning movie stills, character and set designs, and storyboards.
Bending steel : modernity and the American superhero
“Faster than a speeding bullet. More powerful than a locomotive. Able to leap tall buildings in a single bound . . . It’s Superman!” Bending Steel examines the historical origins and cultural significance of Superman and his fellow American crusaders. Cultural historian Aldo J. Regalado asserts that the superhero seems a direct response to modernity, often fighting the interrelated processes of industrialization, urbanization, immigration, and capitalism that transformed the United States from the early nineteenth century to the present. Reeling from these exciting but rapid and destabilizing forces, Americans turned to heroic fiction as a means of explaining national and personal identities to themselves and to the world. In so doing, they created characters and stories that sometimes affirmed, but other times subverted conventional notions of race, class, gender, and nationalism. The cultural conversation articulated through the nation’s early heroic fiction eventually led to a new heroic type—the brightly clad, super-powered, pro-social action heroes that first appeared in American comic books starting in the late 1930s. Although indelibly shaped by the Great Depression and World War II sensibilities of the second-generation immigrants most responsible for their creation, comic book superheroes remain a mainstay of American popular culture. Tracing superhero fiction all the way back to the nineteenth century, Regalado firmly bases his analysis of dime novels, pulp fiction, and comics in historical, biographical, and reader response sources. He explores the roles played by creators, producers, and consumers in crafting superhero fiction, ultimately concluding that these narratives are essential for understanding vital trajectories in American culture.
Anatomy of the superhero film
\"This book addresses what a superhero body can do by developing several 'x-rays' of the superbod's sensoria, anatomic structures, internal systems, cellular organizations, and orthotic, chemical, or technological enhancements. In short, these x-rays offer what we might describe as a metamorpho-physiological approach to the superheroes in feature films, theatrical cartoon shorts, and Netflix television series. This approach examines the ways in which the 'substance' of superheroes, which includes their masks, costumes, chevrons, weapons, and auras, extends into the diegetic environment of the film, transgressing it, transforming it, and corporealizing it, making it emblematic of the shape, dimensions, contours, and organismic workings of one or more of our major organs, members, orifices, fluids, or cell clusters. Thus the superhero film, as this study claims, works to make us more aware of the mutability, adaptability, modifiability, and virtual capabilities of our own flesh.\"--Cover page 4.
The Comic Book Film Adaptation
In the summer of 2000X-Mensurpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors,The Comic Book Film Adaptationoffers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptationexplores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.
The Marvel cinematic universe : an official timeline
The Marvel Cinematic Universe (MCU) is vast, incredibly varied, and richly complex. Different worlds, different timelines, countless characters. This is the guide to that universe. Created in close collaboration with Marvel Studios, it will frame the MCU's biggest events: what happened, when, where, and why. Follow the entire story of the MCU from before the Big Bang to the Blip and beyond. Along the way, learn more about the evolution of the Iron Man armors, the hunt for the Infinity Stones, and the formation of The Multiverse.
The Avengers and philosophy
An engaging look at the philosophical underpinnings of Earth's Mightiest Heroes Avengers assemble! Tackling intriguing dilemmas and issues that no single great philosopher can withstand, this powerful book enlists the brainpower of an A-list team of history's most prominent thinkers to explore the themes behind the action of Marvel Comics' all-star superhero team. * Arms you with new insights into the characters and themes of The Avengers * Deepens your appreciation both of The Avengers comics and the Joss Whedon movie adaptation * Answers the philosophical questions you've always had about Earth's Mightiest Heroes, including: Can a reformed criminal become a superhero? Can an android love a human? If a hero beats his wife, is he still a hero? * Helps you think differently about the members of the superhero team—Captain America, Iron Man, Thor, and the others This thought-provoking book will help you understand this band of superheroes better, whether you've followed the Avengers for years or are a Joss Whedon fan just getting to know them.
Spider-man and philosophy
\"Philosophy is, if Plato (428-348 BCE) can be trusted, a frenzied passion for the truth, the love of wisdom, the pursuit of answers to fundamental questions, a way of life. The authors of the chapters in this book are all philosophers, most are college professors, and all are teachers of one sort or another. We thought we'd snag a few more students into our webs while writing about our favorite wall-crawler. Sneaky of us, isn't it?\"--
MCU : the reign of Marvel Studios
Marvel Entertainment was a struggling toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. But what accounts for its stunning rise? In 'MCU', beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole, ongoing production, the Marvel Cinematic Universe. As they delve into the studio's key moments - from the contentious hiring of Robert Downey Jr. for Iron Man to the negotiations over Disney's acquisition of Marvel to studio head Kevin Feige's embrace of streaming TV - the authors demonstrate that the genius of Marvel was its resurrection and modification of Hollywood's old studio system.
The superhero symbol : media, culture, and politics
\"As a man, I'm flesh and blood, I can be ignored, I can be destroyed; but as a symbol...as a symbol I can be incorruptible, I can be everlasting\".In the 2005 reboot of the Batman film franchise,  Batman Begins , Bruce Wayne articulates how the figure of the superhero can serve as a transcendent icon.