Catalogue Search | MBRL
Are you sure you want to remove the book from the shelf?
{{itemTitle}}
25
result(s) for
"Superhero films History and criticism."
Sort by:
Anatomy of the superhero film
\"This book addresses what a superhero body can do by developing several 'x-rays' of the superbod's sensoria, anatomic structures, internal systems, cellular organizations, and orthotic, chemical, or technological enhancements. In short, these x-rays offer what we might describe as a metamorpho-physiological approach to the superheroes in feature films, theatrical cartoon shorts, and Netflix television series. This approach examines the ways in which the 'substance' of superheroes, which includes their masks, costumes, chevrons, weapons, and auras, extends into the diegetic environment of the film, transgressing it, transforming it, and corporealizing it, making it emblematic of the shape, dimensions, contours, and organismic workings of one or more of our major organs, members, orifices, fluids, or cell clusters. Thus the superhero film, as this study claims, works to make us more aware of the mutability, adaptability, modifiability, and virtual capabilities of our own flesh.\"--Cover page 4.
Book
Bending steel : modernity and the American superhero
“Faster than a speeding bullet. More powerful than a locomotive. Able to leap tall buildings in a single bound . . . It’s Superman!” Bending Steel examines the historical origins and cultural significance of Superman and his fellow American crusaders. Cultural historian Aldo J. Regalado asserts that the superhero seems a direct response to modernity, often fighting the interrelated processes of industrialization, urbanization, immigration, and capitalism that transformed the United States from the early nineteenth century to the present. Reeling from these exciting but rapid and destabilizing forces, Americans turned to heroic fiction as a means of explaining national and personal identities to themselves and to the world. In so doing, they created characters and stories that sometimes affirmed, but other times subverted conventional notions of race, class, gender, and nationalism.
The cultural conversation articulated through the nation’s early heroic fiction eventually led to a new heroic type—the brightly clad, super-powered, pro-social action heroes that first appeared in American comic books starting in the late 1930s. Although indelibly shaped by the Great Depression and World War II sensibilities of the second-generation immigrants most responsible for their creation, comic book superheroes remain a mainstay of American popular culture.
Tracing superhero fiction all the way back to the nineteenth century, Regalado firmly bases his analysis of dime novels, pulp fiction, and comics in historical, biographical, and reader response sources. He explores the roles played by creators, producers, and consumers in crafting superhero fiction, ultimately concluding that these narratives are essential for understanding vital trajectories in American culture.
eBook
Spider-man and philosophy
\"Philosophy is, if Plato (428-348 BCE) can be trusted, a frenzied passion for the truth, the love of wisdom, the pursuit of answers to fundamental questions, a way of life. The authors of the chapters in this book are all philosophers, most are college professors, and all are teachers of one sort or another. We thought we'd snag a few more students into our webs while writing about our favorite wall-crawler. Sneaky of us, isn't it?\"--
eBook
Ink-stained amazons and cinematic warriors : superwomen in modern mythology
\"Women have been led to believe that superheroes and heroism are not for them, and that they are little more than love interests, or sidekicks who stand by their supermen. This is a false proposition argues Jennifer K. Stuller, as she uncovers the true history of how superwomen are represented in popular culture. She reveals how, from Wonder Woman to Buffy Summers, Emma Peel to Sydney Brislow, Charlie's Angels to The Powerpuff Girls, the female hero in modern mythology has broken through the boys' club barrier of tradition for shining, if all too brief, moments. The book details the notable differences in how women and men are represented as heroic in modern myth. Love and compassion, spies and sexuality, daddy's girls, and the complicated roles of superwomen who are also mothers are all explored. The spotlight is also turned onto men and women who have created modern myths with a strong female presence and Stuller concludes by speculating on the future of gender representation in superheroic myth. A useful appendix offers resources for further information about feminist fangirl blogging, activism, and fiction, and the book features a glossary of modern mythic women.\"--P. [4] of cover.
Book
The superhero symbol : media, culture, and politics
\"As a man, I'm flesh and blood, I can be ignored, I can be destroyed; but as a symbol... as a symbol I can be incorruptible, I can be everlasting\". In the 2005 reboot of the Batman film franchise, Batman Begins, Bruce Wayne articulates how the figure of the superhero can serve as a transcendent icon. It is hard to imagine a time when superheroes have been more pervasive in our culture. Today, superheroes are intellectual property jealously guarded by media conglomerates, icons co-opted by grassroots groups as a four-color rebuttal to social inequities, masks people wear to more confidently walk convention floors and city streets, and bulletproof banners that embody regional and national identities. From activism to cosplay, this collection unmasks the symbolic function of superheroes. Bringing together superhero scholars from a range of disciplines, alongside key industry figures such as Harley Quinn co-creator Paul Dini, The Superhero Symbol provides fresh perspectives on how characters like Captain America, Iron Man, and Wonder Woman have engaged with media, culture, and politics, to become the \"everlasting\" symbols to which a young Bruce Wayne once aspired.
eBook
Copyright vigilantes : intellectual property and the Hollywood superhero
\"Copyright Vigilantes: Intellectual Property and the Hollywood Superhero, 1998-2018 explains superhero blockbusters as allegories of intellectual property relations. In movies based on characters owned by the comics duopoly of DC and Marvel, no narrative recurs more often than a villain's attempt to copy the superhero's unique powers. In this volume, author Ezra Claverie explains this fixation as a symptom of the films' mode of production. Since the 1930s, the dominant American comics publishers have treated the creations of artists and writers as work for hire, such that stories and characters become company property. Thus, publishers avoided sharing the profits both from magazine sales and from licensing characters into other media. For decades, creators have challenged this regime, demanding either shares of profits or outright ownership of their creations. Now that the duopoly rents, licenses, and adapts superheroes for increasingly expensive franchises, and for growing international audiences, any challenge to intellectual property relations threatens a production regime worth billions of dollars. Duopoly movies, therefore, present any attempt to break the superhero's monopoly on their powers as the scheme of terrorists, mad scientists, or space Nazis-assuaging studio anxieties and revealing the fears of those who benefit most from the real-world ownership of superheroes. Weaving together legal analysis, Marxist political economy, and close readings of movies, Copyright Vigilantes explains the preoccupations of Hollywood's leading genre\"-- Provided by publisher.
Book
The Avengers and philosophy
An engaging look at the philosophical underpinnings of Earth's Mightiest Heroes
Avengers assemble! Tackling intriguing dilemmas and issues that no single great philosopher can withstand, this powerful book enlists the brainpower of an A-list team of history's most prominent thinkers to explore the themes behind the action of Marvel Comics' all-star superhero team.
* Arms you with new insights into the characters and themes of The Avengers
* Deepens your appreciation both of The Avengers comics and the Joss Whedon movie adaptation
* Answers the philosophical questions you've always had about Earth's Mightiest Heroes, including: Can a reformed criminal become a superhero? Can an android love a human? If a hero beats his wife, is he still a hero?
* Helps you think differently about the members of the superhero team—Captain America, Iron Man, Thor, and the others
This thought-provoking book will help you understand this band of superheroes better, whether you've followed the Avengers for years or are a Joss Whedon fan just getting to know them.
eBook
The superhero symbol : media, culture, and politics
\"\"As a man, I'm flesh and blood, I can be ignored, I can be destroyed; but as a symbol... as a symbol I can be incorruptible, I can be everlasting\". In the 2005 reboot of the then dormant Batman film franchise, Batman Begins, Bruce Wayne articulates how the figure of the superhero can serve as a transcendent icon. It is hard to imagine a time when superheroes have been more pervasive in our culture. Today, superheroes are intellectual property jealously guarded by media conglomerates, icons co-opted by grassroots groups as a four-color rebuttal to social inequities, masks people wear to more confidently walk convention floors and city streets, and bulletproof banners that embody regional and national identities. From activism to cosplay, understanding how these different groups and interests have made use of this powerful icon is essential to unmasking the appeal of superheroes and their wider impact. To address this interest, The Superhero Symbol brings together scholars from a range of disciplines, alongside key industry figures. Collectively, these contributions provide fresh perspectives on how these costume-clad heroes have engaged with media, culture, and politics, thereby becoming the \"everlasting\" symbols to which a wayward Bruce Wayne once aspired\"-- Provided by publisher.
Book
Superheroes on world screens
Superheroes such as Superman and Spider-Man have spread all over the world. As this edited volume shows, many national cultures have created or reimagined the idea of the superhero, while the realm of superheroes now contains many icons whose histories borrow from local folklore and legends. Consequently, the superhero needs reconsideration, to be regarded as part of both local and global culture as well as examined for the rich meanings that such broad origins and re-workings create.
This collection stands out as the first concentrated attempt to think through the meanings and significance of the superhero, not only as a product of culture in the United States, but as a series of local, transnational, and global exchanges in popular media. Through analysis of mainly film, television, and computer screens, contributors offer three challenges to the idea of the \"American\" superhero: transnational reimagining of superhero culture, emerging local superheroes, and the use of local superheroes to undermine dominant political ideologies. The essays explore the shifting transnational meanings of Doctor Who, Thor, and the Phantom, as these characters are reimagined in world culture. Other chapters chart the rise of local superheroes from India, the Middle East, Thailand, and South Korea. These explorations demonstrate how far superheroes have traveled to inspire audiences worldwide.
eBook