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"Superheroes Humor."
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Knock-knock jokes
Knock knock! Who's there? Robin. Robin who? Robbing is for criminals - not super heroes! With 75+ KNOCK KNOCK jokes featuring Batman, Superman, and Wonder Woman, this official DC Comics joke book will have readers coming back for more! Full-color art and enhanced back matter make this a perfect fit for fanboys and fangirls alike.
Book
Super Bodies
An examination of the art in superhero comics and how
style influences comic narratives. For many, the idea of
comic book art implies simplistic four-color renderings of stiff
characters slugging it out. In fact, modern superhero comic books
showcase a range of complex artistic styles, with diverse
connotations. Leading comics scholar Jeffrey A. Brown assesses six
distinct approaches to superhero illustration-idealism, realism,
cute, retro, grotesque, and noir-examining how each visually
represents the superhero as a symbolic construct freighted with
meaning.
Whereas comic book studies tend to focus on text and narrative,
Super Bodies gives overdue credit to the artwork, which is
not only a principal source of the appeal of comic books but also
central to the values these works embody. Brown argues that
superheroes are to be taken not as representations of people but as
iconic types, and the art conveys this. Even the most realistic
comic illustrations are designed to suggest not persons but
ideas-ideas about bodies and societies. Thus the appearance of
superheroes both directly and indirectly influences the story being
told as well as the opinions readers form concerning justice,
authority, gender, puberty, sexuality, ethnicity, violence, and
other concepts central to political and cultural life.
eBook
Monster jokes
What hand should Superman use to pet Titano the Super-Ape? Someone else's! This official DC Comics joke book features 75+ laugh-out-loud jokes about MONSTERS, told by Superman, Batman, Wonder Woman, and other DC Super Heroes. With full-color art and enhanced back matter, fanboys and fangirls alike will be scared silly!
Book
Hero Me Not
First introduced in the pages of X-Men , Storm is
probably the most recognized Black female superhero. She is also
one of the most powerful characters in the Marvel Universe, with
abilities that allow her to control the weather itself. Yet that
power is almost always deployed in the service of White characters,
and Storm is rarely treated as an authority figure. Hero Me
Not offers an in-depth look at this fascinating yet often
frustrating character through all her manifestations in comics,
animation, and films. Chesya Burke examines the coding of Storm as
racially \"exotic,\" an African woman who nonetheless has bright
white hair and blue eyes and was portrayed onscreen by biracial
actresses Halle Berry and Alexandra Shipp. She shows how Storm,
created by White writers and artists, was an amalgam of various
Black stereotypes, from the Mammy and the Jezebel to the Magical
Negro, resulting in a new stereotype she terms the Negro Spiritual
Woman. With chapters focusing on the history, transmedia
representation, and racial politics of Storm, Burke offers a very
personal account of what it means to be a Black female comics fan
searching popular culture for positive images of powerful women who
look like you.
eBook
Animal jokes
\"Why won't Wonder Woman's worst enemy fight fair? Because she's a Cheetah! With 75+ ANIMAL jokes featuring Batman, Superman, and Wonder Woman, readers will go wild for this official DC Comics joke book! Full-color art and enhanced back matter make this a surefire hit for fanboys and fangirls alike\"--Page [4] of cover.
Book
Comic Book Women
The history of comics has centered almost exclusively on men.
Comics historians largely describe the medium as one built by men
telling tales about male protagonists, neglecting the many ways in
which women fought for legitimacy on the page and in publishers'
studios. Despite this male-dominated focus, women played vital
roles in the early history of comics. The story of how comic books
were born and how they evolved changes dramatically when women like
June Tarpé Mills and Lily Renée are placed at the center rather
than at the margins of this history, and when characters such as
the Black Cat, Patsy Walker, and Señorita Rio are analyzed.
Comic Book Women offers a feminist history of the
golden age of comics, revising our understanding of how numerous
genres emerged and upending narratives of how male auteurs built
their careers. Considering issues of race, gender, and sexuality,
the authors examine crime, horror, jungle, romance, science
fiction, superhero, and Western comics to unpack the cultural and
industrial consequences of how women were represented across a wide
range of titles by publishers like DC, Timely, Fiction House, and
others. This revisionist history reclaims the forgotten work done
by women in the comics industry and reinserts female creators and
characters into the canon of comics history.
eBook
DC super friends joke book
Knock knock. Who's there? It's your favorite DC super heroes sharing more than 100 jokes.
Book
Bending steel : modernity and the American superhero
“Faster than a speeding bullet. More powerful than a locomotive. Able to leap tall buildings in a single bound . . . It’s Superman!” Bending Steel examines the historical origins and cultural significance of Superman and his fellow American crusaders. Cultural historian Aldo J. Regalado asserts that the superhero seems a direct response to modernity, often fighting the interrelated processes of industrialization, urbanization, immigration, and capitalism that transformed the United States from the early nineteenth century to the present. Reeling from these exciting but rapid and destabilizing forces, Americans turned to heroic fiction as a means of explaining national and personal identities to themselves and to the world. In so doing, they created characters and stories that sometimes affirmed, but other times subverted conventional notions of race, class, gender, and nationalism.
The cultural conversation articulated through the nation’s early heroic fiction eventually led to a new heroic type—the brightly clad, super-powered, pro-social action heroes that first appeared in American comic books starting in the late 1930s. Although indelibly shaped by the Great Depression and World War II sensibilities of the second-generation immigrants most responsible for their creation, comic book superheroes remain a mainstay of American popular culture.
Tracing superhero fiction all the way back to the nineteenth century, Regalado firmly bases his analysis of dime novels, pulp fiction, and comics in historical, biographical, and reader response sources. He explores the roles played by creators, producers, and consumers in crafting superhero fiction, ultimately concluding that these narratives are essential for understanding vital trajectories in American culture.
eBook
Veiled superheroes
Veiled Superheroes: Islam, Feminism, and Popular Culture focuses on female Muslim superheroes in graphic narratives such as the comic Ms. Marvel, the animated television series BurkaAvenger, and the webcomic Qahera.
eBook
Christianity and Comics
The Bible has inspired Western art and literature for centuries, so it is no surprise that Christian iconography, characters, and stories have also appeared in many comic books. Yet the sheer stylistic range of these comics is stunning. They include books from Christian publishers, as well as underground comix with religious themes and a vast array of DC, Marvel, and Dark Horse titles, from Hellboy to Preacher. Christianity and Comics presents an 80-year history of the various ways that the comics industry has drawn from biblical source material. It explores how some publishers specifically targeted Christian audiences with titles like Catholic Comics, books featuring heroic versions of Oral Roberts and Billy Graham, and special religious-themed editions of Archie. But it also considers how popular mainstream comics like Daredevil, The Sandman, Ghost Rider, and Batman are infused with Christian themes and imagery. Comics scholar Blair Davis pays special attention to how the medium's unique use of panels, word balloons, captions, and serialized storytelling have provided vehicles for telling familiar biblical tales in new ways. Spanning the Golden Age of comics to the present day, this book charts how comics have both reflected and influenced Americans' changing attitudes towards religion.
eBook