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"Supernatural in literature"
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Supernatural Speakers in Old English Verse
The first extended study of supernatural discourse in Old English poetry, Supernatural Speakers in Old English Verse fills a conspicuous gap in the scholarship of early medieval literature. Drawing insights from various disciplines, including critical discourse analysis, social psychology, and oral poetry studies, Supernatural Speakers demonstrates how and why three poets—the poets of Genesis A, Christ C, and Guthlac A—marshalled their distinction as experts of the Old English poetic medium to perform the power of supernatural speech by means of masterful poetics. By offering new analytical paths through these early medieval poems, Supernatural Speakers elucidates the importance of poetics as a critical window on the social and religious functions of verbal art in early medieval England.
eBook
Byron's ghosts : the spectral, the spiritual and the supernatural
\"Byron is rarely thought of as a spiritual writer. However, as this bold new collection shows, this is the result of an impoverished notion of the 'spiritual' and a reflection of biased priorities in Romantic studies. Reflecting on the poet's claim that 'immaterialism's a serious matter', this interdisciplinary collection of essays, from British and American scholars, calls into question the prevailing 'materialist' consensus, and offers a fresh and theoretically inflected reading of Byron's poetry. Byron's Ghosts is the first book-length examination of spectrality in Byron's work. It is on the one hand concerned with what Mary Shelley in her essay 'On Ghosts' refers to as 'the true old-fashioned, foretelling, flitting, gliding ghost', though it is also a postmodern response to the 'spectral turn' in critical theory, which brings into view a range of phantom effects and 'non-Gothic' spectres. Focusing attention on these diverse modalities of the ghostly, the specially assembled essays complicate the popular image of Byron as a sceptical or 'anti-Romantic' poet and reveal a great deal about his work that could not be uncovered in any other way\" -- Page 4 of cover.
BOOK
Supernatural Speakers in Old English Verse
The first extended study of supernatural discourse in Old English poetry, Supernatural Speakers in Old English Verse fills a conspicuous gap in the scholarship of early medieval literature. Drawing insights from various disciplines, including critical discourse analysis, social psychology, and oral poetry studies, Supernatural Speakers demonstrates how and why three poets - the poets of Genesis A, Christ C, and Guthlac A - marshalled their distinction as experts of the Old English poetic medium to perform the power of supernatural speech by means of masterful poetics. By offering new analytical paths through these early medieval poems, Supernatural Speakers elucidates the importance of poetics as a critical window on the social and religious functions of verbal art in early medieval England.
eBook
Haunting encounters : the ethics of reading across boundaries of difference
\"Examines the theme of haunting in recent U.S. and postcolonial literature as a response to the dynamics of transnational literary circulation\"-- Author's Web site.
Book
Supernatural Speakers in Old English Verse
The first extended study of supernatural discourse in Old English poetry, Supernatural Speakers in Old English Verse fills a conspicuous gap in the scholarship of early medieval literature. Drawing insights from various disciplines, including critical discourse analysis, social psychology, and oral poetry studies, Supernatural Speakers demonstrates how and why three poets—the poets of Genesis A, Christ C, and Guthlac A—marshalled their distinction as experts of the Old English poetic medium to perform the power of supernatural speech by means of masterful poetics. By offering new analytical paths through these early medieval poems, Supernatural Speakers elucidates the importance of poetics as a critical window on the social and religious functions of verbal art in early medieval England.
eBook
Beasts of the Forest
Beasts of the Forest: Denizens of the Dark Woods offers its readers an in-depth and interdisciplinary engagement with the forest and its monstrous inhabitants; through critical readings of folklore, fiction, film, music video and animation.
Within the text there are a multitude of convergent critical perspectives used to engage and explore fictional and real monsters of the forest in media and folklore. The collection features chapters from a variety of academic perspectives: film and media studies, cultural studies, queer theory, Tolkien studies, mythology and popular music are featured. Under examination are a wide range of narratives and media forms that represent, reimagine and create the werewolves, witches and weird apparitions that inhabit the forest, along with the forest as a monstrous entity in itself.
Whether they be our shelter and safe-haven or the domain of malevolent spirits and sprites, forests have the capacity to horrify and threaten those that venture into them without permission. Human interference has continually threatened forests across the world, yet this threat is reversed in myth, folklore and more recent cultural forms. This collection ranges widely to analyse how forests figure in contemporary culture, as well as the wider contexts in which such representations are inserted.
eBook
Tristan Strong punches a hole in the sky
Seventh-grader Tristan Strong tumbles into the MidPass and, with allies John Henry and Brer Rabbit, must entice the god Anansi to come out of hiding and seal the hole Tristan accidentally ripped in the sky.
Book
Scare Tactics
Scare Tactics identifies an important but overlooked tradition of supernatural writing by American women. Jeffrey Weinstock analyzes this tradition as an essentially feminist attempt to imagine alternatives to a world of limited possibilities. In the process, he recovers the lives and works of authors who were important during their lifetimes and in the development of the American literary tradition, but who are not recognized today for their contributions.Between the end of the Civil War and roughly 1930, hundreds of uncanny tales were published by women in the periodical press and in books. These include stories by familiar figures such as Edith Wharton, Harriet Beecher Stowe, and Charlotte Perkins Gilman, as well as by authors almost wholly unknown to twenty-first-century readers, such as Josephine Dodge Bacon, Alice Brown, Emma Frances Dawson, and Harriet Prescott Spofford. Focusing on this tradition of female writing offers a corrective to the prevailing belief within American literary scholarship that the uncanny tale, exemplified by the literary productions of Irving, Poe, and Hawthorne, was displaced after the Civil War by literary realism. Beyond the simple existence of an unacknowledged tradition of uncanny literature by women, Scare Tactics makes a strong case that this body of literature should be read as a specifically feminist literary tradition. Especially intriguing, Weinstock demonstrates, is that women authors repeatedly used Gothic conventions to express discontentment with circumscribed roles for women creating types of political intervention connected to the broader sphere of women's rights activism. Paying attention to these overlooked authors helps us better understand not only the literary marketplace of their time, but also more familiar American Gothicists from Edgar Allan Poe to Shirley Jackson to Stephen King.
eBook