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"Symbolism in art."
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Saint George Between Empires
This volume examines Saint George's intertwined traditions in
the competing states of the eastern Mediterranean and
Transcaucasia, demonstrating how rival conceptions of this
well-known saint became central to Crusader, Eastern Christian, and
Islamic medieval visual cultures.
Saint George Between Empires links the visual cultures
of Byzantium, North Africa, the Levant, Syria, and the Caucasus
during the Crusader era to redraw our picture of interfaith
relations and artistic networks. Heather Badamo recovers and
recontextualizes a vast body of images and literature-from
etiquette manuals and romances to miracle accounts and
chronicles-to describe the history of Saint George during a period
of religious and political fragmentation, between his \"rise\" to
cross-cultural prominence in the eleventh century and his
\"globalization\" in the fifteenth. In Badamo's analysis, George
emerges as an exemplar of cross-cultural encounter and global
translation.
Featuring important new research on monuments and artworks that
are no longer available to scholars as a result of the occupation
of Syria and parts of Iraq, Saint George Between Empires
will be welcomed by scholars of Byzantine, medieval, Islamic, and
Eastern Christian art and cultural studies.
eBook
Symbolism : an international annual of critical aesthetics. Volume 14
Symbolic representation is a crucial subject for and a potent heuristic instrument of diaspora studies. This special focus inquires into the forms and functions of symbols of diaspora both in aesthetic practice and in critical discourse, analyzing and theorizing symbolic practices from Shakespeare to Bollywood as well as in critical writings of theorists of diaspora.
Book
St. Jacob's Antwerp Art and Counter Reformation in Rubens's Parish Church
St. Jacob's is the only church to survive intact from Antwerp's Counter Reformation (1585-1794). Jeffrey Muller wreathes together the testimony of masterpieces and archives in Rubens's parish church to reconstruct art's integral role in religion and the transformation of society.
eBook
Church Symbolism; an Explanation of the More Important Symbols of the Old and New Testament
\"Church Symbolism: An Explanation of the More Important Symbols of the Old and New Testament, the Primitive, the Medieval and the Modern Church\" by F.R.Webber is an authoritative and comprehensive guide to the rich tapestry of symbols that have been used throughout the history of the Christian Church.
eBook
Art and the religious image in El Greco's Italy
Art and the Religious Image in El Greco's Italy is the first book-length examination of the early career of one of the early modern period's most notoriously misunderstood figures. Born around 1541, Domenikos Theotokopoulos began his career as an icon painter on the island of Crete. He is best known, under the name \"El Greco,\" for the works he created while in Spain, paintings that have provoked both rapt admiration and scornful disapproval since his death in 1614. But the nearly ten years he spent in Venice and Rome, from 1567 to 1576, have remained underexplored until now. Andrew Casper's examination of this period allows us to gain a proper understanding of El Greco's entire career and reveals much about the tumultuous environment for religious painting after the Council of Trent. Art and the Religious Image in El Greco's Italy is a new book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book will be available in popular e-book formats.
eBook
Imaging Pilgrimage
While place-based pilgrimage is an embodied practice, it can be experienced in its fullness through built environments, assemblages of souvenirs, and vocal chanting. Imaging Pilgrimage focuses on contemporary art that is created after a pilgrimage and intended to act as a catalyst for the embodied experience of others. Each chapter focuses on a contemporary artwork that links one landscape to another—from the Spanish Camino to a backyard in the Pacific Northwest, from Lourdes to South Africa, from “Jerusalem” to England, and from Ecuador to California. The close attention to context and experience allows for popular practices like the making of third-class or “contact” relics to augment conversations about the authenticity or perceived power of a replica or copy; it also challenges the tendency to think of the “original” in hierarchic terms. Imaging Pilgrimage brings various fields into conversation by offering a number of lenses and theoretical approaches (materialist, kinesthetic, haptic, synesthetic) through which to engage objects that become sites activated through religious and ritual praxis and negotiated with not just the eyes, but a multiplicity of senses.
eBook