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The present paper proposes an eclectic model for examining the cognitive load involved in detecting deception that benefits from the acoustic dimension as an exercise in cognitive forensic linguistics. The corpus used is composed of the legal confession transcripts of the Breonna Taylor’s Case, a 26-year-old African-American woman worker who was shot dead by police officers in Louisville, Ky., in March 2020 during a crackdown on her apartment. The dataset comprises transcripts and recordings of the persons involved in the shooting event but have given unclear charges, and those accused of contributory negligence due to wanton misfiring. The data is analyzed based on the video interviews and reaction times (RT) as an application of the model proposed. The findings reveal that the episodes chosen and how they are analyzed exhibit that the modified ADCM along with the acoustic dimension provide a clear picture of cognitive load management in the course of constructing and producing lies.

This article explores the Speed Art Museum’s exhibit, Promise, Witness, Remembrance, as a site of meaning-making in the wake of the state-sponsored killing of Breonna Taylor. The article focuses on how the curators engaged the felt sense of vulnerability to premature death among Black viewers identified with Taylor in ways that held in tension a crisis of faith in, and an insistence upon, Black futurity.

Taking a stage-based approach, before and after the release of the 15-h audio recording files of the grand jury's inquiry on the Breonna Taylor case on October 2, 2020, this study examined the #JusticeforBreonnaTaylor Twitter networks. By employing multimethodology, including natural language processing, social network analysis, and qualitative textual analysis, I examined keys connectors of the two Twitter networks and investigated major themes conducting thematic analysis of network discourses and highly associated hashtags with the hashtag #JusticeforBreonnaTaylor. In both networks, several key stakeholders, such as Benjamin Crump, Danial Cameron, and Black women activists were identified as key connectors along with social activists and ordinary participants. Demanding justice to the case was the core agenda of the hashtag activism. The findings of the study revealed that the participants not only shared breaking news and important information but also organized protests and routinely tagged people to spread messages about the Taylor's case on Twitter. The participants conversed major issues about the Taylor case and set the agendas for the next action, such as encouraging to take part in voting for the 2020 presidential election. The thematic analysis concurrently demonstrated that the network participants strongly demanded legal prosecution to the three Louisville cops that involved in the act of killing Breonna Taylor during the botched raid in her apartment.

This article reflects on the matter of state-sanctioned death in Black religious studies, with the murder of Breonna Taylor as its central focus. It examines how scholars of Black religion engage with the issues of state-sanctioned murder, antiblackness, and misogynoir, and it endeavors to underscore ways for Black male* scholars of Black religion to respond to the religious experiences and deaths of Black women and Black people of all gendered experiences. This article’s central claim is that if Black male* scholars of Black religion continue to underscore how Black religion has been a catalyst for Black liberation without attention to how cisheteropatriarchy functions as antiblackness, then we ultimately will be unable to speak the name of Breonna Taylor in earnest.

Recognizing that thousands of people of color have suffered the many brutalities of racism, the editorial staff of Horizons marks the somber first anniversary of the tragic murder of George Floyd (May 25, 2020) with a pedagogical roundtable considering the possibility or impossibility of teaching antiracism in colleges and universities.

Abstract This article reimagines discourses around race and gender within collaborative cultural productions by investigating how trauma is computed via visual images and human-computer interactions. I argue the use of digital collaborative formations—particularly that of oppositional writing in socially mediated spaces—provokes modes of encounter that enact a shared distributed experience of different ways of printing new paths in and out of trauma. By analyzing the digital storytelling taking place in “Breonna's Garden,” an augmented reality application that tells the story of Breonna Taylor, I clarify how digital technologies serve as an avenue for transformative recoding of the mechanisms of racialization.

President Trump on Sept. 24 declined to say whether he planned to meet with Judge Barbara Lagoa during his upcoming trip to Florida.

A black pickup truck drove ran into a protester on Sept. 23, during a Breonna Taylor demonstration in Buffalo. The crowd was demonstrating against the indictment announcement in the fatal shooting of Breonna Taylor.

Hundreds of protesters turned out in Louisville on Sep. 23 after learning that no police officer would be charged in the shooting death of Breonna Taylor. They were met by police officers in riot gear, as armored vehicles tried to clear the streets.