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67,662 result(s) for "Television and music."
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Some liked it hot : jazz women in film and television, 1928-1959
Women have been involved with jazz since its inception, but all too often their achievements were not as well known as those of their male counterparts. Some Liked It Hot looks at all-girl bands and jazz women from the 1920s through the 1950s and how they fit into the nascent mass culture, particularly film and television, to uncover some of the historical motivations for excluding women from the now firmly established jazz canon. This well-illustrated book chronicles who appeared where and when in over 80 performances, captured in both popular Hollywood productions and in relatively unknown films and television shows. As McGee shows, these performances reflected complex racial attitudes emerging in American culture during the first half of the twentieth century. Her analysis illuminates the heavily mediated representational strategies that jazz women adopted, highlighting the role that race played in constituting public performances of various styles of jazz from “swing” to “hot” and “sweet.” The International Sweethearts of Rhythm, Hazel Scott, the Ingenues, Peggy Lee, and Paul Whiteman are just a few of the performers covered in the book, which also includes a detailed filmography.
Dancing in the Distraction Factory
This first comprehensive, integrated analysis of MTV provides new ways to understand television and popular music narratives. ”A smart book: it will have an impact on the debates surrounding popular culture.” --Susan McClary
Soundtrack from Twin Peaks
\"How did a unique collaborative process between a director and composer result in a perfectly post-modern soundtrack that ran the gamut of musical styles from jazz to dreamy pop to synthesizer doom and beyond? And how did Badalamenti's musical cues work with Twin Peaks' visuals, constantly evolving and playing off viewers' expectations and associations? Under the guidance of Angelo Badalamenti's beautifully dark sonic palette, Clare Nina Norelli delves deep into the world of Twin Peaks to answer all this and more.\"--Back cover.
Gothic music
Gothic Music: The Sounds of the Uncanny traces sonic Gothic through history and genres from the eighteenth-century ghost story through the spooky soundtracks of cinema, television and video games to the dark music of the Goth subculture.
Sounds, screens, speakers : an introduction to music and media
Sounds, Screens, Speakers provides a broadly comprehensive survey of the emerging field of music and media. Music has been present at the advent of neearly every media form since the turn of the twentieth century. Whether we look at the start of sound recording, film, televison, or the internet, music has been a crucial participant in the social changes brought about by these new tools for making and listening to music. This book examines such changes starting in the late nineteenth century and into the present. From the introduction of the microphone all the way through to music in reality television, the purpose of each section is not simply to move chronologically toward the present, but to focus especially on the tangible social relationships created through specific forms of mediation. With readings linked to each section, key questions to facilitate additional discovery and research, and direction to additional readings and resources on popular websites and new sources, this text serves as the ideal introduction to popular music and media. -- Provided by publisher.
Music in Science Fiction Television
The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds. This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons.