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99 result(s) for "Television broadcasting of news Objectivity"
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Conservative Bias
Before Bill O'Reilly and Glenn Beck, there was Jesse Helms. From in front of a camera at WRAL-TV, Helms forged a new brand of southern conservatism long before he was a senator from North Carolina. As executive vice president of the station, Helms delivered commentaries on the evening news and directed the news and entertainment programming. He pioneered the attack on the liberal media, and his editorials were some of the first shots fired in the culture wars, criticizing the influence of \"immoral entertainment.\" Through the emerging power of the household television Helms established a blueprint and laid the foundation for the modern conservative movement. Bryan Thrift mines over 2,700 WRAL-TV \"Viewpoint\" editorials broadcast between 1960 and 1972 to offer not only a portrait of a skilled rhetorician and wordsmith but also a lens on the way the various, and at times competing, elements of modern American conservatism cohered into an ideology couched in the language of anti-elitism and \"traditional values.\" Decades prior to the invention of the blog, Helms corresponded with his viewers to select, refine, and sharpen his political message until he had reworked southern traditionalism into a national conservative movement. The realignment of southern Democrats into the Republican Party was not easy or inevitable, and by examining Helms's oft-forgotten journalism career, Thrift shows how delicately and deliberately this transition had to be cultivated.
Why current affairs needs social theory
Television news is frequently disparaged by thoughtful commentators for its preoccupation with drama and spectacle at the expense of serious, in-depth engagement with the critical issues it covers. While insisting these charges possess more than a small dose of truth, Rob Stones aruges for more emphasis to be placed on strengthening the capacities of audiences. Drawing from major traditions in social thought, and on academic media analysis, Stones provides the conceptual tools for audiences to bring greater sophistication to their interpretations, developing their capacity to think across items and genres. A detailed account of an episode of the Danish political drama, Borgen, reveals the extent to which viewers already deploy similar concepts and skills to follow its storylines. Stones shows how audiences can refine these skills further and demonstrates their value with respect to texts on a wide range of current affairs, including Israeli settlers on the West Bank, the Rwandan genocide, the Egyptian 'revolution', the Obama administration's immigration reform bill, the bases of Germany's economic success, the conflict between 'red shirts' and 'yellow shirts' in Thailand, China's diplomatic relations with Burma and scandals of mistreatment within the UK and Swedish healthcare systems. -- From back cover.
Battle Lines
This book is about the intifada, the popular Palestinian uprising in the Israeli-occupied territories, broadcasted by television to an audience of millions. It explores what happens in a democracy when a government faces a major political crisis with potentially damaging international implications.
Primetime pundits
Despite the central role of punditry in our contemporary media environment, research has been slow to examine punditry on cable news.Deregulation, the advent of cable television, and the rise of a twenty-four hour news cycle have dramatically transformed the structure and content of news, paving the way for political pundits to come.
Broken news : why the media rage machine divides America and how to fight back
\"Rage revenue-addicted news companies are plagued by shoddy reporting, sensationalism, groupthink, and brain-dead partisan tribalism. Newsrooms rely on emotion-driven blabber to entrance conflict-addled super users. In 'Broken News,' Chris Stirewalt, celebrated as one of America's sharpest political analysts in print and on television, employs his trademark wit and insight to give readers an inside look at these problems. He explains that these companies don't reward bad journalism because they like it, but because it is easy and profitable.\"-- Front jacket flap.
More Bad News (Routledge Revivals)
First published in 1980, More Bad News is the Second Volume in the research findings of the Glasgow University Media Group. It develops the analytic findings and methods of the first volume Bad News through a series of Case Studies of Television News Coverage, and argues that much of what passes as balanced and factual news reporting is produced from a highly partial viewpoint. Focusing on the British economy in crisis, and its thematic linkage with the Social Contract during the first four months of 1975, the book deals with three main levels of activity: the story, the language and the visuals. As the book unpacks each level of routine news coverage a picture emerges which has the surface appearance of neutrality and balance but is in fact highly partial and restricted ‘It continues to assault that most hallowed belief of news-broadcasters, that the news is an unbiased reflection of reality. What it convincingly shows is that this coverage is indeed selective, not a neutral reflection of events, and that this selectivity was not dictated by the need to provide action packed pictures for the viewers to watch … but by journalistic criteria as to what is newsworthy.’ - Times Higher Education Supplement Part 1: Reporting the Economic Crisis and the Social Contract: A Case Study 1. Introduction: The Economic Background 2. Wages and Price Figures 3. From Diagnosis to Prescription 4. Pointing the Finger: Evaluations and Judgements 5. ‘Who Gets On?’: Conclusion Part 2: Hear it This Way 6. News Ideology: Neutrality and Naturalism 7. Assembling the News Text 8. News Talk: Vocabulary and Industrial Action Part 3: See it This Way 9. Measuring the Visuals 10. Halting the Flow 11. ‘Good Evening’ 12. Still Life 13. ‘Truth 24 Times a Second’ 25 Times for Television 14. Appendix A: Just One Week 15. Appendix B: Identifying Exploratory Themes 16: Appendix C: The Events of Sunday 11 May – Saturday 17 May 1975
Bad News (Routledge Revivals)
It is a commonly held belief that television news in Britain, on whatever channel, is more objective, more trustworthy, more neutral than press reporting. The illusion is exploded in this controversial study by the Glasgow University Media Group, originally published in 1976. The authors undertook an exhaustive monitoring of all television broadcasts over 6 months, from January to June 1975, with particular focus upon industrial news broadcasts, the TUC, strikes and industrial action, business and economic affairs. Their analysis showed how television news favours certain individuals by giving them more time and status. But their findings did not merely deny the neutrality of the news, they gave a new insight into the picture of industrial society that TV news constructs. ‘The book deserves close study and establishes the fact that a value-free, \"neutral\" and exhaustively informative news is a myth’ - Times Educational Supplement 1. Reviewing the News 2. Constructing the Project 3. Inside the Television Newsroom 4. Measure for Measure 5. Contours of Coverage 6. Trade Unions and the Media 7. Down to Cases