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Strange Bedfellows
It is no coincidence that presidential candidates have been making it a point to add the late-night comedy circuit to the campaign trail in recent years. In 2004, when John Kerry decided it was time to do his first national television interview, he did not choose CBS's60 Minutes, ABC'sNightline,orNBC Nightly News. Kerry picked Comedy Central'sThe Daily Show. When George W. Bush was lagging in the polls, his appearance on theDavid Letterman Showgave him a measurable boost. Candidates for the 2008 presidential election began their late-night bookings almost as soon as they launched their campaigns.
How can this be? The reason is that polls have been consistently finding that a significant number of Americans-and an even larger proportion of those under the age of thirty-get at least some of their \"news\" about politics and national affairs from comedy shows. While this trend toward what some have called \"infotainment\" seems to herald the descent of our national discourse-the triumph of entertainment over substance-the reality, according to Russell L. Peterson, is more complex. He explains that this programming is more than a mere replacement for traditional news outlets; it plays its own role in shaping public perception of government and the political process.
From Johnny Carson to Jon Stewart, from Chevy Chase's spoofing of President Ford onSaturday Night Liveto Stephen Colbert's roasting of President Bush at the White House Correspondents Dinner,Strange Bedfellowsexplores what Americans have found so funny about our political institutions and the people who inhabit them, and asks what this says about the health of our democracy. Comparing the mainstream network hosts-Jay, Dave, Conan, and Johnny before them-who have always strived to be \"equal opportunity offenders\" to the newer, edgier crop of comedians on cable networks, Peterson shows how each brand of satire plays off a different level of Americans' frustrations with politics.
eBook
Conservative Bias
Before Bill O'Reilly and Glenn Beck, there was Jesse Helms. From in front of a camera at WRAL-TV, Helms forged a new brand of southern conservatism long before he was a senator from North Carolina. As executive vice president of the station, Helms delivered commentaries on the evening news and directed the news and entertainment programming. He pioneered the attack on the liberal media, and his editorials were some of the first shots fired in the culture wars, criticizing the influence of \"immoral entertainment.\" Through the emerging power of the household television Helms established a blueprint and laid the foundation for the modern conservative movement.
Bryan Thrift mines over 2,700 WRAL-TV \"Viewpoint\" editorials broadcast between 1960 and 1972 to offer not only a portrait of a skilled rhetorician and wordsmith but also a lens on the way the various, and at times competing, elements of modern American conservatism cohered into an ideology couched in the language of anti-elitism and \"traditional values.\" Decades prior to the invention of the blog, Helms corresponded with his viewers to select, refine, and sharpen his political message until he had reworked southern traditionalism into a national conservative movement. The realignment of southern Democrats into the Republican Party was not easy or inevitable, and by examining Helms's oft-forgotten journalism career, Thrift shows how delicately and deliberately this transition had to be cultivated.
eBook
Soft news goes to war
The American public has consistently declared itself less concerned with foreign affairs in the post-Cold War era, even after 9/11, than at any time since World War II. How can it be, then, that public attentiveness to U.S. foreign policy crises has increased? This book represents the first systematic attempt to explain this apparent paradox. Matthew Baum argues that the answer lies in changes to television's presentation of political information. In so doing he develops a compelling \"byproduct\" theory of information consumption. The information revolution has fundamentally changed the way the mass media, especially television, covers foreign policy. Traditional news has been repackaged into numerous entertainment-oriented news programs and talk shows. By transforming political issues involving scandal or violence (especially attacks against America) into entertainment, the \"soft news\" media have actually captured more viewers who will now follow news about foreign crises, due to its entertainment value, even if they remain uninterested in foreign policy.
Baum rigorously tests his theory through content analyses of traditional and soft news media coverage of various post-WWII U.S. foreign crises and statistical analyses of public opinion surveys. The results hold key implications for the future of American politics and foreign policy. For instance, watching soft news reinforces isolationism among many inattentive Americans. Scholars, political analysts, and even politicians have tended to ignore the soft news media and politically disengaged citizens. But, as this well-written book cogently demonstrates, soft news viewers represent a largely untapped reservoir of unusually persuadable voters.
eBook
The loudest voice in the room : how the brilliant, bombastic Roger Ailes built Fox News-- and divided a country
An inside account of Fox News offers insight into its operations and influence, covering the original launch of the cable news network by Roger Ailes and Rupert Murdoch and the ways in which Fox has become a dominant force in American politics.
Book
Heartland TV : prime time television and the struggle for U.S. identity
Winner of the 2009 Society for Cinema and Media Studies Katherine Singer Kovacs Book Award
The Midwest of popular imagination is a "Heartland" characterized by traditional cultural values and mass market dispositions. Whether cast positively —; as authentic, pastoral, populist, hardworking, and all-American—or negatively—as backward, narrow–minded, unsophisticated, conservative, and out-of-touch—the myth of the Heartland endures.
Heartland TV examines the centrality of this myth to television's promotion and development, programming and marketing appeals, and public debates over the medium's and its audience's cultural worth. Victoria E. Johnson investigates how the "square" image of the heartland has been ritually recuperated on prime time television, from The Lawrence Welk Show in the 1950s, to documentary specials in the 1960s, to The Mary Tyler Moore Show in the 1970s, to Ellen in the 1990s. She also examines news specials on the Oklahoma City bombing to reveal how that city has been inscribed as the epitome of a timeless, pastoral heartland, and concludes with an analysis of network branding practices and appeals to an imagined "red state" audience.
Johnson argues that non-white, queer, and urban culture is consistently erased from depictions of the Midwest in order to reinforce its "reassuring" image as white and straight. Through analyses of policy, industry discourse, and case studies of specific shows, Heartland TV exposes the cultural function of the Midwest as a site of national transference and disavowal with regard to race, sexuality, and citizenship ideals.
eBook
Broken news : why the media rage machine divides America and how to fight back
\"Rage revenue-addicted news companies are plagued by shoddy reporting, sensationalism, groupthink, and brain-dead partisan tribalism. Newsrooms rely on emotion-driven blabber to entrance conflict-addled super users. In 'Broken News,' Chris Stirewalt, celebrated as one of America's sharpest political analysts in print and on television, employs his trademark wit and insight to give readers an inside look at these problems. He explains that these companies don't reward bad journalism because they like it, but because it is easy and profitable.\"-- Front jacket flap.
BOOK
Race, myth and the news
How are the perceptions of the majority culture, the `preferred readings′, reflected in television news? How do they reinforce stereotyped attitudes on race? This interpretive analysis presents evidence of racism, including under-representation, within news texts. The author examines the values, traditions and practices of news production that, often unconsciously, serve to maintain the alienation of racial groups in society. While the focus is on local television news in the United States, Race, Myth and the News has a broad relevance to studies of culture and race.
eBook