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"Television broadcasting policy"
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The Television Code
The broadcasting industry’s trade association, the National Association of Broadcasters (NAB), sought to sanitize television content via its self-regulatory document, the Television Code. The Code covered everything from the stories, images, and sounds of TV programs (no profanity, illicit sex and drinking, negative portrayals of family life and law enforcement officials, or irreverence for God and religion) to the allowable number of commercial minutes per hour of programming. It mandated that broadcasters make time for religious programming and discouraged them from charging for it. And it called for tasteful and accurate coverage of news, public events, and controversial issues. Using archival documents from the Federal Communications Commission, NBC, the NAB, and a television reformer, Senator William Benton, this book explores the run-up to the adoption of the 1952 Television Code from the perspectives of the government, TV viewers, local broadcasters, national networks, and the industry’s trade association. Deborah L. Jaramillo analyzes the competing motives and agendas of each of these groups as she builds a convincing case that the NAB actually developed the Television Code to protect commercial television from reformers who wanted more educational programming, as well as from advocates of subscription television, an alternative distribution model to the commercial system. By agreeing to self-censor content that viewers, local stations, and politicians found objectionable, Jaramillo concludes, the NAB helped to ensure that commercial broadcast television would remain the dominant model for decades to come.
Switching to digital television
2006,2007
Sometime in the next four years, in a move that is bound to anger consumers and endanger the careers of politicians, the United Kingdom plans to turn off its analog, terrestrial television and switch fully to digital TV. Switching to Digital Television argues that, in order for the initiative to succeed, public policymakers need to carefully consider competitive market forces and collaborate with the broadcasting industry. This authoritative study of the government policy behind the switchover also draws on the United Kingdom's experience as a basis for comparative analysis of the United States, Japan, and western European nations, all of which will face similar questions in coming years. \"The book provides an interesting and 'different' history of Digital Television, and if you want to know why and how the decisions were made, it deserves a place on your bookshelf.\"- Jim Slater, Image Technology Magazine \"Michael Starks brilliantly describes the complex mix of Government and industry responses to technological change which have led to the digital switchover process in the UK.\"--Barry Cox, Chairman of Digital UK.
Visual Political Communication in Popular Chinese Television Series
In Visual Political Communication in Popular Chinese Television Series, Florian Schneider analyses political discourses in Chinese TV dramas, the most popular entertainment format in China today.
Broadcasters and citizens in Europe
2007
European media is experiencing a paradoxical form of growth: as media outlets surge and new technologies develop, major broadcasting companies are consolidating like never before. In Broadcasters and Citizens in Europe, an esteemed group of contributors look at what this paradox might mean for the European community. Are broadcasting audiences better informed than they were twenty years ago? And how has the advent of the European Union changed media practices? This essential volume explores a new media world in the context of a continent in flux.
\"The book is a good source of information about institutional arrangements developed in European countries in the field of audio-visual policy. It gives an interesting and well-written account of how particular European countries and the European Union try to deal with different problems deriving from the ethical dilemma inscribed in the construction of media systems.\"—Magdalena Rek, Journal of Contemporary European Studies
\"Communication scholars will benefit from the focus on research from across Europe along with the theoretical implications. For media policy-makers and members of civic organisations, the taxonomy of instruments will provide an overview for possible policy development. Finally, the clarity with which this book is written will help college students understand the field of media and social responsibility.\"— Jarim Kim, Media International Australia
Contemporary Arab Broadcast Media
by
Lahlali, El Mustapha
in
Al Jazeera (Television network)
,
Al-Arabia (Television network)
,
Alhurra (Television network)
2011
The Arab world is currently undergoing a radical media revolution, with the launch of numerous satellite and cable channels. The era of state-controlled media is coming to an end as privately-owned channels emerge. This book presents a comprehensive analysis of the broadcasting similarities and differences between Al-Jazeera, Al-Arabiya and Al-Hurra. It is distinct in its focus on both the discursive practices of these channels and the sociological aspects that contribute to their formation.