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How religion, gender, and urban sociality are expressed in and mediated via television drama in Kinshasa is the focus of this ethnographic study. Influenced by Nigerian films and intimately related to the emergence of a charismatic Christian scene, these teleserials integrate melodrama, conversion narratives, Christian songs, sermons, testimonies, and deliverance rituals to produce commentaries on what it means to be an inhabitant of Kinshasa.

Many sub-Saharan African societies have undergone significant political shifts in the last two decades. Changes in political representation and leadership have generated new forms of political mediation and communication. This article interrogates one of the most visible transformations in Kinshasa's political society: television news reports about urban misery, often resulting from a malfunctioning state, in which Kinshasa's inhabitants testify about their difficulties and press fellow citizens, as well as local and national leaders, to bring about change. Exposing suffering is a shame mobilisation strategy, and so becomes a political act. Through the discursive and visual aesthetics of the proximity account, citizens and political leaders are inserted into one political community. The main argument of this article is that the proximity account illustrates a new kind of political communication. In this article I analyse the socio-political contexts in which the proximity report emerged and became popular. I trace the materialisation of this new kind of interaction between political leaders and citizens to the transformation of the late Zaïrian ‘state’, to vernacular understandings of ‘democracy’, and to the influence of NGO activities and Pentecostal Christianity.

New Media and Religious Transformations in Africa casts a critical look at Africa's rapidly evolving religious media scene. Following political liberalization, media deregulation, and the proliferation of new media technologies, many African religious leaders and activists have appropriated such media to strengthen and expand their communities and gain public recognition. Media have also been used to marginalize and restrict the activities of other groups, which has sometimes led to tension, conflict, and even violence. Showing how media are rarely neutral vehicles of expression, the contributors to this multidisciplinary volume analyze the mutual imbrications of media and religion during times of rapid technological and social change in various places throughout Africa.