Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Content Type
    • Item Type
    • Is Full-Text Available
    • Subject
    • Country Of Publication
    • Publisher
    • Source
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
388 result(s) for "Television program locations."
Sort by:
Film and TV locations : spotter's guide : scout out the world's top spots for famous film and TV scenes
\"Game of Thrones, Star Wars, Harry Potter, La Dolce Vita and many more. Discover and visit the places where scenes from famous films and TV series were shot. Featuring more than 100 classic moments from the work of cinema and television\" -- Page 4 of cover.
The Imaginary Geography of Hollywood Cinema 1960–2000
The Imaginary Geography of Hollywood Cinema 1960-2000 combines digital cartography with close readings of representative films to write a history of twentieth century Hollywood narrative cinema at the intersection of the geographies of narrative location, production, consumption and taste in the post-classical era, before the rise of digital cinema. This text reorients and redraws the boundaries of film history both literally and figuratively by cataloguing films’ narrative locations on digital maps to examine where Hollywood locates its narratives over time.
Locating migrating media
Locating Migrating Media details the extent to which media productions, both televisual and cinematic, have sought out new and cheaper shot locations, creative staff, and financing around the world. The book contributes to debates about media globalization, focusing on the local impact of new sites of media production. The book's chapters also question the role that film and television industries and local and regional governments play in broader economic develop and tax incentive schemes. While metaphors of transportation, mobility, fluidity and change continue to serve as key concepts and frames for understanding contemporary media industries, products and processes, the essays in this book look to local spaces, neighborhoods, cultural workers and stories to ground the global—that is, to interrogate the effect of media globalization before, during and after film and television shooting and onsite production. By locating migrating media, these chapters seek to determine the political, economic and cultural conditions that produce contemporary forms of televisual and cinematic storytelling, and how these processes affect the inhabitants, the \"look\" and the very geopolitical future of local communities, neighborhoods, cities and regions. The focus on relocated screen production highlights the act of film- and television-making, both aesthetically and economically. To locate migrating media is therefore to determine the political and cultural economies of globalized sets and stages, be they in new studios or on city streets or, perhaps most importantly, in our imaginations.
Motion Picture Paradise
Highlighting Florida's essential, often overlooked role in shaping American film and television Motion Picture Paradise is a sweeping story of filmmaking in Florida, featuring the activities of studios and filmmakers across the peninsula by looking at the many iconic films and television shows shot in the state. In the early years of the American film industry, Florida was a favorite location for pioneer movie makers, and David Morton chronicles the state's importance to producers throughout the next 125 years. Often overshadowed by the well-known entertainment industries of Hollywood and New York, Florida has over time had several major film production centers. Morton follows the rise and fall of filmmaking destinations across the state, including Jacksonville, St. Augustine, Tampa Bay, Orlando, and Miami, as well as pioneering underwater and location-based films shot at Florida's unique natural springs. He argues that conflicting policies set by Florida politicians have, at various times, enticed or pushed away movie and television companies, a pattern that has hampered serious investment. Using a wealth of source materials, Morton offers a comprehensive history that demonstrates how films and television shows made in Florida have influenced the state's sense of identity, drawing attention to Florida's underacknowledged role as the \"third coast\" in American film history. Motion Picture Paradise adds new insights into the state's dramatic social and economic transformations during the twentieth century.
Places of the Imagination
Recent years have seen an explosive growth in the phenomenon of people visiting locations from popular novels, films or television series. Places of the Imagination presents a timely and insightful analysis of this form of media tourism, exploring the question of how best to explain the increasing popularity of media tourism within contemporary culture. Drawing on extensive empirical and interview material, this book examines the representation of landscapes in popular narratives that have inspired media tourism, whilst also investigating the effects over time of such tourism on local landscapes, and the processes by which tourists appropriate the landscape, experiencing and accommodating them into their imagination. Oriented around three central case studies of popular television detective shows, famous films and classic literature, Places of the Imagination develops a new theoretical understanding of media tourism. As such, it will appeal to sociologists and cultural geographers, as well as those working in the fields of media and cultural studies, popular and fan culture, tourism and the sociology of leisure.
Walls Have Feelings
For the first time, this book brings the insights, methodologies and visions of film to the practice of architecture. Walls Have Feelings poses unanswered questions from our immediate past, crucial for the future of the city: what was the cultural mindset leading to the triumph of Brutalism? What is the urban and domestic impact of large scale office building? Are there alternatives to the planners' city of object? and, Why does your flat leak? This book uniquely brings to bear questions of urgent cultural relevance on critical design decisions. As such, it is of as much importance to architects, planners and students of design, as to students of cultural history, geography and all enthusiasts of cities and of film. 'Shonfield is an exemplary close-reader, functioning very well as literary, film and architecture critic ... The book comes highly recommended.' - Building Design Chapter 1: How Brutalism defeated picturesque populism: parallels in film and architecture. Chapter 2: Why does your flat leak? Chapter 3: These walls have feelings: the interiors of Repulsion and Rosemary's Baby. Chapter 4: Wives and Lovers: the 1960s office interiors: Alfie, The Apartment and Darling. Chapter 5: Free circulation = Free copulation: women and roads in Nana and 2 or 3 Things I Know about Her. Chapter 6: Against the city of objects: Our Mutual Friend, Mary Poppins and LA Story.
TV's Coastal Inclination
\"For more than half of a century, New York and California have been the setting of more television shows than any of the other 48 states. With only 19 percent of the US population residing in these coastal regions, why are these states the setting of so many shows?\" (Kidsnewsroom) Find out why so many TV shows are set in New York and California.
Good Mourning, Baltimore
\"If you've never seen an episode of [the HBO series] 'The Wire'...by now you're probably sick of hearing about what a fool you are for missing it. The show has become an object of worship among critics and culture snobs (Barack Obama told TV Guide that it's his favorite show) and they--OK, we--can be flat-out annoying in our zeal for it, as if there are only two types of people: enlightened fans of 'The Wire,' and everyone else. Worse, with all our talk about the show's Dickensian cast of nearly 30 principal characters, its novelistic, episode-opening epigrams, its street-level patois and labyrinthine detail about city bureaucracy, we tend to make 'The Wire' sound like homework. In fact, the show is riveting, infuriating and funny as hell.\" (Newsweek) This article explores the critical success of \"The Wire,\" a series \"that started out in 2002 as a drama about a single West Baltimore detective unit but has evolved, with furious ambition, into the story of an entire city in decline.\"