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result(s) for
"Television scripts."
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Fargo : this is a true story
\"This companion to the first three seasons of the award-winning, celebrated TV drama is packed with script selections (including all three pilots), candid behind-the-scenes photography, pitch documents, and interviews with cast and crew.\"-- Publisher's description.
Ordinary television : analyzing popular TV
2003
Other books on Television tend to ignore ′ordinary′ television - lifestyle programmes and ′reality TV′, just the sort of programmes which increasing dominate the schedules. Bonner provides a distinctive angle on the content of television and the relations between television genres and audiences.
The complete scripts London spy
This gripping, contemporary, emotional thriller from Tom Rob Smith, bestselling author of Child 44 and The Farm, tells the story of a chance romance between two people from very different worlds. Danny - gregarious, hedonistic and romantic - falls in love with the enigmatic and brilliant Alex. Then Alex disappears. When Danny finds Alex's body, he is forced to pursue the truth behind his death. This volume of complete scripts is a brilliant companion to the ratings-winning BBC1 series first shown in November 2015 and set for DVD release in May 2016.
Global TV
2008,2005
pA reporter for the emLos Angeles Times/em once noted that “ emI Love Lucy/em is said to be on the air somewhere in the world 24 hours a day.” That Lucy’s madcap antics can be watched anywhere at any time is thanks to television syndication, a booming global marketplace that imports and exports TV shows. Programs from different countries are packaged, bought, and sold all over the world, under the watch of an industry that is extraordinarily lucrative for major studios and production companies. In strongGlobal TV/strong, Denise D. Bielb and C. Lee Harrington seek to understand the machinery of this marketplace, its origins and history, its inner workings, and its product management. In so doing, they are led to explore the cultural significance of this global trade, and to ask how it is so remarkably successful despite the inherent cultural differences between shows and local audiences. How do culture-specific genres like American soap operas and Latin emtelenovelas/em so easily cross borders and adapt to new cultural surroundings? Why is emThe Nanny/em, whose gum-chewing star is from Queens, New York, a smash in Italy? Importantly, Bielby and Harrington also ask which kinds of shows fail. What is lost in translation? Considering such factors as censorship and other such state-specific policies, what are the inevitable constraints of crossing over? Highly experienced in the field, Bielby and Harrington provide a unique and richly textured look at global television through a cultural lens, one that has an undeniable and complex effect on what shows succeed and which do not on an international scale./p
Complex TV
2015
Over the past two decades, new technologies, changing viewer practices, and the proliferation of genres and channels has transformed American television. One of the most notable impacts of these shifts is the emergence of highly complex and elaborate forms of serial narrative, resulting in a robust period of formal experimentation and risky programming rarely seen in a medium that is typically viewed as formulaic and convention bound.
Complex TVoffers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Through close analyses of key programs, includingThe Wire, Lost, Breaking Bad, The Sopranos, Veronica Mars, Curb Your Enthusiasm, and Mad Menthe book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation. Developing a television-specific set of narrative theories,Complex TVargues that television is the most vital and important storytelling medium of our time.
Television Series and Specials Scripts, 1946-1992
by
Englund, Klaudia
,
Berard, Jeanette M
in
American Radio Archives
,
Bibliography
,
Television scripts
2009
In the early days of television, many of its actors, writers, producers and directors came from radio.This crossover endowed the American Radio Archives with a treasure trove of television documents.The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s.
Sorprender Cada Minuto y Medio
2016
El libro explica, de una manera amena y práctica, los secretos de un buen guion en los programas de actualidad y entretenimiento en televisión. Con ejemplos reales, en él se describen los distintos pasos del proceso de elaboración de un guion televisivo de no ficción. Los autores también recogen las opiniones de prestigiosos profesionales de la televisión: presentadores, periodistas, guionistas, productores ejecutivos y directivos. ¿Cómo se elaboran los guiones de El Intermedio? ¿Quién hay detrás de los textos de El Club de la Comedia? ¿Samanta Villar redacta sus propias entrevistas? ¿Cómo se estructura un documental televisivo? ¿Cómo es el guion de un talent show en directo como Operación Triunfo?.
From Sex to Sexuality: Exposing the Heterosexual Script on Primetime Network Television
by
Lynn Sorsoli, C.
,
Schooler, Deborah
,
Kim, Janna L.
in
Adolescent
,
Adolescent Behavior - psychology
,
Adolescents
2007
Although it is widely recognized that sexual content pervades television, research rarely examines how television's sexual messages are gendered and occur in a relational context. This study describes the development and implementation of a new coding scheme to evaluate sexual content from a feminist perspective. Merging scripting theory (Simon and Gagnon,
1986
) with the theory of compulsory heterosexuality (Rich,
1980
), we explicate a heteronormative and dominant sexual script, the Heterosexual Script, and assessed its presence in the 25 primetime television programs viewed most frequently by adolescents. Our codes captured depictions of boys/men and girls/women thinking, feeling, and behaving in relational and sexual encounters in ways that sustain power inequalities between men and women. Male characters most frequently enacted the Heterosexual Script by actively and aggressively pursuing sex. Less frequently but still at high rates were depictions of female characters willingly objectifying themselves and being judged by their sexual conduct.
Journal Article
East Asian Pop Culture
by
Chua, Beng Huat
,
岩渕, 功一
in
Anthropology
,
Cultural
,
Cultural Studies/Media Studies/Gender Studies/Asian Studies
2008
The International group of contributors of this volume provides, collectively, a multi-layered analysis of the emerging East Asian media culture, using the Korean TV drama as its analytic vehicle. By closely examining the political economy of TV industry,
New Television, Globalisation, and the East Asian Cultural Imagination
by
Michael Keane, Anthony Y.H. Fung, and Albert Moran
in
Anthropology
,
Cultural
,
Cultural Studies/Media Studies
2007
Challenging assumptions that have underpinned critiques of globalisation and combining cultural theory with media industry analysis, Keane, Fung and Moran give a groundbreaking account of the evolution of television in the post-broadcasting era, and how p