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result(s) for
"Theosophy Influence."
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Jena Romanticism and Its Appropriation of Jakob Böhme
1999
These appropriations fall into two main groups: those pertaining to the name Böhme or a life assigned to it, and those involving concepts or images from the mystic's oeuvre. The first group constituted an attempt to co-opt the aura of sanctity attached to portrayals of the poet-prophet in order to invest Romantic Poesie with the sacral standing of religion. The second group, exemplified by Friedrich Schlegel and Friedrich Schelling, involved the borrowing and radical redefinition of a few concepts and images from Böhme's work in the hope of bridging the gap between the abstract first principle of idealism and the personal God that became an emotional necessity for both thinkers.
Anaxagoras, Origen, and Neoplatonism
2016
Origen has been always studied as a theologian and too much credit has been given to Eusebius' implausible hagiography of him. This book explores who Origen really was, by pondering into his philosophical background, which determines his theological exposition implicitly, yet decisively. For this background to come to light, it took a ground-breaking exposition of Anaxagoras' philosophy and its legacy to Classical and Late Antiquity (Plato, Aristotle, Stoics, Origen, Neoplatonism), assessing critically Aristotle's distorted representation of Anaxagoras. Origen, formerly a Greek philosopher of note, whom Proclus styled an anti-Platonist, is placed in the history of philosophy for the first time. By drawing on his Anaxagorean background, and being the first to revive the Anaxagorean Theory of Logoi, he paved the way to Nicaea. He was an anti-Platonist because he was an Anaxagorean philosopher with far-reaching influence, also on Neoplatonists such as Porphyry. His theology made an impact not only on the Cappadocians, but also on later Christian authors. His theory of the soul, now expounded in the light of his philosophical background, turns out more orthodox than that of some Christian stars of the Byzantine imperial orthodoxy.
Proclus and his Legacy
by
Butorac, David D.
,
Layne, Danielle A.
in
Ancient Greek and Roman philosophy
,
Ancient history
,
Ancient, medieval, Oriental philosophy
2017
Proclus and his Legacy bridges a gap in scholarship, specifically the last great head of the Platonic Academy, Proclus, and his influence in the history of philosophy and theology. These essays offer not only a companion to Late Antique metaphysics, epistemology, theology and ethics it also explores his reception in the immediate Christian, Jewish and Muslim traditions within the mediaeval, renaissance and modern eras.
Platonisms: Ancient, Modern, and Postmodern
by
Finamore, John F.
,
Corrigan, Kevin
,
Turner, John D.
in
Neoplatonism
,
Plato -- Influence
,
Platonists
2007
The present volume argues that Plato and Platonism should be understood not as a series of determinate doctrines or philosophical facts to be pinned down once and for all, but rather as an inexhaustible mine of possible trajectories. The book examines in this light different strands of Platonic thinking from the dialogues themselves through later Antiquity and the Medieval World into Modernity and Post-Modernity with new essays ranging from Descartes, Kant, Hegel, and Natorp to Yeats, Levinas and Derrida. And also suggests the possibility of reading the dialogues and the whole tradition resonating in and through them in new, unexpected ways.
Plato Baptized
by
Bieman, Elizabeth
in
Christian poetry, English-Early modern, 1500-1700-History and criticism
,
Christianity and literature-England-History-16th century
,
Criticism and interpretation
1988
Bieman argues that from experiences of personal knowing the writer, his fictive protagonists, the reader and the interpreter participate in the production of further experiences throughout which other meanings may, evanescently, be glimpsed.
Art and Magic in the Court of the Stuarts
1994,2002
Spanning from the inauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature. Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldry, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.
Homer the Theologian
1989,1986
Here is the first survey of the surviving evidence for the growth, development, and influence of the Neoplatonist allegorical reading of the Iliad and Odyssey. Professor Lamberton argues that this tradition of reading was to create new demands on subsequent epic and thereby alter permanently the nature of European epic. The Neoplatonist reading was to be decisive in the birth of allegorical epic in late antiquity and forms the background for the next major extension of the epic tradition found in Dante.
Dane Rudhyar's Vision of American Dissonance
1999
Once the story of American composition readmits Dane Rudhyar, he and the ultra-moderns surrounding him emerge as figures who tended to both the intellect and the spirit. A look at how Rudhyar influenced American music is presented.
Journal Article
Ezra Pound's Occult Education
1990
Scholars have failed to notice Ezra Pound's debt to occultism and especially G.R.S. Mead's Theosophy despite the extensive evidence of occultism among his associates between 1908 and 1921. Pound's letters and those of his associates including William Butler Yeats consistently refer to occult practices and lectures that they were involved in. Mead's Quest Society is consistently mentioned in Pound's unpublished letters to his parents and many of Pound's occult ideas can be found in Mead's writings. Pound's ambivalence to mysticism should not be confused with his occult beliefs.
Journal Article