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Maximum Movies—Pulp Fictions
In the words of Richard Maltby . . . \"Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked.\" One of these worlds comprises a clutch of noisy, garish pulp movies--Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome--pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers such as Jean-Luc Godard, Manny Farber, and Lawrence Alloway, who championed the cause of these movies and incited the cultural guardians of the day by attacking a rigorously policed canon of tasteful, rarified, and ossified art objects. Against the legitimate, and in defense of the illegitimate, in an insolent and unruly manner, they agitated for the recognition of lurid sensational crime stories, war pictures, fast-paced Westerns, thrillers, and gangster melodramas were claimed as examples of the true, the real, and the authentic in contemporary culture--the foundation upon which modern film studies sits.
eBook
Fear and loathing worldwide : gonzo journalism beyond Hunter S. Thompson
\"The label \"Gonzo journalism\" is challenged, questioned, and ultimately expanded by this wide-ranging, multinational collection\"-- Provided by publisher.
BOOK
The genomic consequences of hybridization
In the past decade, advances in genome sequencing have allowed researchers to uncover the history of hybridization in diverse groups of species, including our own. Although the field has made impressive progress in documenting the extent of natural hybridization, both historical and recent, there are still many unanswered questions about its genetic and evolutionary consequences. Recent work has suggested that the outcomes of hybridization in the genome may be in part predictable, but many open questions about the nature of selection on hybrids and the biological variables that shape such selection have hampered progress in this area. We synthesize what is known about the mechanisms that drive changes in ancestry in the genome after hybridization, highlight major unresolved questions, and discuss their implications for the predictability of genome evolution after hybridization.
Journal Article
Hunter S. Thompson
A decade after Hunter S. Thompson's death, his books--including Hell's Angels, The Curse of Lono, The Great Shark Hunt, and Rum Diary--continue to sell thousands of copies each year, and previously unpublished manuscripts of his still surface for publication. While Thompson never claimed to be a great writer, he did invent a new literary style--'gonzo'--that has been widely influential on both literature and journalism. Though Thompson and his work engendered a significant--even rabid--following, relatively little analysis has been published about his writing. In Hunter S. Thompson: Fear, Loathing, and the Birth of Gonzo, Kevin T. McEneaney examines the intellectual background of this American original, providing biographical details and placing Thompson within a larger social and historical context. A significant portion of this book is devoted to the creation, reception, and legacy of his most important works, particularly Fear and Loathing in Las Vegas. In addition to discussing influences on Thompson's work--including Homer, Nietzsche, Spengler, Melville, Twain, Hemingway, Fitzgerald, Kerouac, and others--as well as the writers Thompson influenced, McEneaney also explains the literary origins of gonzo. With new biographical information about Thompson and an examination of his writing techniques, this book provides readers with a better understanding of the journalist and novelist. A look beyond the larger-than-life public persona, Hunter S. Thompson: Fear, Loathing, and the Birth of Gonzo will be of great interest to fans of Thompson's work as well as to those wanting to know more about gonzo journalism and literature.
eBook