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"Thrones Fiction."
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The opal crown
When the king of Galandria dies and Wilha's younger brother, Andrei, claims the throne, he reveals that Elara, Wilha's secret twin sister, has been masquerading as Wilha, and both girls must fight for their lives when declared traitors to their country.
Book
What’s in a Title? Some Remarks on the Semantic Features of Kenning-Like Titles in George R. R. Martin’s A Song of Ice and Fire Series
Working on the hugely successful series of novels known collectively as A Song of Ice and Fire, George R. R. Martin is known to have drawn much of his inspiration from real-life events, landmarks in the history of the Middle Ages, such as the Hundred Years’ War, the Wars of the Roses, and the Crusades. It is not known, however, to what degree he actually relies in his work on sources of genuinely medieval provenance, since he himself frequently admits that amongst those that made the biggest impact on his writing are modern works of fiction, such as Maurice Druon’s heptalogy Les Rois maudits (2019 [1955–1977]). It is not impossible, though, that at least some features of Martin’s series have more or less direct parallels in medieval literature. One such element may be so-called kennings, the highly-stylised circumlocutions found in plenty in the poetic works of early Germanic literature and whose diction appears to shine through some of the series’ titles.
Journal Article
The world of ice & fire : the untold history of Westeros and the Game of Thrones
\"This is the comprehensive guide to all things Game of Thrones and beyond. From the prehistory to the coming of the First Men, through the reign of the Targaryen kings and Robert's Rebellion, this guide--co-written by George R.R. Martin and the immensely knowledgeable founders and keepers of the www.westeros.org site--will tell series readers old and new all they might want to know about the history and culture of Westeros and the lands beyond the Narrow Sea--a tapestry of all new history that George has invented solely for this volume\"-- Provided by publisher.
Book
The Shields that Guard the Realms of Men: Heraldry in Game of Thrones
The vast popularity of the Game of Thrones franchise has drawn a new and diverse audience to the fantasy genre. Within the pseudo-medieval world created by G.R.R. Martin, a great deal of detail has gone into establishing coats of arms for the characters and families that are depicted. These arms fulfill an extremely important role, both within the arc of the story and as part of the marketing collateral of this very successful series. This article examines the role of arms in the Game of Thrones universe and explores how the heraldic system transcends the usual genealogical display and functions more as a type of familial branding. An exploration of some of the practices and idiosyncrasies of heraldry in the franchise shows that whilst Martin sets his foundation firmly in the traditional, he then extends this into the fanciful; in much the same manner as he does with other faux-historical aspects of his work. This study is valuable because Game of Thrones has brought heraldry from being a niche interest to something that is now consumed by a global audience of hundreds of millions of people. Several of the fantasy blazons in the series are now arguably the most recognisable coats of arms in history.
Journal Article
Game of Thrones and Philosophy
An in-depth look at the philosophical issues behind HBO's Game of Thrones television series and the books that inspired it George R.R. Martin's New York Times bestselling epic fantasy book series, A Song of Ice and Fire, and the HBO television show adapted from it, have earned critical acclaim and inspired fanatic devotion. This book delves into the many philosophical questions that arise in this complex, character-driven series, including: Is it right for a \"good\" king to usurp the throne of a \"bad\" one and murder his family? How far should you go to protect your family and its secrets? In a fantasy universe with medieval mores and ethics, can female characters reflect modern feminist ideals? - Timed for the premiere of the second season of the HBO Game of Thrones series - Gives new perspectives on the characters, storylines, and themes of Game of Thrones - Draws on great philosophers from ancient Greece to modern America to explore intriguing topics such as the strange creatures of Westeros, the incestuous relationship of Jaime and Cersei Lannister, and what the kings of Westeros can show us about virtue and honor (or the lack thereof) as they play their game of thrones Essential reading for fans, Game of Thrones and Philosophy will enrich your experience of your favorite medieval fantasy series.
eBook
ECOS DE LA MITOLOGÍA GRIEGA EN LA SERIE DE TELEVISIÓN JUEGO DE TRONOS
Este trabajo versa sobre la aclamada serie televisiva Juego de tronos, perteneciente, al igual que la saga literaria en que está basada, al género de la fantasía épica. Abordamos tres de sus elementos constitutivos más importantes: el rapto de una mujer (Lyanna Stark) como motivo de la guerra, el héroe épico (representado por Jon Nieve) y la violación del deber sagrado de hospitalidad (encarnado en el episodio de la Boda Roja y el motín en el torreón de Craster) y señalamos la incidencia de estos elementos en la trama. Se analizan también los rasgos comunes que estos tres elementos presentan con determinados mitos griegos tal como aparecen relatados o aludidos en obras de la antigüedad grecolatina, sobre todo épicas y trágicas.
Journal Article
The Queen Mother
This story by the nineteenth-century Spanish author Juan Vaierà appears in his Cuentos y chascarrìllos andaluces (Humorous Andalusian Stories and Tales, 1896). In the prologue he states that all the selections come directly from the oral tradition of southern Spain and that some are notable for their \"coarseness and crudeness\" (crudtzay grosería), and some, like this one, triggered by an embarrassing mishap, for their earthy sense of humor.
Journal Article