Explore the vast range of titles available.

This study presents the implementation of an AI-based prototype for recognizing Korean traditional dance movements using a metadata-enhanced dataset. The research was conducted in three stages. First, a classification framework was developed to reflect the unique characteristics of Korean traditional dance. Second, video data were collected from existing and newly filmed sources, and a metadata set was created by labeling five fundamental movements for training. Third, the BlazePose model was applied to generate real-time skeletal key points, which were integrated with the metadata-enhanced dataset and processed using a customized approach to recognize dance movements in real time. The developed prototype successfully recognizes five fundamental Korean traditional dance movements and demonstrates the potential of AI technology in analyzing complex motion patterns. By integrating existing AI models with a domain-specific dataset, this study provides a systematic approach to the digital preservation and modern reinterpretation of traditional arts. Furthermore, the methodology can be extended to recognize dance movements from other cultures, offering new possibilities for the preservation and transmission of intangible cultural heritage through digital technology.

The study was aimed to explore the ethnomathematics in hand gestures of Balinese traditional dances. The scope of ethnomathematics discussed was limited to the geometry object, specifically angles. The object of the study was Pendet Dance, one of the popular traditional dance from Bali which usually perform to welcome the guest in a formal and informal event. The method of the research was a case study in which we deeply analyse the hand gestures in Pendet Dance. The data were gathered from observation of the dance and interview the experts in Balinese Dance. The data were analysed qualitatively using descriptive method. From the analysis, it was found that the hand gestures of the dancers in Pendet Dance is forming three types of angles, i.e. acute angle (0° < a < 90°), right angle (a = 90°) and obtuse angle (90° < a < 180°). The angles can be seen in a number of pattern of the hand gestures such as in ngumbang, agem, ulap-ulap and ngelung movement.

This study explores the significance of wood as a surrogate of nature in Chinese traditional dance, emphasizing a multifaceted role as a functional, symbolic, and sensory element in cultural transmission and as an element of artistic expression. The analysis considers wooden props such as fans and drums used in the dance performance, the symbolic meanings conveyed by wood in dance, and its deep connection to nature and life. Through their biophilic interaction with wood, dancers articulate a reverence for nature and reflections on life, creating a unique cultural resonance with the audience. Detailed case studies of the Han ethnic group’s Jiaozhou Yangge Fan Dance and the Tibetan Reba Dance illustrate the pivotal role of wood in choreography, emotional expression, and cultural identity, rooted in regional cultural discourses. Despite challenges from modern materials, contemporary efforts to innovate wood’s use in dance highlight its enduring relevance. Future research can focus on the innovative incorporation of wood in contemporary dance to promote the integration of traditional and modern dance arts.

The purpose of this research is to carry out a bibliometric analysis on traditional dances in Spain with the aim of parcelling all the data obtained in an academic way. A total of N=224 articles published between 2012 and 2022 and indexed in Web of Science were analysed. We used an ex post facto retrospective design and an analysis of frequencies carried out in the Mircrosoft Excel programme. The documents studied allowed us to classify all the publications by genres and areas (dance, history, sociology, education, ethnomusicology, anthropology, musicology, etc.), as well as the most prolific authors and the highest number of citations, among other aspects. As main results, it was observed that first-order documents in article format and written in Spanish predominated, with flamenco being the most mentioned genre and dance the most representative area. The most prolific year was 2020 and the most cited was 2017. The magazines Música Oral del Sur and La Madrugá, and the publishing house of the University of Murcia stood out in terms of number of publications. On the other hand, in terms of the number of citations, Leisure Studies and the Taylor & Francis publishing house predominated. The most significant author was Vargas-Macias, A. and the most cited author was Matteucci, X. This study could be taken as a starting point for future research on traditional dances in Spain. Keywords: traditional dances, baile, bibliometric, folklore, Spain.

With the progress and development of the times, the excavation and protection of national traditional dance is the historical necessity of its development and inheritance. This paper carries out research on the analysis of traditional dance movements using digital technology and motion capture technology. The traditional dance digital inheritance technology path is proposed to decompose the traditional dance into four digital media: model, movement, audio and video, and determine the digital display and inheritance process of traditional dance activities in the diffusion dimension. Based on the segmentation algorithm of graph theory, the traditional dance action image is segmented, the optical flow map is used as the input of this stage, and the entropy value of each optical flow map is calculated so as to realize the extraction of action features. Finally, a dataset of six typical movement combinations of traditional dance was constructed to optimize the traditional dance movements of the trainers. The research results show that the traditional dance dataset is constructed reasonably, the recognition model has good performance for traditional dance classification, and the optimal classification accuracy rate is 0.9645 under the Euler Angle feature, which effectively records and preserves the traditional dance movements, and provides a new way for the connection and inheritance of folk dances.

In low- and middle-income countries (LMICs), where healthcare resources may be limited, the elderly are especially vulnerable to the adverse effects of cardiovascular diseases (CVDs). The aging population in these regions presents unique challenges, highlighting the urgent need for effective, accessible, and culturally appropriate interventions to address this cardiovascular health challenge in older adults. We aimed to evaluate the impact of traditional dance and games on cardiovascular health outcomes in LMICs through a scoping review of existing literature. This review followed the Preferred Reporting Items for Systematic Reviews and Meta-Analyses Extension for Scoping Reviews (PRISMA-ScR) guidelines. PubMed, Scopus, ProQuest, EBSCO, SPORT Discuss, Web of Science, and the grey literature were searched from 2000 to 20 September 2024. Two reviewers independently screened the titles, abstracts, and full texts and conducted data extraction. All conflicts were resolved with a third reviewer. A total of 3465 records were identified, of which 12 full-text articles were included in the review. The studies, five randomised clinical trials and seven non-randomised clinical trials, included varied age groups and populations including healthy, sedentary and obese participants. The interventions were traditional dance and games interventions with some extension to nutrition education. All the interventions were short term, with less than 6 months follow-up. Any traditional dance styles and games that involve physical performance can induce positive health outcomes. Undertaking traditional dance and games (TDGs) is equally effective on cardiovascular, functional and metabolic adaptations, leading to comparable improvements in older adults as for other forms of structured exercise. Collaboration of health practitioners, legislators, non-governmental agencies and local communities in LMICs in using TDGs may reduce the burden of CVDs.

Introduction and Objective. Brain-derived neurotrophic factor (BDNF) plays a vital role in neuroplasticity, neuronal differentiation, and cognitive function. While aerobic and resistance training are explored to elevate resting serum BDNF, findings remain inconsistent. As BDNF is closely tied to learning processes, motor learning may offer a more targeted approach to stimulating neuroplasticity than repetitive physical activity. Methodology. The study investigated the effect of motor learning on resting BDNF and physical fitness component improvement in preadolescent girls. Participants with no prior Legong dance experience were the Learning Group (LG; n = 19); those with experience were the Repetitive Group (RG; n = 19). Both groups underwent six weeks of supervised Balinese Legong dance training. LG learned new choreography, while RG repeated familiar routines. Resting serum BDNF, aerobic capacity, and muscle endurance were measured before and after intervention. Results. Baseline showed the LG had significantly lower BDNF than the RG (p=0.040). Resting BDNF significantly increased in LG (Median 1.995 to 2.546 ug/ml; p=0.001) but not in RG (p=0.469). After intervention, LG successfully closed the initial BDNF gap (p=0.563). LG’s aerobic capacity was superior to RG (p=0.014), whereas muscle endurance was lower than RG (p=0.003). No correlation was found between BDNF changes and fitness measures. Conclusions. These findings suggest motor learning stimulates BDNF more effectively than repetitive movement and highlights the importance of cognitive engagement in physical training, offering potential for education, neurorehabilitation, and skill-based athletic development. Introducción y objetivo. El BDNF es crucial para la neuroplasticidad, diferenciación neuronal y cognición. Aunque el ejercicio aeróbico y de resistencia busca elevar sus niveles, los resultados son inconsistentes. El aprendizaje motor estimula más la neuroplasticidad que la actividad repetitiva. Metodología. Este estudio analizó el efecto del aprendizaje motor sobre los niveles de BDNF en reposo en niñas preadolescentes y su relación con la mejora de la condición física. Las niñas sin experiencia en danza Legong fueron asignadas al Grupo de Aprendizaje (GA; n = 19); las con experiencia al Grupo Repetitivo (GR; n = 19). Ambos grupos realizaron seis semanas de entrenamiento. El GA aprendió coreografías nuevas; el GR repitió rutinas. Se evaluaron BDNF en reposo, capacidad aeróbica y resistencia muscular antes y después. Resultados. El valor inicial mostró que el LG tenía un BDNF significativamente menor que el RG (p=0.040). El BDNF en reposo aumentó significativamente en el LG (Mediana 1.995 a 2.546 ug/ml; p=0.001), pero no en el RG (p=0.469). Después de la intervención, el LG cerró con éxito la brecha inicial de BDNF (p=0.563). La capacidad aeróbica del LG fue superior a la del RG (p=0.014), mientras que el RG mantuvo una resistencia muscular superior (p=0.003). No se encontró correlación entre los cambios en el BDNF y las medidas de aptitud física. Conclusiones. Estos hallazgos sugieren que el aprendizaje motor estimula el BDNF más eficazmente que el movimiento repetitivo, resaltando la importancia del compromiso cognitivo en el entrenamiento físico, con posible aplicación en educación, neurorrehabilitación y desarrollo deportivo basado en habilidades. Introdução e objetivo. O BDNF é crucial para a neuroplasticidade, diferenciação neuronal e cognição. Embora os exercícios aeróbicos e de resistência visem aumentar os seus níveis, os resultados são inconsistentes. A aprendizagem motora estimula mais a neuroplasticidade do que a atividade repetitiva. Metodologia. Este estudo analisou o efeito da aprendizagem motora nos níveis de BDNF em repouso em raparigas pré-adolescentes e a sua relação com a melhoria da aptidão física. As raparigas sem experiência em dança Legong foram atribuídas ao Grupo de Aprendizagem (GC; n = 19); as que tinham experiência foram atribuídas ao Grupo Repetitivo (GR; n = 19). Ambos os grupos completaram seis semanas de treino. O GC aprendeu novas coreografias; o GR repetiu rotinas. O BDNF em repouso, a capacidade aeróbia e a resistência muscular foram avaliados antes e depois. Resultados. No início do estudo, o grupo LG apresentou um BDNF significativamente mais baixo do que o grupo GR (p = 0,040). O BDNF em repouso aumentou significativamente no grupo de LG (mediana de 1,995 a 2,546 μg/ml; p = 0,001), mas não no GR (p = 0,469). Após a intervenção, o LG fechou com sucesso a lacuna inicial de BDNF (p = 0,563). A capacidade aeróbia no LG foi superior à do GR (p = 0,014), enquanto o GR manteve uma resistência muscular superior (p = 0,003). Não foi encontrada correlação entre as alterações do BDNF e as medidas de aptidão física. Conclusões. Estes achados sugerem que a aprendizagem motora estimula o BDNF de forma mais eficaz do que o movimento repetitivo, destacando a importância do envolvimento cognitivo no treino físico, com potenciais aplicações na educação, neurorreabilitação e desenvolvimento desportivo baseado em competências.

Regular physical activity is considered one of the most important factors for lifestyle, for maintaining good health in older ages and increasing life expectancy. Dance is considered an activity that involves coordinating movements with music, as well as brain activation because it is constantly necessary to learn and remember new steps. Dance as a musical-kinetics skill, requires the coordination of body movements with rhythmic stimuli, developing the adaptability of the movement. One-hundred-thirty (130) elderly people aged 60 years and over (mean age 67 years old) with an average of 8 years of education, attended Greek traditional dance sessions for 32 weeks. The frequency was 2 times per week, for 75 min per session. Dances were selected from all over Greece with moderate intensity initially. During the program, they had the opportunity to try with greater intensity dances. At the beginning and after the end of intervention all the participants were evaluated by the Fullerton Senior Fitness Test for their physical fitness, the Single Leg Balance and the Handgrip Strength Test. The results showed a significant improvement in their physical fitness (Chair Stand: = -5.459, < 0.001; Arm Curl: = -5.750, < 0.001; Back Scratch: = -4.648, < 0.001; Sit and Reach: = -4.759, < 0.001; 2 min Step: = -5.567, < 0.001; Foot Up and Go: = -8.599, < 0.001) and at their static balance with eyes open (Balance 1 leg: = -4.996, < 0.001) and Handgrip Strength (Handgrip: = -3.490, < 0.001). Elderly seem to enjoy dancing as an activity while maintaining their functionality. Probably the elderly in traditional dance cause prosperity in their lives by promoting active aging.

This study seeks to examine the process by which han was established as a core emotion in salpurichum (salpuri dance), and uncover the background and triggers leading to its formation. From the early 20th century to the early 1960s, salpurichum was known as the “impromptu”, “heoteun”, and “handkerchief” dance, and it included an aspect of playfulness. However, since the mid-1960s, it has been increasingly interpreted as an expression of women’s sorrow, reflecting the view that the tradition encapsulates women’s suffering. In the 1980s, in the wake of the shamanic origin hypothesis proposed by Byeong-ho Jeong, the historical value of salpurichum was legitimized. It was performed at protests and was used as a shamanistic dance in accordance with this hypothesis. Accordingly, it began to be interpreted as a women’s and national han. Concurrently, the authoritarian government promoted shamanism as part of Korea’s indigenous identity during the 1988 Seoul Olympics, with salpurichum emerging as a representative traditional dance imbued with han. Therefore, the incorporation of han into salpurichum can be seen as a result of the nationalist political agendas advanced by two opposing groups. After salpurichum was designated as a national intangible heritage in 1990, han was academically completed and salpurichum became institutionalized.

This paper proposes a multi-feature fusion approach for action recognition under big data technology with the goal of improving traditional dance video action recognition. By analyzing the basic method of dance action, the extraction process of dance action features is analyzed using both single-layer and hierarchical methods. Multi-feature fusion action recognition is chosen as the main method for action recognition. The image and audio features of the dance video are combined to improve the accuracy of recognizing dance actions. Use the optical flow algorithm to construct a histogram of the optical flow direction. The method’s feasibility is explored by applying the multi-feature fusion recognition method to traditional dance movement recognition. The results show that in traditional dance movement recognition performance, the performance of the method of multi-feature fusion recognition is improved by 7.6% compared to other traditional methods. The multi-feature fusion recognition method has more than 50% accuracy in recognizing different traditional dance movements and similar movements in terms of movement recognition accuracy. To a certain degree, this study enhances the efficiency of traditional dance movement recognition and conserves human and financial resources in dance movement recognition.