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result(s) for
"Traduction littéraire"
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Theatrical Translation and Film Adaptation
2005
Translation and film adaptation of theatre have received
little study. In filling that gap, this book draws on the
experiences of theatrical translators and on movie versions of
plays from various countries. It also offers insights into such
concerns as the translation of bilingual plays and the choice
between subtitling and dubbing of film.
Estudio comparativo de errores de la traducción al español: La mécanique du cœur y su recepción en el mercado hispanohablante
by
Agustín Darias Marrero
,
Nuria Aguiar Melián
in
Literary translation; Idiolect; Translation error; Reception
,
Traduction littéraire; Idiolecte; Erreur de traduction; Réception
2018
This paper analyses errors in the Spanish translation of the French novel La mé-canique du cœur (Malzieu, 2007). From theoretical approaches to the relevance of the author’s idiolect in literary translation (García López, 2000 and 2004; Hurtado Albir, 1999; Muñoz Martín, 1995), and the significance of the translation assignment (Reiss y Vermeer, 1996), we have applied two typologies of translation errors (Gil de Carrasco, 1999; Cruces Colado, 2001) to the corpus. This comparative analysis has exposed numerous translation errors in this literary piece which modify its reception by Spanish-speaking readers. Le présent article vise à analyser les erreurs détectées dans la traduction espagnole du roman français La mécanique du cœur (Malzieu, 2007). À partir des concepts théoriques sur l’importance de l’idiolecte de l’auteur dans le domaine de la traduction littéraire (García López, 2000 et 2004 ; Hurtado Albir, 1999 ; Muñoz Martín, 1995) et des consignes du projet de traduction (Reiss et Vermeer, 1996), deux classifications d’erreurs en traduction (Gil de Carrasco, 1999 ; Cruces Colado, 2001) ont été appliquées à cet objet d’étude. Cette analyse comparative a révélé l’existence de nombreux écarts entre la traduction et le texte d’origine de cette œuvre littéraire altérant la perception des lecteurs hispanophones.
Journal Article
From St Jerome to Hypertext
2014,1998,2003
From St. Jerome to Hypertext is an ambitious attempt to chart the terrain of literary translation - its history, theory and practice. It examines translation from linguistic, extralinguistic and philosophical perspectives and poses a range of important questions, including: the extent to which a linguistically creative original text should be reduced to fit existing norms in translation; whether translators should render the author's voice or the author's vision; how a translator might bridge the gender gap, generation gap, cultural gap, geographical distance, and distance in time; the way in which one translates texts which are themselves multilingual; whether the Bible is a technical book, a primary source, a drama or a revelation; the impact that processes of internationalization, multimedia communication and technological innovations might have on literature in translation.
Individual chapters offer detailed treatmemnt of topis such as the relationship between author and translator, wordplay and language games, syntax, cultural biotes, understanding and meaning, and the process of translation.
Dramatic Licence
by
Lebeau, Richard
,
Ladouceur, Louise
in
Canadian drama-20th century-Translations-History and criticism
,
Theater-Canada-History-20th century
,
Theater-Québec (Province)-History-20th century
2012
Navigating through two languages and cultures, Ladouceur studies translation strategies in the world of theatre.
Writing between the Lines
2006
The essays in Writing between the Lines explore the lives of twelve of Canada's most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada.
Through individual portraits, this book traces the events and life experiences that have led W.H. Blake, John Glassco, Philip Stratford, Joyce Marshall, Patricia Claxton, Doug Jones, Sheila Fischman, Ray Ellenwood, Barbara Godard, Susanne de Lotbinire-Harwood, John Van Burek, and Linda Gaboriau into the complex world of literary translation. Each essay-portrait examines why they chose to translate and what linguistic and cultural challenges they have faced in the practice of their art. Following their relationships with authors and publishers, the translators also reveal how they have defined the goals and the process of literary translation.
Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process, and the diverse roles of the translator as social agent. The first text on Canadian translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.
The translator's dialogue : Giovanni Pontiero
by
Orero, Pilar
,
Pontiero, Giovanni
,
Sager, Juan C.
in
Pontiero, Giovanni
,
Translating and interpreting
1997
The Translator's Dialogue: Giovanni Pontiero is a tribute to an outstanding translator of literary works from Portuguese, Luso-Brasilian, Italian and Spanish into English. The translator introduced authors such as Carlos Drummond de Andrade, Manuel Bandeira, Clarice Lispector and José Saramago to the English reading world.Pontiero's essays shed light on the process of literary translation and its impact on cultural perception. This process is exemplified by Pontiero the translator and analyst, some of the authors he collaborated with, publishers' editors and literary critics and, finally, by an unpublished translation of a short story by José Saramago, Coisas.
In Translation
by
Everett, Jane
,
Marshall, Joyce
,
Roy, Gabrielle
in
20th century
,
Authors, Canadian (English)
,
Canadian
2006,2004
Gabrielle Roy was one of the most prominent Canadian authors of the twentieth century. Joyce Marshall, an excellent writer herself, was one of Roy's English translators. The two shared a deep and long-lasting friendship based on a shared interest in language and writing. In Translation offers a critical examination of the more than two hundred letters exchanged by Roy and Marshall between 1959 and 1980.
In their letters, Roy and Marshall exchange news about their general health and well-being, their friends and family, their surroundings, their travels, and other writers, as well as their dealings with critics, editors, and publishers. They recount comical incidents and strange encounters in their lives, and reflect on human nature, current events, and, from time to time, their writing. Of particular interest to the two women were the problems they encountered during the translation process. Many passages in the letters concern the ways in which the nuances of language can be shaped through translation.
Editor Jane Everett has arranged the letters here in chronological order and has added critical notes to fill in the historical and literary gaps, as well as to identify various editorial problems. Shedding light on the process of writing and translating, In Translation is an invaluable addition to the study of Canadian writing and to the literature on these two important figures.