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817 result(s) for "Treasure troves."
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The Public Archaeology of Treasure
The Public Archaeology of Treasure comprises the select proceedings of the 5th University of Chester Archaeology Student Conference which took place on 31 January 2020 in the lecture theatre of the Grosvenor Museum, Chester and was complemented by an online Twitter conference on the following morning, 1 February 2020. Reflecting on the shifting and conflicting meanings, values and significances for treasure in archaeology's public engagements, interactions and manifestations, the volume emphasises how education and research cannot avoid the persistent and evocative associations of 'treasure' in socio-political discourse and popular culture. This first-ever exploration of 'the public archaeology of treasure' thus offers a host of timely themes and perspectives on the public engagement with, and popular receptions of, archaeological artefacts and assemblages written by students, researchers, educators and heritage practitioners.
The Law of Treasure
This book aims to provide a reliable guide to the Law of Treasure in England, Wales and Northern Ireland. It will be of vital interest and utility to metal detectorists in addition to archaeologists, museums, coroner's offices, finds liaison officers, farmers and landlords' associations.
The world's great archaeological treasures
The treasures described and analyzed here come from a wide range of different contexts; in terms of geography and culture as well as historic--or prehistoric--period. The treasures range from Ice-Age figurines of central and eastern Europe to African gold, from the Dead Sea Scrolls to the sensational discoveries of Egyptologist in the tomb of Tutakhamen. Many of the most well-known treasure troves were originally put together as burial furnishings, and for this reason they tell us much of what our forebears believed about death and the afterlife, and how provision was mde for the wellbeing of the dead in their journey onwards.
Re granchio = The tale of King Crab
This strikingly photographed epic follows wandering drunk Luciano on an around-the-world journey after tragedy at home in Italy. His exile to Argentina's Tierra del Fuego finds him consumed by greed in a search for a long-lost treasure.
ARTICLE 16 UNESCO CONVENTION AND THE PROTECTION OF UNDERWATER CULTURAL HERITAGE
Deep-water technology and commercial interests have put the protection of underwater cultural heritage under considerable pressure in recent decades. Yet the 2001 UNESCO Convention has the potential to fend off the threat—if fully implemented. This article sets out the legislative duties States Parties have under one of the Convention’s core provisions: Article 16. It requires States Parties to take a triad of legislative measures: they must enact prohibitions, impose criminal sanctions and establish corresponding jurisdiction over their nationals and vessels. In addition, the comprehensive protection of underwater cultural heritage also necessitates measures covering acts of corporate treasure hunters, even though this is not required by the Convention itself.
Coastal treasure hunter
Waves wash all sorts of things from the sea onto the coast. People find many treasures on coasts around the world. You might find shells and colorful fishing floats, creatures from the deep sea, or even jewels and coins from ancient shipwrecks.
Treasure
'Oh, it's a funny sensation, having money in your pocket, I can tell you… Money warms you. If you knew how warm and safe I feel. Like a new creature in a new skin.' In a production commissioned by the Finborough Theatre, a unique opportunity to see a classic of Yiddish theatre for the first time in the UK – Treasure by David Pinski. Tille is the poor gravedigger's daughter, with nothing in the world except a head full of dreams. Things look set to stay that way, until the day her brother returns from the graveyard with a pile of gold coins, and Tille is faced with a choice. She can hand in the money and go back to a life of drudgery, or she can use it to turn the world upside down. As the village community disintegrates into chaos and descends on the cemetery in search of gold, Tille and her family must use all their wits to stay one step ahead of those who want their share of the treasure. A timeless fable that digs down into the depths of our folly and greed and, in the midst of the chaos, celebrates one woman's ingenuity. Treasure, or Der Oytser, is a comic masterpiece of Yiddish theatre. Written in 1906 and first performed in 1912, it remained popular in the Yiddish repertoire until the 1940s: most notably, Max Reinhardt's production in Germany in 1919, an English-language version on Broadway in 1920, as well as a production staged in the Vilna Ghetto in 1943.