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23 result(s) for "Trials (Homicide) Fiction."
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Wilde Lake : a novel
Luisa \"Lu\" Brant is the newly elected-- and first female-- state's attorney of Howard County, Maryland, a job in which her widower father famously served. Fiercely intelligent and ambitious, she sees an opportunity to make her name by trying a mentally disturbed drifter accused of beating a woman to death in her home. It's not the kind of case that makes headlines, but peaceful Howard County doesn't see many homicides. As Lu prepares for the trial, the case dredges up painful memories, reminding her small, but tight-knit, family of the night when her brother, AJ, saved his best friend at the cost of another man's life. Only eighteen, AJ was cleared by a grand jury. Now, Lu wonders if the events of 1980 happened as she remembers them. What details might have been withheld from her when she was a child?
'A Low Caste White Man with Lust in His Heart': Race, Deviance, and Criminal Justice in Jim Crow New Orleans
ON THE AFTERNOON OF FEBRUARY 10, 1930, CHARLES GUERAND, a white, off-duty New Orleans policeman, fatally shot fourteen-year-old Hattie McCray, an African American dishwasher, after she rebuffed his sexual advances. For New Orleanians, white and African American alike, the aftermath of this shooting proved to be more shocking than the murder itself. Although Guerand eventually escaped execution, his conviction and incarceration made this case stand apart from the other 2,117 homicide cases in New Orleans between 1920 and 1945. Both national and local observers declared that the verdict heralded the dawn of a new era in race relations. This essay, however, argues that the Guerand verdict reinforced the racial order of Jim Crow New Orleans. For local law enforcers, and especially for Eugene Stanley, the Orleans Parish district attorney who spearheaded the prosecution, the trial and conviction of Charles Guerand was an expression of a more zealous and more unyielding embrace of Jim Crow and a hardening of racial boundaries.
Hard to kill : a Jane Smith thriller
\"Attorney Jane Smith is mounting an impossible criminal defense. Her client, Rob Jacobson, is the unluckiest of the lucky. No sooner is he accused of killing a family of three in the Hamptons than a second family is gunned down. It's not double jeopardy. It's not double murder. It's double triple homicide. Jane's career has spanned from NYPD beat cop to Hamptons courtroom. She's tough to beat. She's even tougher to kill. The defense may never rest\"-- Provided by publisher.
Murder Most Russian
How a society defines crimes and prosecutes criminals illuminates its cultural values, social norms, and political expectations. InMurder Most Russian, Louise McReynolds uses a fascinating series of murders and subsequent trials that took place in the wake of the 1864 legal reforms enacted by Tsar Alexander II to understand the impact of these reforms on Russian society before the Revolution of 1917. For the first time in Russian history, the accused were placed in the hands of juries of common citizens in courtrooms that were open to the press. Drawing on a wide array of sources, McReynolds reconstructs murders that gripped Russian society, from the case of Andrei Gilevich, who advertised for a personal secretary and beheaded the respondent as a way of perpetrating insurance fraud, to the beating death of Marianna Time at the hands of two young aristocrats who hoped to steal her diamond earrings. As McReynolds shows, newspapers covered such trials extensively, transforming the courtroom into the most public site in Russia for deliberation about legality and justice. To understand the cultural and social consequences of murder in late imperial Russia, she analyzes the discussions that arose among the emergent professional criminologists, defense attorneys, and expert forensic witnesses about what made a defendant's behavior \"criminal.\" She also deftly connects real criminal trials to the burgeoning literary genre of crime fiction and fruitfully compares the Russian case to examples of crimes both from Western Europe and the United States in this period. Murder Most Russianwill appeal not only to readers interested in Russian culture and true crime but also to historians who study criminology, urbanization, the role of the social sciences in forging the modern state, evolving notions of the self and the psyche, the instability of gender norms, and sensationalism in the modern media.
Guilty not guilty
Bill Russell is acting as a volunteer steward at Warwick races when he confronts his worst nightmare---the violent death of his much-loved wife. But, the aftermath proves much worse when he is accused of killing her and then hounded mercilessly by the media. Losing his job and in danger of losing his home too, Bill's life begins to unravel completely. Even his best friends turn against him, thinking him guilty of the heinous crime, despite the lack of any compelling evidence. As Bill sets out to clear his name, he finds that proving one's innocence isn't easy. He believes he can track down the true culprit, but can he prove it before he becomes the murderer's next victim? Guilty Not Guilty is a journey of greed and jealousy set against the grief of personal tragedy, with many a twist and turn along the way.-- Publisher's description.
Acting Out Justice in J. J. Steinfeld’s “Courtroom Dramas”
The article provides an interpretation of “Courtroom Dramas,” a short story from J. J. Steinfeld’s fiction collection Would You Hide Me? (Gaspereau, 2003). First, the paper examines Steinfeld’s articulation of traumatic loss, and interprets the trial in “Courtroom Dramas” as a means for a grandson to mourn his deceased grandmother and (through memory of her) others unknown to him in the Holocaust. Here the fictional account of loss interacts productively with various theoretical models prevalent in the field of trauma studies. Second, historical justice issues embedded in this Holocaust story are revealed. Steinfeld’s fiction is situated, finally, within a body of auto-ethnographic writing on the Nazi genocide, work foregrounding trans-generational memory. Cet article offre une interprétation de Courtroom Dramas, une nouvelle du recueil de J. J. Steinfield, Would You Hire Me? (Me cacheriez-vous ?) (Gaspereau, 2003). Il porte d’abord sur la manière dont Steinfeld exprime une perte dramatique et présente une interprétation du procès dans Courtroom Dramas comme un moyen pour le petit-fils de faire le deuil sa grand-mère décédée et (en se souvenant d’elle) de celui d’autres victimes de l’holocauste qu’il n’a pas connues. Une interaction productive se fait ici jour entre l’exposé de la perte dans une œuvre de fiction et divers modèles théoriques prévalant dans le domaine des études de traumatismes. En second lieu, l’article révèle des questions de justice historique enchâssées dans cette histoire de l’holo-causte. Enfin, il situe la nouvelle de Steinfeld dans l’ensemble des écrits auto-ethnographiques sur le génocide nazi, un travail qui met en avant la mémoire transgénérationnelle.
The confessions of Frannie Langton : a novel
A servant and former slave is accused of murdering her employer and his wife in this astonishing historical thriller that moves from a Jamaican sugar plantation to the fetid streets of Georgian London.
16th seduction
Lindsay Boxer is learning to love again. After the picture-perfect world she shared with her husband, Joe, and their beautiful young daughter shattered under the weight of Joe's double life, Lindsay is determined to put the pieces back together. But before she can welcome Joe back with open arms, their beloved hometown of San Francisco faces a threat unlike any the city -- or the country -- has ever seen. A wave of possibly unnatural heart attacks claims the lives of seemingly unrelated victims. As if that weren't enough, the bomber she and Joe captured is about to go on trial, and his defense raises damning questions about Lindsay and Joe's investigation. Not knowing whom to trust, and struggling to accept the truth about the man she thought she knew, Lindsay must connect the dots of a deadly conspiracy before a brilliant criminal puts her on trial.