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708 result(s) for "Underground literature"
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Who travelled the underground railroad?
\"How do we know about the American slaves who escaped using what is known as the Underground Railroad, and about the people who organized it? What were they escaping from, and what happened to them? This book shows how we know about the fugitives and their experiences from primary and other sources.\"--Back cover.
Samizdat, tamizdat, and beyond
In many ways what is identified today as \"cultural globalization\" in Eastern Europe has its roots in the Cold War phenomena ofsamizdat(\"do-it-yourself\" underground publishing) andtamizdat(publishing abroad). This volume offers a new understanding of how information flowed between East and West during the Cold War, as well as the much broader circulation of cultural products instigated and sustained by these practices. By expanding the definitions ofsamizdatandtamizdatfrom explicitly political, print publications to include other forms and genres, this volume investigates the wider cultural sphere of alternative and semi-official texts, broadcast media, reproductions of visual art and music, and, in the post-1989 period, new media. The underground circulation of uncensored texts in the Cold War era serves as a useful foundation for comparison when looking at current examples of censorship, independent media and the use of new media in countries like China, Iran, and the former Yugoslavia.
Written Here, Published There
Written Here, Published There offers a new perspective on the role of underground literature in the Cold War and challenges us to recognize gaps in the Iron Curtain. The book identifies a transnational undertaking that reinforced détente, dialogue, and cultural transfer, and thus counterbalanced the persistent belief in Europe’s irreversible division. It analyzes a cultural practice that attracted extensive attention during the Cold War but has largely been ignored in recent scholarship: tamizdat, or the unauthorized migration of underground literature across the Iron Curtain. Through this cultural practice, I offer a new reading of Cold War Europe’s history . Investigating the transfer of underground literature from the ‘Other Europe’ to Western Europe, the United States, and back illuminates the intertwined fabrics of Cold War literary cultures. Perceiving tamizdat as both a literary and a social phenomenon, the book focuses on how individuals participated in this border-crossing activity and used secretive channels to guarantee the free flow of literature.
Writing Underground
In this collection of writings produced between 2000 and 2018, the pioneering literary historian of the Czech underground, Martin Machovec, examines the multifarious nature of the underground phenomenon. After devoting considerable attention to the circle surrounding the band The Plastic People of the Universe and their manager, the poet Ivan M. Jirous, Machovec turns outward to examine the broader concept of the underground, comparing the Czech incarnation not only with the movements of its Central and Eastern European neighbors, but also with those in the world at large. In one essay, he reflects on the so-called Půlnoc Editions, which published illegal texts in the darkest days of the late forties and early fifties. In other essays, Machovec examines the relationship between illegal texts published at home (samizdat) and those smuggled out to be published abroad (tamizdat), as well as the range of literature that can be classified as samizdat, drawing attention to movements frequently overlooked by literary critics. In his final, previously unpublished essay, Machovec examines Jirous’s “Report on the Third Czech Musical Revival\" not as a merely historical document, but as literature itself.
Views from the Inside
From political novels to surrealist poetry and censored rock and roll, Czech underground culture of the latter twentiethcentury displayed an astonishing, and unheralded, variety. This fascinating exploration of that underground movement—the historical, sociological,and psychological background that gave rise to it; the literature, music, and arts that comprised it; and its morerecent incorporation into the mainstream—draws on the voices of scholars and critics who themselves played an integral role in generating it. Featuring the writings of Czech poet Ivan Martin Jirous, philosopher-poet Egon Bondy, and writer Jáchym Topol, and Canadian expat and translator Paul Wilson—many of which have never before been available in English—as well as an expanded bibliography reflecting advances in scholarship. This second edition is both a work of literature and an eye-opening volume of criticism.
The Dialogues of the Dead of the Early German Enlightenment
Starting from the little reliable information available, Riccarda Suitner conducts an exciting investigation of the authors, production, illustrations, circulation and plagiarism of a series of anonymous \"dialogues of the dead\" in the intellectual world of the early eighteenth century, proposing a new image of the German Enlightenment.