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Archaeological Theory and the Politics of Cultural Heritage
This controversial book is a survey of how relationships between indigenous peoples and the archaeological establishment have got into difficulty, and a crucial pointer to how to move forward from this point.
With lucid appraisals of key debates such as NAGPRA, Kennewick and the repatriation of Tasmanian artefacts, Laurajane Smith dissects the nature and consequences of this clash of cultures.
Smith explores how indigenous communities in the USA and Australia have confronted the pre-eminence of archaeological theory and discourse in the way the material remains of their past are cared for and controlled, and how this has challenged traditional archaeological thought and practice.
Essential reading for all those concerned with developing a just and equal dialogue between the two parties, and the role of archaeology in the research and management of their heritage.
1. Introduction 2 . The Cultural Politics of Identity: Defining the Problem 3. Archaeological Theory and the 'Politics' of the Past 4. Archaeology and the Context of Governance: Expertise and the State 5. Archaeological Stewardship: The Rise of Cultural Resource Management and the 'Scientific Professional' arcHaeologist 6. Significance Concepts and the Embedding of Processual Discourse in Cultural Resource Management 7. The Role of Legislation in the Governance of Material Culture in America and Australia 8. NAGPRA and Kennewick: Contesting Archaeological Govrnance in America 9. The 'Death of Archaeology': Contesting Archaeological Covernance in Australia 10. Conclusion
Laurajane Smith is Lecturer in cultural heritage studies and archaeology at the University of York, UK. She previously taught Indigenous Studies at the University of New South Wales, Sydney and worked as a cultural heritage consultant for many years. Her research interests include heritage and the construction and negotiation of cultural and social identities, and public policy and heritage management, archaeological theory and politics, feminist archaeology.
'Essential reading ... Well-written [and] easy to follow ... a useful companion volume.' - Rodney Harrison, The Australian National University
'Laurajane Smith has produced a significant work that will hopefully stimulate archaeological departments in South African universities to pay more attention to educating future CRM practitioners. This book is compulsory reading for CRM practitioners, archaeology students and their professors alike.' – South African Archaeological Bulletin
eBook
U.S. cultural diplomacy and archaeology : soft power, hard heritage
Archaeology's links to international relations are well known: launching and sustaining international expeditions requires the honed diplomatic skills of ambassadors. This book explores how international partnerships inherent in archaeological legal instruments and policies, especially involvement with major US museums, contribute to the underlying principles of US cultural diplomacy.
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U.S. Cultural Diplomacy and Archaeology
Archaeology's links to international relations are well known: launching and sustaining international expeditions requires the honed diplomatic skills of ambassadors. U.S. foreign policy depends on archaeologists to foster mutual understanding, mend fences, and build bridges. This book explores how international partnerships inherent in archaeological legal instruments and policies, especially involvement with major U.S. museums, contribute to the underlying principles of U.S. cultural diplomacy.
Archaeology forms a critical part of the U.S. State Department's diplomatic toolkit. Many, if not all, current U.S.-sponsored and directed archaeological projects operate within U.S. diplomatic agendas. U.S. Cultural Diplomacy and Archaeology is the first book to evaluate museums and their roles in presenting the past at national and international levels, contextualizing the practical and diplomatic processes of archaeological research within the realm of cultural heritage. Drawing from analyses and discussion of several U.S. governmental agencies' treatment of international cultural heritage and its funding, the history of diplomacy-entangled research centers abroad, and the necessity of archaeologists' involvement in diplomatic processes, this seminal work has implications for the fields of cultural heritage, anthropology, archaeology, museum studies, international relations, law, and policy studies.
eBook
Music in America's Cold War diplomacy
During the Cold War, thousands of musicians from the United States traveled the world, sponsored by the U.S. State Department’s Cultural Presentations program. Performances of music in many styles—classical, rock ’n’ roll, folk, blues, and jazz—competed with those by traveling Soviet and mainland Chinese artists, enhancing the prestige of American culture. These concerts offered audiences around the world evidence of America’s improving race relations, excellent musicianship, and generosity toward other peoples. Through personal contacts and the media, musical diplomacy also created subtle musical, social, and political relationships on a global scale. Although born of state-sponsored tours often conceived as propaganda ventures, these relationships were in themselves great diplomatic achievements and constituted the essence of America’s soft power. Using archival documents and newly collected oral histories, Danielle Fosler-Lussier shows that musical diplomacy had vastly different meanings for its various participants, including government officials, musicians, concert promoters, and audiences. Through the stories of musicians from Louis Armstrong and Marian Anderson to orchestras and college choirs, Fosler-Lussier deftly explores the value and consequences of \"musical diplomacy.\"
eBook
Performing policy : how contemporary politics and cultural programs redefined U.S. artists for the twenty-first century
\"Performing Policy explains how a movement in cultural policy that began in the 1990s redefined US artists' roles in society and enhanced their prospects for the twenty-first century. In the first years of the century, a series of landmark reports appeared, significantly expanding the nation's understanding of the relevance of arts to everyday life. Broadly, these reports covered issues of changing tastes and consumption habits, the relevance of culture to economic and social stability in communities, and the challenges facing artists and arts organizations in the new economy. Their publication coincided with a number of national initiatives that proposed and modelled new methods of artistic practice and sustainability. Analyzing the political origins and practical applications of recent advancements in arts policy, this book demonstrates how the redefining of artists took place and to what ends. At the same time, Performing Policy proposes a new definition through which artists might be productively acknowledged as co-creators of the nation's arts infrastructure\"-- Provided by publisher.
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A Living Exhibition
Since its founding in 1846 “for the increase and diffusion of knowledge,” the Smithsonian Institution has been an important feature of the American cultural landscape. In A Living Exhibition, William S. Walker examines the tangled history of cultural exhibition at the Smithsonian from its early years to the chartering of the National Museum of the American Indian in 1989. He tracks the transformation of the institution from its original ideal as a “universal museum” intended to present the totality of human experience to the variegated museum and research complex of today. Walker pays particular attention to the half century following World War II, when the Smithsonian significantly expanded. Focusing on its exhibitions of cultural history, cultural anthropology, and folk life, he places the Smithsonian within the larger context of Cold War America and the social movements of the 1960s, ’70s, and ’80s. Organized chronologically, the book uses the lens of the Smithsonian’s changing exhibitions to show how institutional decisions become intertwined with broader public debates about pluralism, multiculturalism, and decolonization. Yet if a trend toward more culturally specific museums and exhibitions characterized the postwar history of the institution, its leaders and curators did not abandon the vision of the universal museum. Instead, Walker shows, even as the Smithsonian evolved into an extensive complex of museums, galleries, and research centers, it continued to negotiate the imperatives of cultural convergence as well as divergence, embodying both a desire to put everything together and a need to take it all apart.
eBook
Americans all : good neighbor cultural diplomacy in World War II
No detailed description available for \"Americans All\".
eBook