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Militainment, Inc. offers provocative, sometimes disturbing insight into the ways that war is presented and viewed as entertainment—or \"militainment\"—in contemporary American popular culture. War has been the subject of entertainment for centuries, but Roger Stahl argues that a new interactive mode of militarized entertainment is recruiting its audience as virtual-citizen soldiers. The author examines a wide range of historical and contemporary media examples to demonstrate the ways that war now invites audiences to enter the spectacle as an interactive participant through a variety of channels—from news coverage to online video games to reality television. Simply put, rather than presenting war as something to be watched, the new interactive militainment presents war as something to be played and experienced vicariously. Stahl examines the challenges that this new mode of militarized entertainment poses for democracy, and explores the controversies and resistant practices that it has inspired. This volume is essential reading for anyone interested in the relationship between war and media, and it sheds surprising light on the connections between virtual battlefields and the international conflicts unfolding in Iraq and Afghanistan today. Roger Stahl is Assistant Professor of Speech Communication at the University of Georgia. His work has appeared in publications such as Rhetoric and Public Affairs , The Quarterly Journal of Speech , and Critical Studies in Media Communication . He wrote, produced, and narrated the 2007 documentary film Militainment, Inc.: Militarism and Pop Culture , which is distributed by the Media Education Foundation. \"Roger Stahl is a one-man bomb squad, painstakingly disentangling the complex cultural circuitry that wires our entertainment consumption habits to U.S. military hardware. This richly sourced, vividly illustrated page-turner will recast your next cinema, stadium, or virtual world visit in a startling new light.\" —Gordon Mitchell , University of Pittsburgh and author of Strategic Deception: Rhetoric, Science and Politics in Missile Defense Advocacy \"While many have written about militarism, and many more have written about the entertainment industry, I do not know of a book that ties the two together in such an insightful argument. 'Militainment, Inc' is a smart and engaging book about how US citizens relate to and engage with US military actions and how the increasing integration of militarism and the entertainment industries limits democratic commentary. I can't imagine anything more timely.\" —Susan Jeffords , University of Washington and author of Remasculinization of America: Gender and the Vietnam War \"Roger Stahl has systematically researched U.S. popular culture and recent military history and has provided a highly illuminating study of how recent wars have been produced as media spectacles and processed by audiences as entertainment, hence the term Militainment . Providing illuminating studies of the media, sport, video games, TV reality shows, and other forms of militainment, Stahl’s book should be read by everyone concerned with the intersection of war and entertainment in the contemporary era.\" —Douglas Kellner , UCLA and author of the forthcoming Cinema Wars: Hollywood Film and Politics in the Bush/Cheney Era \"From the thrills of virtual war worlds to macabre fascinations with deadly killing fields, Roger Stahl tracks a culture where war and its horrors are transformed into a landscape of entertainment. This new geography of Militainment is mapped with great skill in an original work that is essential reading for those who would like to see beyond the battlefield to a world of peace and stability.\" —Robin Andersen , author of A Century of Media, A Century of War , winner of the Alpha Sigma Nu Book Award 2007

In this new collection of thirteen essays, Arlie Russell Hochschild—author of the groundbreaking exploration of emotional labor, The Managed Heart and The Outsourced Self—focuses squarely on the impact of social forces on the emotional side of intimate life. From the “work” it takes to keep personal life personal, put feeling into work, and empathize with others; to the cultural “blur” between market and home; the effect of a social class gap on family wellbeing; and the movement of care workers around the globe, Hochschild raises deep questions about the modern age. In an eponymous essay, she even points towards a possible future in which a person asking “How’s the family?” hears the proud answer, “Couldn’t be better.”

In the tradition of Mike Davis and Fredric Jameson, Nick Heffernan engages in a series of meditations on capital, class and technology in contemporary America. He turns to the stories we generate and tell ourselves - via fiction, film journalism, theory - to see how change is registered. By investigating a variety of texts, he observes how structural change affects the way people organise their lives economically, socially and culturally. Case studies include Ridley Scott's Blade Runner, William Gibson's cyberspace trilogy, Thomas Pynchon's The Crying of Lot 49, and Wim Wenders's Until the End of the World. Using the links between narrative cultural forms and the process of historical understanding, he brings together debates that have so far been conducted largely within the separate domains of political economy, social theory and cultural criticism to provide a compelling analysis of contemporary cultural change. By relocating postmodernism in the context of changing modes of capitalism, Heffernan puts the question of class and class agency back at the centre of the critical agenda.

The major lesson from the 1990s is that relatively superficial changes in the character of urban life can be associated with up to 75% drops in the crime rate. Crime can drop even if there is no major change in the population, the economy or the schools. Offering the most reliable data available, this book documents the decline in the 1990s in American crime as the longest and largest since World War II. It ranges across both violent and non-violent offenses, all regions, and every demographic. All Americans, whether they live in cities or suburbs, whether rich or poor, are safer today. Casting a critical and unerring eye on current explanations, the book demonstrates that both long-standing theories of crime prevention and recently generated theories fall far short of explaining the drop in the 1990s. A careful study of Canadian crime trends reveals that imprisonment and economic factors may not have played the role in the U.S. crime drop that many have suggested. A combination of factors rather than a single cause produced the decline. It is clear that declines in the crime rate do not require fundamental social or structural change, but that smaller shifts in policy can make large differences. The significant reductions in crime rates, especially in New York, where crime dropped twice the national average, suggests that there is room for other cities to repeat this astounding success.