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23 result(s) for "United States Social life and customs 1775-1783."
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The overflowing of friendship : love between men and the creation of the American republic
When eighteenth-century American men described \"with a swelling of the heart\" their friendships with other men, addressing them as \"lovely boy\" and \"dearly beloved, \" celebrating the \"ardent affection\" that knit their hearts in \"indissoluble bonds of fraternal love, \" their families, neighbors, and acquaintances would have been neither surprised nor disturbed. Richard Godbeer's groundbreaking new book examines loving and sentimental friendships among men in the colonial and revolutionary periods. Inspired in part by the eighteenth-century culture of sensibility and in part by religious models, these relationships were not only important to the personal happiness of those involved but also had broader social, religious, and political significance. Godbeer shows that in the aftermath of Independence, patriots drafted a central place for male friendship in their social and political blueprint for the new republic. American revolutionaries stressed the importance of the family in the era of self-government, reimagining it in ways appropriate to a new and democratized era. They thus shifted attention away from patriarchal authority to a more egalitarian model of brotherly collaboration. In striving to explore the inner emotional lives of early Americans, Godbeer succeeds in presenting an entirely fresh perspective on the personal relationships and political structures of the period. Scholars have long recognized the importance of same-sex friendships among women, but this is the first book to examine the broad significance ascribed to loving friendships among men during this formative period of American history. Using an array of personal and public writings, The Overflowing of Friendship will transform our understanding of early American manhood as well as challenge us to reconsider the ways we think about gender in this period.
In the Looking Glass
Focusing on how mirrors were acquired in America and by whom, as well as the profound influence mirrors had, both individually and collectively, on the groups that embraced them, In the Looking Glass is a piece of innovative textual and visual scholarship.
Citizen Bachelors
In 1755 Benjamin Franklin observed \"a man without a wife is but half a man\" and since then historians have taken Franklin at his word. InCitizen Bachelors, John Gilbert McCurdy demonstrates that Franklin's comment was only one side of a much larger conversation. Early Americans vigorously debated the status of unmarried men and this debate was instrumental in the creation of American citizenship. In a sweeping examination of the bachelor in early America, McCurdy fleshes out a largely unexamined aspect of the history of gender. Single men were instrumental to the settlement of the United States and for most of the seventeenth century their presence was not particularly problematic. However, as the colonies matured, Americans began to worry about those who stood outside the family. Lawmakers began to limit the freedoms of single men with laws requiring bachelors to pay higher taxes and face harsher penalties for crimes than married men, while moralists began to decry the sexual immorality of unmarried men. But many resisted these new tactics, including single men who reveled in their hedonistic reputations by delighting in sexual horseplay without marital consequences. At the time of the Revolution, these conflicting views were confronted head-on. As the incipient American state needed men to stand at the forefront of the fight for independence, the bachelor came to be seen as possessing just the sort of political, social, and economic agency associated with citizenship in a democratic society. When the war was won, these men demanded an end to their unequal treatment, sometimes grudgingly, and the citizen bachelor was welcomed into American society. Drawing on sources as varied as laws, diaries, political manifestos, and newspapers, McCurdy shows that in the course of the seventeenth and eighteenth centuries the bachelor was a simultaneously suspicious and desirable figure: suspicious because he was not tethered to family and household obligations yet desirable because he was free to study, devote himself to political office, and fight and die in battle. He suggests that this dichotomy remains with us to this day and thus it is in early America that we find the origins of the modern-day identity of the bachelor as a symbol of masculine independence. McCurdy also observes that by extending citizenship to bachelors, the founders affirmed their commitment to individual freedom, a commitment that has subsequently come to define the very essence of American citizenship.
In the looking glass : mirrors and identity in early America
\"In the Looking Glass explores how mirrors shaped human identity in North America from the earliest European explorations through the nineteenth century. Early Americans--African, Native, and European--had uses for and beliefs about reflective surfaces, largely associating reflection with ritual and magic, which predated the introduction of accurately reflective mirrors (ca. 1500). These new mirrors played a critical role in shaping a person's individual sense of self and came to be intimately linked to identity formation in early America. Moreover, mirrors became an object through which white men asserted their claims to modernity, emphasizing mirrors as fulcrums of truth that enabled them to know and master themselves and their world. In claiming that mirrors revealed and substantiated their own enlightenment and rationality, white men sought to differentiate how they used mirrors from not only white women but also from Native American and African American men and women. Mirrors thus played an important role in the construction of early American racial and gender hierarchies. This project brings together the history of technology and the history of identity, using textual, visual, and material sources to focus on how mirrors were created, adopted, adapted, and discussed by a wide variety of early Americans. In the Looking Glass will attract a wide audience of scholars from history, African American studies, Native American studies, material studies, history of technology, and gender studies, as well as a broader audience concerned with questions of image and identity\"--Provided by publisher.
Music of the Colonial and Revolutionary Era
The colonial days of America marked not only the beginnings of a country, but also of a new culture, part of which was the first American music publishers, entrepreneurs, and instrument makers forging musical communities from New England to New Spain. Elements of British, Spanish, German, Scots-Irish, and Native American music all contributed to the many cultures and subcultures of the early nation. While English settlers largely sought to impose their own culture in the new land, the adaptation of native music by Spanish settlers provided an important cultural intersection. The music of the Scots-Irish in the middle colonies planted the seeds of a folk ballad tradition. In New England, the Puritans developed a surprisingly rich—and recreational—musical culture. At the same time, the Regular Singing Movement attempted to reduce the role of the clergy in religious services. More of a cultural examination than a music theory book, this work provides vastly informative narrative chapters on early American music and its role in colonial and Revolutionary culture. Chapter bibliographies, a timeline, and a subject index offer additional resources for readers. The American History through Music series examines the many different types of music prevalent throughout U.S. history, as well as the roles these music types have played in American culture. John Ogasapian's volume on the Colonial and Revolutionary period applies this cultural focus to the music of America's infancy and illuminates the surprisingly complex relationships in music of that time.
Abigail and John Adams
During the many years that they were separated by the perils of the American Revolution, John and Abigail Adams exchanged hundreds of letters. Writing to each other of public events and private feelings, loyalty and love, revolution and parenting, they wove a tapestry of correspondence that has become a cherished part of American history and literature. With Abigail and John Adams, historian G. J. Barker-Benfield mines those familiar letters to a new purpose: teasing out the ways in which they reflected—and helped transform—a language of sensibility, inherited from Britain but, amid the revolutionary fervor, becoming Americanized. Sensibility—a heightened moral consciousness of feeling, rooted in the theories of such thinkers as Descartes, Locke, and Adam Smith and including a “moral sense” akin to the physical senses—threads throughout these letters. As Barker-Benfield makes clear, sensibility was the fertile, humanizing ground on which the Adamses not only founded their marriage, but also the “abhorrence of injustice and inhumanity” they and their contemporaries hoped to plant at the heart of the new nation. Bringing together their correspondence with a wealth of fascinating detail about life and thought, courtship and sex, gender and parenting, and class and politics in the revolutionary generation and beyond, Abigail and John Adams draws a lively, convincing portrait of a marriage endangered by separation, yet surviving by the same ideas and idealism that drove the revolution itself. A feast of ideas that never neglects the real lives of the man and woman at its center, Abigail and John Adams takes readers into the heart of an unforgettable union in order to illuminate the first days of our nation—and explore our earliest understandings of what it might mean to be an American.