Catalogue Search | MBRL
Search Results Heading
Explore the vast range of titles available.
MBRLSearchResults
-
DisciplineDiscipline
-
Is Peer ReviewedIs Peer Reviewed
-
Series TitleSeries Title
-
Reading LevelReading Level
-
YearFrom:-To:
-
More FiltersMore FiltersContent TypeItem TypeIs Full-Text AvailableSubjectCountry Of PublicationPublisherSourceTarget AudienceDonorLanguagePlace of PublicationContributorsLocation
Done
Filters
Reset
1,455
result(s) for
"Utopie."
Sort by:
Race, Ideology, and the Polarization of America in the Age of the Obama Presidency
The author contends that the 2008 election of President Barack Obama and his subsequent 2012 re-election were viewed as transformative events that should lead America into a post-modern, post-racial, and post-ideological America. That idealized vision of America turned out to be the incorrect. With the shift in demography, coupled with white American conservatives and Republicans' fear of losing America to minorities, especially to Blacks, Obama's presidency failed to transform America into a post-racial nation. The author argues that America became more, rather than less, racially and ideologically polarized, exacerbated by identity politics between Liberals and Conservatives, as well as between Democrats and Republicans. The incompatible and ultimately unreconcilable perception of America made no room for effective collaboration between Obama and Republicans, and has led to subsequent problems and tensions.
Out in the open
by
Rey, Javi, 1982- author, artist
,
Schimel, Lawrence, translator
,
Carrasco, Jesâus. Intemperie
in
Carrasco, Jesâus Adaptations.
,
Wilderness survival Comic books, strips, etc.
,
Goatherds Comic books, strips, etc.
2018
\"A high stakes dystopian drama about finding humanity in a world torn apart by violence.\"--Back cover.
Dreams of Peace and Freedom
2006,2008
In the wake of the monstrous projects of Hitler, Stalin, Mao, and others in the twentieth century, the idea of utopia has been discredited. Yet, historian Jay Winter suggests, alongside the \"major utopians\" who murdered millions in their attempts to transform the world were disparate groups of people trying in their own separate ways to imagine a radically better world. This original book focuses on some of the twentieth-century's \"minor utopias\" whose stories, overshadowed by the horrors of the Holocaust and the Gulag, suggest that the future need not be as catastrophic as the past.The book is organized around six key moments when utopian ideas and projects flourished in Europe: 1900 (the Paris World's Fair), 1919 (the Paris Peace Conference), 1937 (the Paris exhibition celebrating science and light), 1948 (the Universal Declaration of Human Rights), 1968 (moral indictments and student revolt), and 1992 (the emergence of visions of global citizenship). Winter considers the dreamers and the nature of their dreams as well as their connections to one another and to the history of utopian thought. By restoring minor utopias to their rightful place in the recent past, Winter fills an important gap in the history of social thought and action in the twentieth century.
Le clos et l’ouvert. La représentation de la ville dans les romans de Rachid Boudjedra
2025
With the subversive writings of literary modernity, space undergoes the law of referential de-anchoring. For Rachid Boudjedra, the city cannot be perceived independently of the historical issues of the question of memory and colonization. But the novelist’s entire art consists of freeing urban space from its referential function to place it in a more complex structure, which engages in deep reflection on the future of Algeria. Boudjedra will then give us, with the city, a symbolic topography which sum-marizes the multiple crises of the subject and the community, including the symptomatic transition from the drama of colonization to that of radicalism
Journal Article
Speculative Everything
2013
Today designers often focus on making technology easy to use, sexy, and consumable. InSpeculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be -- to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose \"what if\" questions that are intended to open debate and discussion about the kind of future people want (and do not want).Speculative Everythingoffers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more -- about everything -- reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.
Wind and Whirlwind
2019
In Wind and Whirlwind the great philosopher Ágnes Heller and social scientist Riccardo Mazzeo explain the pros and cons of utopias and dystopias as they are described in literary works and their relevance to understand the world we live in and the hidden consequences of apparently appealing life trajectories.
New Urbanism and American Planning
by
Talen, Emily
in
Cities and towns
,
Cities and towns -- United States -- History
,
City and Urban Planning
2005
New Urbanism and American Planning presents the history of American planners’ quest for good cities and shows how New Urbanism is a culmination of ideas that have been evolving since the nineteenth century. In her survey of the last hundred or so years of urbanist ideals, Emily Talen identifies four approaches to city-making, which she terms ‘cultures’: incrementalism, plan-making, planned communities, and regionalism. She shows how these cultures connect, overlap, and conflict and how most of the ideas about building better settlements are recurrent.
In the first part of the book Talen sets her theoretical framework and in the second part provides detailed analysis of her four ‘cultures’.She concludes with an assessment of the successes and failures of the four cultures and the need to integrate these ideas as a means to promoting good urbanism in America.
\"This is a must read for anyone interested in contributing wisely to American urbanization.\" - Alex Krieger, Professor of Urban Design, Harvard Graduate School of Design
\"She brings a rich, coherent historical overview to a subject often adrift in the horse lattitudes of statistical analysis.\" - James Howard Kunstler
Talen is an associate professor in the Department of Urban and Regional Planning in the College of Fine and Applied Arts at the University of Illinois, Urbana-Champaign. She received a Ph.D. in geography from the University of California, Santa Barbara in 1995. Prior to that, she worked as a planner for the City of Santa Barbara for 6 years. Talen has more than 30 publications in refereed journals on a variety of topics dealing with urban sprawl, city form and pattern, new urbanism, and the social implications of community design. Her research focuses on the evaluation of urban form and pattern, the relationship between human diversity and the built environment, and the measurement of people’s preferences and attitudes about their local environments. She teaches courses in planning history and community design.
1. Introduction Defining American Urbanism 2. Framework – Four Urbanist Cultures 3. Principles – Urbanism vs. Anti-Urbanism 4. Incrementalism – Beauty, Redemption, Conservation and Complexity 5. Urban Plan-Making – the City Beautiful and the City Efficient 6. Planned Communities 7. Regionalism 8. Successes and Failures 9. Conclusion – the Survival of New Urbanism
Utopia, Carnival, and Commonwealth in Renaissance England
2004,2014
With the emergence of utopia as a cultural genre in the sixteenth century, a dual understanding of alternative societies, as either political or literary, took shape. InUtopia, Carnival, and Commonwealth in Renaissance England, Christopher Kendrick argues that the chief cultural-discursive conditions of this development are to be found in the practice of carnivalesque satire and in the attempt to construct a valid commonwealth ideology. Meanwhile, the enabling social-political condition of the new utopian writing is the existence of a social class of smallholders whose unevenly developed character prevents it from attaining political power equivalent to its social weight.
In a detailed reading of Thomas More'sUtopia, Kendrick argues that the uncanny dislocations, the incongruities and blank spots often remarked upon in Book II's description of Utopian society, amount to a way of discovering uneven development, and that the appeal of Utopian communism stems from its answering the desire of the smallholding class (in which are to be numbered European humanists) for unity and power. Subsequent chapters on Rabelais, Nashe, Marlowe, Bacon, Shakespeare, and others show how the utopian form engages with its two chief discursive preconditions, carnival and commonwealth ideologies, while reflecting the history of uneven development and the smallholding class.Utopia, Carnival, and Commonwealth in Renaissance Englandmakes a novel case for the social and cultural significance of Renaissance utopian writing, and of the modern utopia in general.